Bernd and Hilla Becher, Bethlehem, Pennsylvania, USA, 1986
seen from United States
seen from Türkiye
seen from China
seen from Türkiye
seen from China
seen from China
seen from Türkiye
seen from China
seen from Portugal

seen from United States

seen from Malaysia
seen from United States

seen from Russia

seen from Malaysia

seen from Germany
seen from Romania

seen from Germany

seen from Singapore
seen from France
seen from South Africa
Bernd and Hilla Becher, Bethlehem, Pennsylvania, USA, 1986
Bernd Becher (1931-2007) and Hilla Becher (1934-2015)
Gutehoffnungshütte, Oberhausen, Ruhrgebiet 1963
(via Art Blart)
“There is a tension, in the Bechers’ photographs and in their statements, between the urge to document a vanishing industrial landscape and the desire to create a whole new vocabulary of images.” – Jana Prikryl
(via 15 Short Texts in Search of Hilla Becher | The Nation)
Various works by Bernd and Hilla Becher
Farewell, Hilla Becher.
RIP Hilla Becher (1934-2015) Mother of typology. Work that will last for centuries.
Ode to Hilla Becher.
Photographer Research: The Bechers
I have researched the Bechers a number of times for previous projects, they create typologies of industrial buildings using film. However I would like to use them as research as I feel they show a style of photography which I am interested in using for this project. I feel that by using simple rules similar to The Bechers I can create images that highlight the buildings and their form. From looking at their work I have chosen to photograph only on dull days with little sunlight. I feel that this will highlight the straight and curved lines of the dark concrete, creating a good contrast between its shape and a plain white or grey sky.
From looking at their work I have also chosen to photograph in black and white. I have a strong image in my head of what these buildings may look like in picture, and feel that black and white will be able to enhance the mood from these buildings. A mood which suggests that these buildings are now dull and “past it” in our modern world. I have also thought tonally about why I should use black and white for these post war buildings. I feel that the viewer will have a greater understanding of three dimensional shape and form whilst looking in black and white. I aim to take photographs that show different tones of shape, which come together in a minimalist style to show the overall form of a building. I believe I have found a similar photographers which photograph architecture in this style called Helene Binet and Simona Panzironi.
Candida Höfer, Florence, 2009
http://irisveysey.com/2015/03/08/some-female-photographers-for-international-womens-day/