I haven't watched the new season of bridgerton but I have seen clips (I can't help myself), and from what I've seen, our suspicions were 100% on point. Not only did Francesca not achieve an orgasm, but anytime she tries to beintimatee with John, there is an element of uncertainty or confusion whenever they do anything of the sort. When she tried to passionately kiss him, she immediately slowed down, almost stopping as if she was waiting for the passion to hit. Meanwhile, whenever Michaela is in her line of sight, she's flustered and nervous because she is attracted to her.
Francesca is NOT bi, but a lesbian, and anyone who tries to deny that is just trying to do damage control because they know that's not okay that they decided to change the nature of Fran and John's relationship, it's just the hard truth.
Yes, Francesca loves John, but it's not the typical romantic, passionate love Bridgerton focuses on as THE love. She has love FOR him but is definitely not IN love with him. The book made it all apparent that John and Francesca were not only happily married but were also passionate about each other. There was NO attraction from Francesca's side for Michael; it even took so long (mostly due to him running away, but I digress) for Francesca to even look at him that way, but here Francesca is already feeling things the moment she met Michaela, and that's just cruel.
People will always root for the things they want to see in media, it's just how we work, unfortunately. However, there are those people who try to gaslight others to accept their fantasies as if that's ok, just because "all the other Bridgertons are in straight relationships lets just have this one thing". They ignore those that also want to be represented, such as the people who struggle with infertility and those who are unsure about finding a second great love after losing their first (tbh this is probably given to Violet from what I've seen, which just makes John's character even more sad).
It doesnt matter anymore, Michael doesnt exist, and Francesca is definitely getting a different story than the one in the books (seeing as Fran was more upset over not getting pregnant for John and not the fact that John is dead). I can already tell they'll make Fran want a baby because of the whole heir thing as apposed to her feeling lonely and wanting a child which will make her 100% not sure to commit to Michaela because, unlike what some people think, two cis women in the 1800s can't have a child together and thus that will be their "what's keeping them apart" instead of it being their guilt over John and Fran's love for one another.
I think you honestly clocked the entire season dynamic perfectly just from those circulating clips. It is actually wild how accurate your read is without even seeing the full episodes.
The showrunner and the actress definitely leaned into the interpretation of Francesca as a lesbian woman navigating compulsory heterosexuality. The intimacy scenes remain consistently awkward and uncertain, which contrasts with the chemistry she has with fem Michael. That lack of spark with John really changes the tragedy of his death from a romantic loss into the loss of a safe, companion-esque partnership. (In my opinion.)
Her mourning period pivots quickly toward the pregnancy disappointment rather than lingering on the romantic loss of John. (At which point I gotta give a shoutout to Ben for going to bat trying to save Fran from an invasive "test" - he failed, but it was 100% one of my favourite scenes this season ❤️)
From a historical perspective, this actually creates a terrifying situation for her legally and financially. In the book Michael inherits everything and protects her, but a female Michaela obviously remains barred from holding the Kilmartin title. Failing to produce a male heir means the estate passes to some random distant male relative (Featherington style), leaving Francesca completely vulnerable and potentially homeless (I mean, she's a Bridgerton, Anthony would never let her be homeless, but technically, he's no longer responsible for her, that's how it worked in the 1800s).
That makes the pregnancy plot less about an emotional desire for motherhood and more about basic survival.