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@whitecliffe-photomedia
“Photography is the 21st century alphabet. We take notes with it, record, converse, investigate, compose, expose and memorise. We share essays, stories, and moments intimately and globally. Pictures are our global common language” Claudine Boeglin, co-founder of Magnum in Motion
The best of Magnum in Motion
A Transom.org podcast on thinking sonically.
"Time and again we'll see Lacey use this conscription of noise to perform a kind of entanglement, an articulation upon which meaning comes to the fore."In this long read essay, Hamish Win looks closely at a decade of work by Sonya Lacey, focussing on noise as a paradigmatic methodology.
The award-winning picture editor and Alexia Tsairis Chair for Documentary Photography at Syracuse University explains how to select images for books, competitions and grants.
Richard Mosse, Incoming 2017
"does an artwork that sets out to challenge documentary tropes end up aestheticising human suffering by rendering it mere spectacle? The tension between the wilfully unreal textural beauty of the film – and it is pure texture, from start to finish – and the human tragedy it records is undoubtedly part of its power, making it uncomfortable viewing in the context of an art installation”.
(via Richard Mosse: Incoming review – shows the white-hot misery of the migrant crisis | Art and design | The Guardian)
Discussion about Dorothea Lange’s Migrant Mother (1936)
from TIME’s 100 Photos The Most Influential Images Of All Time Project
(via Migrant Mother | 100 Photographs | The Most Influential Images of All Time)
“When Fortune was in its infancy during the thirties, the land of tantalizing mystery was Russia,” Bourke-White later recalled. She dubbed the Soviet Union “the land of the day after tomorrow.” The title was ironic, apparently. For not only did this indicate the country’s futuristic bent; it also hinted at deeply-rooted confusion – Ross Wolfe, The Charnel House
(via Margaret Bourke-White in the USSR, 1931 | The Charnel-House)
Information on Margaret Bourke-White’s picture from the 1937 flood and unpublished images from the LIFE archive
(via 'The American Way': Photos From the Great Ohio River Flood of 1937 | Time.com)
“Stacy Kranitz’s long-form photographic project As it was give(n) to me is a work that interrogates notions of documentary truth by challenging the role of the artist as author and historian”.
(via Interrogating The Notion of Documentary Truth: Stacy Kranitz)
(via 30 Most Influential Photographers in Asia - Invisible Photographer Asia (IPA))
Worth spending some time working through this list....
Most images from 9/11 are of towers, not people. Falling Man is different
How do you auction an algorithm? Or hang an Instagram portrait? Would Dali have loved VR? Four pioneering digital art gallerists, discuss all this and more in a live group chat, chaired by CNN Style’s guest editor Art Basel Global Director Marc Spiegler.
“The worst thing which can happen to digital art is that it's get accepted widely by galleries and museums. Read this conversation and you will see why.”Â
– Lev Manovich
“There is a tension, in the Bechers’ photographs and in their statements, between the urge to document a vanishing industrial landscape and the desire to create a whole new vocabulary of images.” – Jana Prikryl
(via 15 Short Texts in Search of Hilla Becher | The Nation)
“My photographs acknowledge the history of image-making, much of which happened through painting, while at the same time asking how a historical task could be accomplished differently now.” – Eric Shows
(via In the In-BetweenIn Dialogue with Eric Shows - In the In-Between)
Against Intention: The Photographic Error as Authority
“These errors are a semi-definable category in so much as that they are not merely “bad” photographs associated with incorrect angles, bad composition, terrible lighting or any other methodology that would distance an image from being “likeable” or good photograph.  The error then becomes further definable from that which it is not”
(via Against Intention: The Photographic Error as Authority | #ASX)
(via Philip-Lorca diCorcia on 'A Storybook Life': Circular Narratives, Dream States and Doing What You Like | #ASX)