Oh damn. I’m about to give my actual 🧐opinions🧐 on the arcana. Scary stuff!
By the end of the Asra tale, I was pleasantly surprised that I enjoyed it as much as I did. And thankfully it wasn’t because I was practically asra-starved and surviving so long off my own damn content, but honestly because there were several key elements in the story that appealed to me personally. I’ll be going over those below the cut.
I’m also going to discuss how my apprentice Kipling and her specific connection with magic fits into all of this. Once again, that wasn’t really something I was expecting to develop so easily as I played the tale, but the experience was just too delightful to just keep to myself until I’m ready to write a fic.
There will be spoilers!
*Everything is under the cut!*
I’ll start with the basics first and then move onto Kip.
Locked boxes. Ok, not what you would expect in terms of things from the tale that are supposed to light up a reader’s brain, but whenever I see this little device (be it metaphor, motif, or just a plot developer) I go a little feral.
First of all, I KNOW the box is empty. They almost always are, but that’s not the point. Locked boxes (and to be clear, I’m talking about the chest Gavin hands over) could represent a lot of things — a personal challenge, an unnamed reward, possible disappointment, tiny little worlds that the characters are entrusted to protect. They spark questions like: why me? Do I have what it takes (to open this bad boy?) Is this what I’m meant to do? What does it mean if I can unlock/protect/discover its contents? What does it say about me if I can’t???
As a writer who LOVES to drag out simple devices until there’s not a single crumb left, I was LIVING for that chest as soon as it was placed in Asra and the MC’s care. If I could extend the tale, it would be such that Asra and the MC end up taking the box with them in addition to the Hyberian spices. Or at least some version of the box (which I am happy to elaborate on in a future fic!)
Asra’s character was sooooo consistent! Y’all. With the unfortunate decline of the quality of writing in Muriel’s route, I was losing faith in the devs’ ability to maintain Asra’s character. We all know that he’s a little flighty — a trait that I find endearing and also a little personal because I’m also kind of spacey as well as naturally prone to overlooking details because of either (1) daydreaming (2) don’t think it really matters.
Sorry — Anyway. Back to my point. Even though Asra’s supposed to give off the head-in-the-clouds vibe, they took that way too far in the last couple chapters of Muriel’s route to the point where (for me) he seemed rather childish and unreliable. For that reason, I was worried that this would be the case in the new tale. But it wasn’t! I felt like this tale showed all the sides of Asra that we came to know and love from his original route. It was so balanced and refreshing that for many points, I sat there staring at the sprites and the text, just processing all of the warm feelings I was having. And on top of Asra being consistent, he had also changed! The MC pointed out that Asra had been hiding his feelings for so long and now he no longer had to. I thought the scene where he got really protective of the MC was a great example of that. I don’t think that’s a side of himself he shows very often, especially in front of the MC because he doesn’t want to freak them out or push their feelings in a certain direction. For most of his route, it’s clear how much effort he puts into letting the MC make their own decisions and removing his personal desires from the equation in order to minimize any bias. But by the time this tale takes place, you can see that Asra is fully comfortable with being more open about his emotions. Instead of seething and shooting judge mental glares with salty comments, (because he also does this a lot) he actually elaborates on what he finds upsetting about the situation. He defends the MC without holding back as much as he has in the past. It was so hot 🥵 cool to see Asra stand up to Gavin like that! At the same time we got to see the bashful side of Asra in the bar. There were just so many sweet, fun small moments between him in the MC. I can’t wait to explore them in some way in the future!
THE CG???
ARE YOU FUCKING KIDDING ME???? Y'ALL REALLY AIMED A MAGNIFYING GLASS ON THOSE DIMPLES AND LIPS AND SAID LOOK AT THIS???? I WAS SWEATING. I WAS CRYING. I WAS LIVING. I WAS DYING. HNNNNNNNNNN 😩🥴👌🏽👌🏽👌🏽👌🏽🫀🫀🫀🫀
.
Now I'm going to get a little bit into Kipling's magic...
For the record, my apprentice Kipling wields two types of magic: plant magic and teleportation magic. Though she relies on her plant magic more on average because of her job, it’s actually her secondary skill. Teleportation or grey magic is her primary and her mastery over it has taken much longer due to the fact that it’s tied to her culture, which she was not only separated from when she moved to Vesuvia, but also didn’t have a lot access to in the first place thanks to the centuries of cultural genocide that took place on her home island.
My timeline for Kip’s mastery of her primary magic doesn’t really sync up for when this tale takes place in the arcana timeline, so I have to repurpose it to fit the Door Lord timeline that takes place in my fics.
LOL I said all of that just to point out that during a lot of the chase scenes, Asra and Kip relied on her teleportation to evade the guild thieves. And since Kip is something of a locksmith when it comes to her magic, she was very intrigued with the box and was more concerned about opening it to see what was inside rather than delivering it to the marked location.
Also, in the Herbalist Hideaway, Kip’s first instinct to trade the box for the Hyberian spices because she felt that making Selasi happy was worth more than all this craziness with the chest. 😆 Asra of course, had to talk her out of it and encouraged her to give the merchant a reading instead.
There was definitely more that I loved about the tale, but these are the strongest highlights for me. Thanks for letting me brain dump on your dash!
