Ruby & Penny inspired by this pallette swap by @pilot-boi

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Ruby & Penny inspired by this pallette swap by @pilot-boi
Here it is: the TMA tribute I have been working on for ages, finally rendered in color.
[ID: a full color marker illustration of the 14 (+ the Extinction) and John and Martin from TMA. The page is split into fifteen even pizza slices, each with a different entity theme. On top, glued to the page, is a pen drawing of John and Martin on light grey paper.
John leads as they walk to the right, facing away from the viewer and holding up a hand, two floating eyes helping guide his way. A large backpack mirrors the one Martin is wearing, and John holds back a hand which Martin is holding. Martin faces the viewer as he walks forward, smiling slightly. From behind him, tendrils of fog encroach and curl around his foot.
On the pizza slices, starting from one o'clock and going clockwise:
The Vast shows an open sky with distant clouds, a rope ladder swinging across the expanse as a single occupant climbs upward. Below, clouds form into the heads of a massive crowd dissapearring into the distance, each head without a face. Underneath their chins, deep blue water stretches out.
The Lonely shows a ship in greyscale with the silhouette of Peter Lukas standing at the prow. Swirling fog fills the background, and in the distance a person's silhouette stands in a wide, empty street, where vacant buildings bend toward them, fog curling around their ankles.
The Web shows several objects suspended in tangled spiderwebs in front of the silhouette of Hilltop Road. In the web is the engraved web lighter, which is open but not lit, a cassette tape, and a bottle of wine. In the lower right, a large spider perches, its limbs testing the strings of the web.
The Corruption has a background reminiscent of worm tunnels, with shifting sickly yellows, greens, and browns. On the left, a woman in dark grey robes and a surgical mask shows green mold on her skin. A few flies rest on her face, and she stares at the viewer nervously. On her right, a green molding globe is stood upon by a large housefly, and a cheery green and yellow maypole stands. Further right, massive worms, about an inch long and with one silvery side, are obscured by Jane, who is wearing a large coat and facing away from the viewer, her skin full of holes.
The Dark is shown in mostly negative space. On the top, a lightbulb dangles next to a gaping mouth full of teeth and floating pair of eyes. Below, a darkened neighborhood of small houses is shown, in the darkness behind a large wolf and long, twisting tentacles hide. The front of the piece shows Manuela's anti-sun, producing a halo of darkness around itself.
The Hunt has a background of deep green pine trees, and shows a grey wolf with a dead rabbit clutched in its jaws, blood covering its teeth and staining that rabbit's fur. In front of it, there are two drawings of Daisy's wolf form. The first is a closeup on her face, where she tilts her head up, looking at the viewer and saying "RUN." The other is a full body of her hulking form, which is skinny and twisted, tufts of fur coming out of her torn shirt.
The Flesh has a pink and red background reminiscent of intestines. At the top, John's removed rib is haloed. Twisting bodies with extra joints, distorted skin, qnd incorrect proportions are piled below, and at the front, Jared smirks at the viewer, wearing a hoodie with a jarge letter "J", which shifts with strange growths that are barely hidden beneath it.
The Stranger had a red background filled with music notes. At the top, a mannequin has a face awkwardly pinned to it's own, the holes for the eye sockets showing the blank plastic below. A carosel is partially covered by Not!Sasha, who looks at the viewer, leaning in. In front of her, Breekon and Hope look at the viewer, wearing their work uniforms. At the very bottom, the apple from anatomy class grins, next to Nikola Orsinov, who is a mannequin with only a large toothy smile and painted on blush. She is wearing a red and yellow clown outfit with a large white neck ruffle.
The Spiral has a background of bright swirling colors. At the top, a smiling stick figure holds a steaming mug of coffee, a sign next to them reading "CAN'T SLEEP?". a vase, covered with patterns, is gripped on the edge by a greying hand. In the foreground, Michael Distortion waves, opening a large yellow door, within which another bright colorful pattern is swirling. The corridor continues behind, striped in various colors.
The Buried shows a silhouette of a person drowning, bubbles escaping their mouth. Behind them, rocks are scattered, obscured by a coffin wrapped in chains with a tag that reads "DO NOT OPEN". in the distance, tunnels in the ground weave.
The Extinction shows an expanding mushroom cloud blowing out the windows of crumpled buildings, a pile of indistinguishable debris and a rotting couch outlined in front a back sky that features a shattered moon.
The Slaughter has a dark brown background which has a floating tune of music overlayed. The Toy Soldier holds a gun to the left, grinning as it faces right, where the Piper stands. The Piper has three heads, connected at the neck. The one on the left blows into the bagpipes, blood running from beneath its green helmet. The center head faces the viewer, letting out a gutteral scream and staring. Hands, clasped in prayer, hover beneath the center head. The head on the right keeps its mouth closed, but blood and dirt leak from it and drip down its chin, a final hand brought to its brow in a salute.
The End pictures a stature of a weeping angel, obscured partially by a large skull. A book behind them reads "HIS CONSIOUSNESS FADED IN AND OUT LIKE THE TIDE. HE TRIED TO RESIST...". In the top of the slice, grey tendrils curl around a heart imbedded in a ribcage. The heart, which is red, is the only color in the slice.
The Desolation has a stripe of fire flicking across it. Beneath the stripe is a grey and smoky sky behind burned and blackened tree husks. Above the flames, a hand holds a cigarette casually, which smokes. Two candles burn, partially covered by a house whose windows belch flame.
The Eye shows a grinning silhouette with an illuminated eye. Three security cameras look in different directions, overlayed on top of a manilla folder that reads "CASE #I-SEE-YOU. STATEMENT OF..." A large tape recorder waits on the right, and a camera on the left. Words next to the human silhouette read "OUR EYES ARE NEVER CLOSED. WE ARE JUDGING YOU. WE SEE YOU, WATCH YOU..." At the top center, a staring green eye looks down at where John and Martin walk in the center.
/END ID]
Older Penny design ✨
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[ID: a digital drawing of David 7 and Imogen from Stellar Firma. David 7 is a dark-skinned clone with curly hair, long, rounded ears, and two antennae coming from the back of their head. They're wearing a purple onesie, with blue detailing. Imogen is a light blue skinned woman with wavy white hair and blue eyes, who is inside a computer screen. David 7 is bent over a piece of paper, and doodling a drawing of them holding hands with Bathin, surrounded by hearts. They are blushing and grinning. Imogen's screen is hovering over David 7's left shoulder, and she seems to have her hand resting on the edge of the screen. She is peeking above the bottom of the screen and squinting at David 7 in confusion. Next to her head are three question marks. /End ID]
art for @hartro-owns-my-heart-ro 's fic with you I'm on firm ground ! I've loved working with Grem on this fic!
Michael in the Spiral dress by @marshy-system !
[ID: a digital drawing of michael from the Magnus Archives. It is a tall, elongated humanoid with pale skin, long, curly blonde hair, and massive, elongated, many-jointed hands, clasped beside its head. It is wearing a vibrant assymetrical multicolored and textured dress, red boots, a pink bracelet, and spiral sunglasses propped up on its head. Its wearing a delighted expression. /End ID]
Alt versions under the cut!
This is the current official cover art for the Penny Siblings AU!
[ID: a six panel black and white comic of Gerry Keay, Martin Blackwood, and Jon Sims from the Magnus archives. In the first panel, it shows the three of them in bed, asleep. Jon is hugging Martin from behind, and Gerry is off to the side, facing away from them. There's a sad look on Gerry's face. In the second panel, there's a smaller cutout on the top, showing a closeup of Gerry's face. He becomes progressively more visibly upset before opening his eyes. In the bottom of the panel it shows Gerry looking sadly at Martin and Jon. In the third panel, Gerry sits sadly on the edge of the bed, looking down while his hands rest on his knees. In the background you can see Martin and Jon sleeping. In the fourth panel, a cutout in the upper left shows Gerry looking sadly back at Jon and Martin. The rest of the panel shows Martin sleeping peacefully, and you can see the corner of Jon's face behind him. In the fifth panel, two cutouts show martin waking up. Then he smiles at Gerry and opens his arms for Gerry to cuddle with him. Jon's arm is visible wrapped around Martin's waist. In the sixth panel, two cutouts show Gerry smiling at Martin and then crawling back into bed. The final image is Martin and Gerry smiling and hugging while asleep. Jon is visible behind Martin, still cuddling him from behind. /End ID]
Happy Pride from the Penny Siblings AU crew! \o/