With nothing much else to post at the moment, Berit has suggested that I share some tracks from maybe the biggest influence on Life With Althaar with "the yutes."
The Firesign Theatre was a surreal comedy group -- composed of Phil Austin, Peter Bergman, David Ossman, and Philip Proctor -- that worked in audio, from 1966 to 2012, on radio in a mostly-improvisational form, and on LP and CD (and occasionally stage, film, and video) in a densely scripted and layered series of landmark audio works combining high and low comedy, poetry, literature, music, philosophy, metaphysics, theatre, surrealism, absurdism, and social commentary into a thick audio stew.
I've been listening to their albums for literally all 54 years of my life, and my voice (physical and creative) owes everything to them (probably all 75 voices I've performed on Althaar could be directly traced back to one of the Firesigns, if not deliberately imitating some other famous person).
While our show is more plot and character-driven and less abstract than most of their work, I think the influence is apparent, both in audio production and in a kind of philosophy of sonic comedy.
So I'll be sharing some of their work here over the next week, hoping to keep it alive in the Future. No problem if it's not your bag -- there are plenty of dated references, and some of the dialect voices verge on (or cross into) the problematic -- but maybe someone out there catches the bug.
Here is the title track from their first album, Waiting for the Electrician or Someone Like Him, from 1968, originally all of side 2 of the LP. It's a simple start from them, getting to know the capabilities and limits of a real recording studio (only 4 tracks!), but it's pure Firesign.
(and yes, I chose to make one of the opening scenes of Althaar's first episode a Customs check in homage to this piece...)
The Wikipedia article on The Firesign Theatre is a detailed and accurate history if you want to know more.
When meeting the Firesigns at a signing in 1993, I mentioned to David Ossman their huge influence on me and he asked, "What do you do? Comedy?" And I replied, "No, I'm in Audio" (which was my job at the time). And he slammed his signing pen down and said:
"You see! People are always asking me 'where are the comedians influenced by Firesign these days? why does no one do comedy like you anymore?' And I always tell them, the people influenced by us didn't go into Comedy, they went into Audio! That was our real influence!"
And so, 30 years on from that, I find myself winding up doing both.
Hope you enjoy the all-nite images.
