Since I'm watching the superior 1940 version- How would Hel fit in Jane Austen land? // @withinycu
Oh boy.
Okay so getting into the nitty gritty of world politics at the time, her native Denmark is uhhh going through it. It’s the final death throes of Denmark-Norway, the British have come and wrought absolute havoc, an alliance with France is in its infancy as a result, and the Swedes seem to be having a better go of it. Everything is going to shit. It’s marvelous. The nobility is about to get shitcanned in the next forty years depending on when we define the start of an Austen-style story. The pressure is on, I’m sure.
Lea, born into the prestigious pre-Reformation lines of Bolvasmithr and Ulveskog, found that prestige rather tarnished during her early childhood. Her parents were lain low by a series of misfortunes that precipitated a fall from grace and polite society. Her absent father has been, as Lea understands it, away for more than a decade escaping such scandal and, it is whispered, charges that might be brought against him. Those same society gossips will crow about the mercy and kindness of her father’s dear old friend, the Baron of Valhalla.
That the Baron ruined his blood brother’s standing is without question within Lea’s mind. That he would use her as surely as he used and cast out her brothers for what little he could bleed from the stone of their inheritance is taken as absolute certainty. While Lea had a brilliant education and showed a marked devotion to the feminine arts, she decided young to play the spinster. Once she could negotiate her own emancipation from her godfather’s country estate, she escaped southward on the continent, taking a Grand Tour to rival those of the highest born nobleman of her time. Of course, this is not what she called it, and was simply an excuse to move from coast to coast in the interests of her fragile health. She has not returned to Denmark-Norway in the decade since.
She’s an avid patron of the arts and sciences, a bright mind hiding beneath a fashionable frock. The consummate lady to obscure the Byronic character beneath, she proves a talented musician and hostess. She’s one of those proto-feminists who does not deny the rightness of the womanly arts while still demanding that a lady’s contribution be taken seriously as more than window-dressing for a husband’s estate. She’s also a staunch atheist in an era where religion is starting another upswing. She loves to break out the fact her mother’s name is purely Pagan in origin to see what each society she crosses will make of such facts.
Yes she is ugly and sickly, no that is not why she is unmarried. She’s in possession of certain facial and muscular deformities that give a rather gaunt and rigid quality to her left side, accompanied by afflictions of the nerves and heart. That she is still alive is testament to her spite, that her godfather receive nothing of what is rightfully hers. Catch her covering up as much as possible and rocking a veil like a vestal virgin.
Despite this, she has several close... correspondences with ladies across the world, from Sussex to Naples and a fair few locations inbetween. She’s pretty clearly gay coded except we can’t say that, it’s an Austen-derived work.
So her stereotype in more romantic works is possibly the poor wretch that our bucolic-raised protagonist nurses and proves her goodness to through her actions towards this wretched, spiteful shrew of a sinner, or the snappy spinster that makes sport of our young society lovers only to deliver an impassioned third act speech about her wasted life or lost love and a protagonist realizes they don’t want to be this ugly foul lady in their old age.
(mind you lea is only in her early-mid thirties.)
other good alternatives include: the madwoman in the attic, the mysterious benefactor of a down on their luck protagonist who was once kind to her, the patron of a poor artist who loves a lady of means and maybe teaches him how to behave in proper society to fake it til he makes it, the dangerous mysterious figure who turns out to be heroic and is warning the leading lady away from a false love, or the mystery that blows into town with what seems like a terrible and cruel plan against the poor baron only to break out ODIN AIN’T SHIT HE DEFRAUDED MY PARENTS AND SOLD MY BROTHERS INTO DAMNATION to reveal him as the villain all along!
I am sure there is a way to make her a palatable romantic lead as a defrosting ice queen broken bird who chooses to let karma get the Baron before she wastes another moment of her life on his cruelty rather than her own salvation, all before delivering a god-tier anguished declaration of love to her romantic interest. I just don’t know how to slice it.













