#behindthevinyl

[cylsrecords]

Listen to @PartingBand on the @behindthevinylpod podcast! They talk about their debut, 'Unmake Me', what their song titles mean, their old bands @eeiwale @annabelohio @dowsingband @hawkandsonband, and making music in their 30s. All links on our website via the link in our profile or here: Spotify: open.spotify.com/episode/6HpMG3… Apple: podcasts.apple.com/us/podcast/76-… Website: behindthevinylpod.com #Parting #UnmakeMe #BehindTheVinyl #CYLS #CountYourLuckyStars #Podcast #EmpireEmpire #empireempireiwasalonelyestate #Annabel #Dowsing #HawkAndSon #Emo #EmoRevival #Punk #Indie https://www.instagram.com/p/CSuGMWarQmT/?utm_medium=tumblr

[recklingreckling]

Listen to this Podcast w/ Behind the Vinyl Spotify Apple Podcasts

“I took a virtual trip to Los Angeles this week to have a fun conversation with punk rocker, Kelsey Reckling. We talked about the release of 24 Hours in the beginning of the year, going back to school to study biology, finding a passion for bird watching and plant hikes, getting sober after an injury to the hand, and working at Cosmic Vinyl. There was also a detailed discussion about moving to Los Angeles from Houston. Kelsey is a sports fan and talked about what it was like living in LA when Kobe Bryant passed away (RIP) and the Houston Astros’ cheating scandal. Plus, we had an extensive conversation about growing up with a guitar in her hands and finding a love for punk bands like Rancid, Black Flag, and L7. When Kelsey has some free time she runs a record label, Wink and Spit Records. Lastly, Kelsey tells me about starting up Reckling, the first album, and playing with awesome acts such as Vivian Girls and Great Grandpa last fall. Give this episode a listen by visiting the link in the bio! Also, make sure to listen to Kelsey’s great music!“

[platinumblondegirl]

Today on Behind The Vinyl Mark Holmes talks about Platinum Blonde's first single from 84's Standing In The Dark.

Mark talks about how his mother came into the studio to record her voice, how David Tickle produced the song, and an arguement that he and Chris Steffler had over what the drums should sound like? (I didn't know that Chris was a jazz drummer? :o)