BEST SINGLE OF 2020 (as voted by my followers): 39.2% for cardigan
when i felt like an old cardigan under someone's bed, you put me on and said i was your favorite.
seen from China
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seen from Georgia
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seen from Oman

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seen from United States

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BEST SINGLE OF 2020 (as voted by my followers): 39.2% for cardigan
when i felt like an old cardigan under someone's bed, you put me on and said i was your favorite.
Best of 2020 (6/6 Characters): Go Sang Ha from Mr. Heart (Lee Se Jin)
I’ve never had what I liked in my whole life.
The Best of 2020
Better late, than never. I enjoy seeing other people’s top-10 lists and I said I’d do one for 2020, so here we go. I haven’t had the chance to watch EVERYTHING I wanted to, but you’ve got to pull the trigger at some point. When the Academy Awards took place on Sunday, I felt like I hadn’t seen ANYTHING nominated but I could remember dozens of times where I felt like I wasted my precious minutes with cinematic detritus. I assumed putting this list together would be easy. It wasn’t. I’ve got a lot of runner ups but for now, here are my Top 10 “Best” (by which I kind of mean my favorite) movies of 2020:
10. Never Rarely Sometimes Always
Never Rarely Sometimes Always gave me a lot to think about. On the surface, it's about a teenager who has to travel outside of her hometown to get an abortion, but it could've been any kind of procedure she's uncomfortable (or unable) asking her parents for. It's about the lengths she has to go to when her main source of support is cut off. You feel uneasy throughout, wondering what lengths the girls will have to resort through and whether something horrible is just around the corner. For this reason, I think many parents would find the film enriching.
9. Mank
I haven’t posted my review of Mank yet - just haven't had the time so consider my star rating for it "spoiled". If you don't know, it's about Herman J. Mankiewicz (Gary Oldman) and the time he wrote Citizen Kane for Orson Welles. I can’t call Citizen Kane one of my favorite films, but I do often think of it. The story, the characters, specific shots, the overall look, etc. Every time I revisit it in my memory, my appreciation for it grows and in a way, Mank helps complete my relationship with the film. For that reason, I foresee myself revisiting Mank in the future - probably as part of a double-bill. I’d love to see it enough times to memorize some of Gary Oldman’s best lines.
8. One Night in Miami
One Night in Miami addresses the present while being set in the past but something about it clicked with me more than Ma Rainey’s Black Bottom. It's essentially a series of long conversations, the kinds that force you to really examine tough questions and see these legendary figures as normal people. Unlike Mank, it isn't so much the individual lines that stand out, it's more the vibes you get from the exchanges. Out of all the movies on this list, it's probably got the best ensemble cast.
7. Sound of Metal
I'm sure you've seen that clip from Un Chien Andalou where an eye gets sliced with a razor? It gives me the willies just thinking about it because if I were blind I wouldn't be able to watch movies or draw. In Sound of Metal, we're dealing with a career cut short because of deafness but the dots are easy to connect. I immediately connected with this movie, which made its ending feel like a punch in the gut.
6. Tenet
I keep telling myself that I won’t love a movie Christopher Nolan directs just because his name is attached to it. Hopefully, this doesn't make me a fanboy, despite my falling for pretty much everything he's released. I love how ambitious Tenet is. The plot is so complicated but then again it isn't because once you're able to grok the mechanics of its reverse-entropy technology, you'll probably figure out most of the plot's mysteries. For me, that was the fun part. It felt good to see my understanding of the story and theories confirmed. I'll be watching it again once groups can gather so my friends and I can discuss everything in detail.
5. Trial of the Chicago Seven
I know The Trial of the Chicago Seven fudges history in ways certain people would say is irredeemable but I never go into a film “based on true events” assuming liberties won’t be taken. At the end of the day, I care about being entertained. My enjoyment was also amplified by the fact that I didn't know what the verdicts would be - my American history is spotty, at best. It's got laughs, outrage, drama, and inspirational moments. Aside from romance, you've got pretty much all the bases covered.
4. Palm Springs
Out of all the pleasant surprises of 2020, Palm Springs was the biggest. I thought the Groundhog Day thing was played out and the 0-star-worthy Love Wedding Repeat did nothing to convince me otherwise. Then, this movie comes along and does everything you want in one of those movies, and then some. Not only did Palm Springs give me the romantic comedy I'd been craving for (feels like we haven't gotten a good one since "Crazy Rich Asians" it also examines what love and relationships mean through smartly written metaphors.
3. Possessor
No, I didn’t put this movie on the list just because it’s Canadian; Possessor is on this list because it’s the most unsettling movie of 2020. I mean that in a good way. I've already talked about how unsettling the premise is but it's also the execution. Those bizarre “dream” scenes with the different identities merging in unnatural ways is unforgettable. That mask of Tasya's face, half-melted is already creepy enough, when worn by Christopher Abbott as he re-enacts her memories is just so weird it makes you wonder if you’re actually seeing what you’re seeing, or if you’re going mad. Then, there's that shot with the fingers at the end! Makes me wince just thinking about it.
2. Soul
During the Oscars, I get a little mad at Pixar. They effortlessly churn out these masterpieces that mean no other studio has a chance of winning an Academy Award for the Best Animated Film category. It makes me wonder if the voters even bother to watch the competition but I don't think anyone could argue against Soul. It's among their best films. It’s gorgeous, profound, and modern without showcasing any issues that might flush your day down the toilet.
Runner-Ups:
Enola Holmes
I never believed Enola Holmes would end up on my "Best of the Year" list but this movie is a lot of fun. If you haven't seen it yet, you should. Just wanted to remind you.
Birds of Prey (and the Fantabulous Emancipation of One Harley Quinn) I was disappointed when audiences didn’t seem interested in Birds of Prey. Seeing Margot Robbie go all-out and given a script that actually makes good use of her character was lots of fun. I also found it refreshing to see a superhero movie (not really, but kind of) that didn’t involve a plot to destroy the world, upheaval all of civilization, or shoot a giant beam into the sky. I think this is one people will discover down the line and go “why didn’t I go see this in theaters when it was playing?”
Borat Subsequent Moviefilm I’m not 100% in love with Borat 2 but boy am I looking forward to showing it to people who have no idea what’s coming. That scene with Rudy Guliani might not have the same impact down the line as it did when I first saw this sequel, but that’s ok. It’ll still have you picking your jaw off the floor.
Nomadland It’s a great movie and I might’ve put it on my list of the best… but I just don’t see myself watching this one again anytime soon. Great movie though. It deserves every accolade you see directed towards it. Chloé Zhao is shaping up to be a major talent. While before I might’ve said “Eternals who?” Now, I’m excited.
The Vast of Night Until I saw Possessor, this was my favorite horror film of 2020. I love the way this movie does so much without showing anything. It’s all about letting your imagination do the work.
Hamilton I’m still unsure how I feel about the casting in Hamilton. Everyone does a terrific job. I understand why actors of color were chosen to portray the historical figures we meet during this story. It still doesn't sit 100% comfortable with me. Then again, who can argue with those results? I’ve seen the movie twice and the songs are still playing in my head.
1. Promising Young Woman
I only had so much before this post went up. Enough for one more movie. It was a tossup between The Father, Judas and the Black Messiah, and Promising Young Woman. As you can imagine, I’m pretty satisfied with the choice I made. Writer/director Emerald Fennell takes the rape-revenge genre and reshapes it into something that feels completely new. Like many of the other films on this list, it also feels relevant to what’s going on today. There are many reasons why I could’ve given it this slot. The writing, the performances, the way it puts your stomach in knots as you wonder what’s going to happen next, the pitch-perfect ending… but I’m going to pick a more personal reason. I try to look at films as snapshots of when they were made. There’s a part of me that winces when I look at Gone with the Wind but I’m also able to take a step back and say “but other than that…” and then just enjoy the movie. In Promising Young Woman, the past is confronted in a way that made me pause and think about two movies on my shelf: Wedding Crashers and American Pie. The Vince Vaughn/Owen Wilson comedy, in particular, has a lot of questionable bits of comedy, bits made even more eyebrow-raising by the fact that it isn't an "old" movie whose entire cast is now dead. Let’s just say that when a movie makes me go “This movie is replacing X”, makes me think this hard about things, and does everything else you want in a thriller… it’ll stick in your head for a long time. That's why I'm calling it the best/my favorite movie of the year.
Highlights from all the 𝕗𝕦𝕔𝕜𝕚𝕟𝕘 𝕘𝕠𝕠𝕕 𝕒𝕤𝕤 𝕤𝕙𝕚𝕥 that made it into the soundtrack of the disaster movie that was 2020 — PART TWO
(pictured left to right as follows):
Future Nostalgia - Dua Lipa [+]
elated! - Bea Miller [+]
Double O Baby - Hot Boii [+]
In a Dream - Troye Sivan [+]
Sweet Action - Jack Harlow [+]
City on Lock - City Girls [+]
Punisher - Phoebe Bridgers [+]
Public Void - Penelope Scott [+]
Kid Krow - Conan Gray [+]
Nectar - Joji [+]
sucks to see you doing better - Valley [+]
Everything Sucks - Princess Nokia [+]
Three. Two. One. - Lennon Stella [+]
Zeros Studio - Declan McKenna [+]
Everything Is Beautiful - Princess Nokia [+]
EINSTUERZENDE NEUBAUTEN - “TEN GRAND GOLDIE”
Einstuerzende Neubauten should need no introduction to any and all fans of avant-garde industrial music, and this year they proved that they’re every bit as vital of a creative force as they’ve ever been. Found objects from the junkyard have never sounded so good! Leading single “Ten Grand Goldie” is my favourite track, with its menacing, aggressive atmosphere--it feels brazen and cruel, like a lot of my favourite industrial, and I love those “screeching” samples. That said, these guys have always been masters at drawing something ethereal and surprisingly delicate from their brutish “instruments” of choice, and the rest of the album delivers quite a bit of that, as on the tenderly inspiring “Seven Screws.”
2020 is ending, and I will remember it for the women who made it more beautiful.
Frida Skinfill: https://www.instagram.com/fridaskinfill/ Shannon Thaler: https://www.instagram.com/shannonthaler/ Vitoria Porto: https://www.instagram.com/vitoriaporto__/ Gloria Vandekemp: https://www.instagram.com/gloriavandekemp/ Katy Branton: https://www.instagram.com/katybranton/ Jasmine Julien: https://www.instagram.com/jasminejulien_/ Jessica Taylor: https://www.instagram.com/jess.taylr2/
(Photos: Ian Garrick Mason, iangarrickmason.com, IG iangarrickmason)
Year in Review: Rob Sheffield’s Top 25 Songs of 2020 #25 Fleetwood Mac, "Dreams" Who else but Stevie Nicks and Lindsey Buckingham could keep re-breaking the same chain for over 40 years, from Tusk to TikTok? “Dreams” became the year’s most surprising TikTok sensation, inspiring Stevie, Lindsey, and Mick Fleetwood to join the fun — probably the closest we’ll ever get to a reunion. Yet another weird twist in the endlessly weird Mac saga. There’s something so beautiful — and so scary — in the way these bad lovers are still haunted by the music they made together, and how the music still refuses to give them their freedom. It’s official: Stevie is the thunder that only happens when it’s raining. And Stevie is always raining. - Rollingstone #fleetwoodmac #stevienicks #dreams #bestof2020 https://www.instagram.com/p/CJKVgURMzKY/?igshid=159km84yysi9r
***BEST OF 2020: The Best Rap Albums From a Historically Horrible Year***
So much has been said about this year, so on the last day of 2020 I don’t need to dive any further into exploration of what made this year so challenging (both at a personal and global level), but on the bright side I will say that two unrelated forces saved this year for me: 1.) my amazing baby daughter, and 2.) the seemingly never ending cycle of new, interesting music releases.
Before we dive in, just two points on my criteria for this list:
- must be released within this calendar year (1/1 - 12/31/20)
- must consist of at least 7 tracks
- rankings are according to a combination of my own favorite albums, and other impressive pieces of work that might not be directly up my alley, but I still found truly impressive
So for my last post of 2020...here are the Top 100 Rap Albums/Projects of 2020 (and a more than worthy list of albums that belong on that same list, further down the page):
10. HOMME by Kipp Stone
Without a doubt the most under-the-radar project on this list, and technically a mixtape and not an "album"...but that doesn't matter much to me, because this effort contains every bit of passion, every bit of perspective, and every bit of sheer love for rapping as any of the the best rap albums of 2020. It's hard to say whether East Cleveland is headed towards similar territory that Detroit, Buffalo, and Rochester now occupy, but with HOMME Kipp Stone captures the hunger, anxiety and forever shoulder-chipped struggle of having big dreams that seem more like unlikely fantasies. Kipp was buzzing a few years back, but making his grand return with this project is confirmation that he is next level talent and is more than ready to make a big splash in 2021.
9. Reasonable Drought by Stove God Cook$ and Roc Marciano
Quotes, on top of quotes, on top of quotes. Not sure what else to say about Roc Marciano's protege at this point, who came out of nowhere to close out 2020 as one of the most sought after feature-verse assassins in the business today. Yes, his bars are hilarious, but it's the outside-the-box references and unpredictable bar pairings that truly made this project such an impressive debut. Roc provided high quality instrumentals for Reasonable Drought, but it's clear that he was intentionally lurking in the background to allow the Stove God to stand on his own two. While the album is probably not at the level of Jigga's classic Reasonable Doubt debut that this project tips its' cap to, it's not hard to imagine that someday we will look back at Stove God Cook$' debut as the coming out party for one of New York City's finest MCs.
8. Àdá Irin by Navy Blue
I never imagined that one of the biggest challenges at this point would not be whether or not Navy Blue deserves to be recognized as having one of the top rap 10 albums of 2020, but rather which album to choose for the top 10!? From Earl Sweatshirt affiliate and Soundcloud producer to standout solo talent, the west coast born by east coast stationed MC/writer/producer/model/skateboarder (!?) had himself a banner year. Of his many gifts, his strongest is his ability to craft beautiful, soulful soundscapes that blend the best elements of the NYC lofi scene with shades of late 90's L.A. underground. Dealing with themes of love, loss, joy, and depression, Navy seems to possess wisdom well beyond his years, and it enabled him to craft not one, but two of the most inviting and accessible offerings from lofi circles that I have heard, and I mean that in the best way possible.
7. From King To A God (Deluxe) by Conway The Machine
He did it. Griselda's top muscle came through to deliver his most well-rounded, and arguably strongest overall project yet. Everything from the bars, to the varied production, to the bleeding soul of this project exemplifies the difference between an album and a "tape". The Machine was a machine in 2020, blitzing an astronomical number of feature verses, but FKTG was the gem he needed in his crown to solidify himself as a contender for best MC in the game moving forward. While this is not his actual Shady Records label debut (who knows when that will arrive now), this certainly feels like his major league arrival.
6. Alfredo by Freddie Gibbs and The Alchemist
Two hip-hop specialists getting together to drop a project just for fun in the middle of a pandemic...what could go wrong? Well, almost nothing, actually. Freddie arrived dripping with soul and Al slid a nice little package of beats his way, and what we ended up with was a strong partner-project to FETTI (their previous stellar collaboration alongside Curren$y), only packaged with little snippets of personal revelations and free-flowing opinions throughout. Gibbs is one of the masters of hooking you in with his voice and contagious flow, so much so that his skills as a talented writer are often overlooked. While not necessarily the incredible revelation that his collaborations with Madlib have been thus far, there's enough strong chemistry here between MC and producer to lock Alfredo down as easily one of the best rap projects of 2020. And the Grammy's would certainly agree.
5. Descendants of Cain by Ka
One of the genre's true master writers, Ka albums feel like audio literature placed over hard-nosed rap beats. Many rappers view themselves as true artists, but few can say they are capable of weaving the type of rhyme poetry that Ka seems to wield with casual ease. The truth is that it's not easy, we just aren't around to witness the care and editing that goes into Ka's work. Featuring too many stirring quotes to single out (and let us not forget an incredible surprise verse from fellow Metal Clergy-man, Roc Marcinao), Decendants of Cain is yet another impressive addition to Ka's catalogue, doing more to capture the paradoxical surroundings of environments that are equal parts harsh and loving - and often doing so through religious metaphors - than many MCs can do in a year. His lyrical paintings of the world may be bleak, but they are not without hope.
4. As God Intended by Che Noir & Apollo Brown
Apollo Brown has been one of the most revered - albeit not loudly proclaimed - underground hip-hop producers of the past decade. He has joined forces with many talented MCs to drop full partner projects, but perhaps none as under-the-radar as Buffalo's Che Noir. But what Che Noir lacked in household name status heading into 2020, she more than makes up for with conviction, writing ability, and the skills of an elite MC. The result of this collaboration is a beautiful, personal, at times painful, and at times just straight badass album, and one that deserves recognition from top rap circles. In my opinion, this is the greatest production work of Apollo Brown's career thus far, and it's hard to say where it will rank for Che Noir since she seems to be a fresh talent that is very much still on the rise - but as of right now, you have to call her one of the best in the biz today.
3. Pray for Paris by Westside Gunn
Westside Gunn is one of the masters of the volume game. That's not to say he - or anyone in camp Griselda - sacrifice quality over quantity, but it's safe to say that you know what you're gonna get with a Westside Gunn album. Welp, WSG rewrote the script with this one. What began as an art-inspired passion project between album releases ended up being the overall strongest Griselda project of 2020, and one of the year's most fascinating rap albums. Since his highly regarded Supreme Blientele album, Gunn has gradually been pulling his own lyrical content out of the spotlight, opting to play cook and curator, throwing a mixture of in-house producers and rappers in a pot with outside talent, to mirror the ambiance of a dark, gritty rap fashion show. His projects are less statements of content, than they are audio "scenes" that the listener is invited into, as if they’re Basquiat level exhibitions quantum-leaping forward in time to now live amongst a hungry, thriving rap scene in upstate New York. That's not to say that PFP isn't a lyrical feast as well, with everyone from Tyler, The Creator to Joey Bada$$ to Wale to professional dancer Cartier William having their turn in the spotlight. All thanks to Westside Gunn, the rare MC that enjoys being the host of his own party more than being the center of attention at one.
2. A Written Testimony by Jay Electronica (featuring JAY-Z)
While some are waving the Act II flag as Jay Electronica's "real" debut album, I am less interested in a cool collection of mostly-finished old songs, and much more interested in a polished, brilliantly produced project with (again, mostly) new verses from both Electronica and JAY-Z. It's easily the shortest selection on this list, but I feel like the quality of each individual song makes up for the brevity. I couldn't care less whether anyone thinks this is more of a duo-album or a solo piece, because the themes are certainly coming from Electronica's wheel house, and the fact that Hov was able to tweak his content to meet him there, is one of the things that makes AWT so special to me.
1. The Price of Tea in China (Deluxe) by Boldy James and The Alchemist
No, it doesn’t represent a seismic shift in the culture, and no it’s not *the album* that we heard blasting out of everyone’s (or anyone’s) car speakers this year, but when it came to sheer execution, and mastery over the style of music they were aiming to make, there just simply wasn’t one flaw in Boldy James and The Alchemist’s The Price of Tea in China. From the distinctly moody production, to the guest verses, to the steady hand of a wizened veteran of the street life, intent on sharing unfiltered tales of his underworld without any additional bells or whistles, it all clicks so well that I can’t picture taking the project out of my rotation. Uncle Al went deeeeeeep into his bag with this one, and Boldy seems to have returned from the industry grave to reach the highest level of recognition of his career. In a year stuffed with a plethora of high quality examples of every flavor of rap music imaginable, The Price of Tea in China is the ideal pick for album of the year, because it’s prestige is built upon it’s ability to simply be what it wanted to be without turning an ear to trends or reaching for broader recognition. TPOTIC’s broader recognition is made possible due to Boldy & Al’s artistic commitment to just making the type of music that a MC from Detroit and a legendary underground producer from Los Angeles love to make, and for that we should be very grateful.
Top 100 (all belong in the Top 25-50, but…there’s only 100 spots in the Top 100, so here we go):
11. FlySiifu by Fly Anakin & Pink Siifu
12. Song of Sage: Post Panic! by Navy Blue
13. Eastern Medicine, Western Illness by Preservation
14. Too Afraid To Dance EP by Chuck Strangers
15. Noise Kandy 4 by Rome Streetz
16. Mt. Marci by Roc Marciano
17. Burden of Proof by Benny The Butcher & Hit-Boy
18. Battle Scar Decorated by Monday Night & Henny L.O.
19. We Know the Truth (Deluxe) by Drakeo the Ruler
20. The Allegory by Royce Da 5′9″
21. Bag Talk by yungmorpheus & Pink Siifu
22. Innocent Country 2 by Quelle Chris
23. Weight of the World by MIKE
24. Kontraband by Rome Streetz & Farma Beats
25. BRASS by Moor Mother & billy woods
26. Try Again by ovrkast.
27. Shrines by Armand Hammer
28. The Smartest by Tee Grizzley
29. Good Energy by Grafh
30. Substance Abuse by Rigz & Futurewave
31. Cold Water by Medhane
32. King’s Disease by Nas & Hit-Boy
33. Milestones by Skyzoo
34. Young & Turnt 2 by 42 Dugg
35. My Turn by Lil Baby
36. Manger on McNichols by Boldy James and Sterling Toles
37. The OutRunners by Curren$y & Harry Fraud
38. Mach’s Hard Lemonade by Mach-Hommy
39. Sages by Henny L.O. & Ohbliv
40. E.L.E. (Extinction Level Event): The Final World Front by Busta Rhymes
41. Lake Water by SeKwence
42. At the End of the Day. by Fly Anakin
43. Sole Food by Deniro Farrar
44. The Oracle 3 by Grafh
45. The Blue Tape by Tree
46. lo&behold by lojii
47. Who Made The Sunshine by Westside Gunn
48. RTJ4 by Run The Jewels
49. Whitehouse Studio, Pt. 2 by Various Aritsts [Detroit]
50. Carpe Noctem by Big Ghost Ltd
51. Infinite Wisdom by Lord Jah-Monte Ogbon
52. The Throwaways by The Opioid Era
53. Anyways by Young Nudy
54. PTSD (Deluxe) by G Herbo
55. Holly Favored by Monday Night & Foisey
56. THE GOAT by Polo G
57. Dump YOD: Krutoy Edition by Your Old Droog
58. The Face of Jason by ANKHLEJOHN
59. Two4one by Jay Worthy
60. Poetic Substance by RIM & Vinyl Villain
61. ve·loc·i·ty by H31R (Maassai & JWords)
62. UNLOCKED by Denzel Curry & Kenny Beats
63. Slim E and Friends by CHASETHEMONEY
64. Alone Time by YL
65. FLYGOD Is An Awesome God 2 by Westside Gunn
66. OBLIVION by Black Noi$e
67. Sleeper Effect by Sleep Sinatra
68. Savage Mode 2 by 21 Savage & Metro Boomin
69. Thug Tear by Big Kashuna O.G. & Monday Night
70. II - The Next Wave by Quakers
71. Demon & Mufasa by Yhung T.O. & DaBoii
72. Eternal Atake by Lil Uzi Vert
73. Miles by Blu & Exile
74. IMMORTALKOMBAT by Al Divino & Estee Nack
75. The Baltimore Housing Project by Jay Royale
76. I’m Still Perfect by Baby Smoove
77. The Grotesque & Beautiful by Teller Bank$
78. Crime Scenes by Ransom & Nicholas Craven
79. Streams Of Thought, Vol. 3. by Black Thought
80. Ways and Means by Rasheed Chappell & 38 Spesh
89. Sacred Psalms by El Camino & 38 Spesh
90. As Above So Below by ANKHLEJOHN
91. Tomorrow Is Forgotten by Stik Figa & Conductor Williams
92. So Help Me God! by 2 Chainz
93. Sauce Monk Volume 3 by Sauce Heist & Camoflauge Monk
94. A Beautiful Drug by WTM Scoob
95. Don’t Play It Straight by Small Bills (ELUCID & The Lasso)
96. No More Humble Fashion by Flee Lord
97. Pharaoh Chain by Planet Asia & Tha Musalini
98. Numb by Sha Hef
99. Interstate 38 by 38 Spesh
100. Get Money Teach Babies by Heist Life & Spanish Ran
THE REST OF THE BEST (all belong in the Top 100 releases of 2020, blame 2020 for being such a stacked year for music) - in no particular order:
Assata by CV$ a.k.a. Con$piracy & Teller Bank$, Spencer for HIGHER 3 by Vic Spencer & sonnyjim, Big Bad Boldy by Boldy James & Real Bad Man, Da 5th Power by Mooch, Muthaland by BbyMutha, Act II: Patents of Nobility (The Turn) by Jay Electronica, Long Story Short by Heem, Eileen by 14 Trapdoors, Free Drakeo by Drakeo the Ruler, Da Fixtape by Da Cloth, The L.I.B.R.A. by T.I., Sinners & Saints by Rasheed Chappell & Buckwild, Black Schemata by yungmorpheus............... Polly by the Powder Keg by Chuck Chan & Pad Scientist, High Off Life by Future, Memphis Massacre 2 by Duke Deuce, LSD by The Leonard Simpson Duo & Guilty Simpson, Funeral by Lil Wayne............ RAW UNKNOWN by Spectacular Diagnostics, Nezzie’s Star by Eddie Kaine, ShrapKnel (self-titled), The Bluest Note by Skyzoo & Dumbo Station, WUNNA by Gunna, Meet The Woo 2 by Pop Smoke, Fresh Air by UFO Fev & Statik Selektah, Vito by Vince Ash, Avenues by Tony Seltzer & Adrian Lau, Spilligion by Spillage Village, GRIMM & EViL by GRiMM Doza, Closer Than They Appear by Lyric Jones, RUDEBWOY by CJ Fly, Wired Different by Ty Farris & Bozack Morris, Rocket to Nebula by Killah Priest, NO Blade of Grass by V Don, I’m My Brother’s Keeper by Yella Beezy & Trapboy Freddy................. Carhartt Champions by Tree Mason, No Hook 3 by Dunbar, Rowhouse Whispers by Ray West & Zilla Rocca, Magneto Was Right #4 by Raz Fresco, DUMP LIFE by Tha God Fahim, Jay NiCE & Left Lane Didon, FNTG: From Niggaz to Godz by Squeegie O, PANAGNL4E, Vol. 2 by Los and Nutty, Thank You For Using GTL by Drakeo & JoogSzn, Adjust to the Game by Larry June, BETTER by Deante’ Hitchcock, No Cosign Just Cocaine 3 by Ty Farris, Vangarde by Mr. Lif & Stu Bangas, MSYKM by Tsu Surf, Your Birthday’s Cancelled by Iron Wigs.................. LULU by Conway & The Alchemist, No One Mourns The Wicked by Conway & Big Ghost, Talk Soon by Nolan The Ninja, FULL CIRCLE by Medhane, Detroit 2 by Big Sean, Juno by Che Noir & 38 Spesh, Send Them To Coventry by Pa Salieu............... Marlowe 2 by Marlowe (L’Orange & Solemn Brigham), The Versace Tape by Boldy James & Jay Versace, The Balancing Act by Statik Selektah, Capital Gains by Willie The Kid, Deutsche Marks 2 by Willie The Kid & V Don, Keep Going by Larry June & Harry Fraud, The Sharecropper’s Daughter by Sa-Roc, Seven Times Down Eight Times Up by Elzhi & JR Swiftz.................... The Ghost of Fritz by Jamal Gasol, Don’t Feed the Monster by Homeboy Sandman & Quelle Chris, Anime, Trauma and Divorce by Open Mike Eagle, Brentwood by Poloboy Nunu, The Listening Session by Billy Danze & TooBusy, Midnight Sons by Zilla Rocca & Chong Wizard, A Piece of Mine by Bub Rock, The Rock Period by Bub Rock, WINTER by DJ Muggs, Bartier Bounty 2 by Sada Baby, Cincorginals by Tobe Nwigwe, Director’s Cut (Scene Three) by Ransom & Nicholas Craven, Rather Be A Real One by Vic Spencer.............. Exhibit Q by Deniro Farrar, After 12 by Che Noir, Blank Checc by Baby Money, Jesus Is My Homeboy by YL, The People’s Champ by Flee Lord, In The Name of Prodigy by Flee Lord & Havoc, Culture Over Corporate by Uptown X.O., Sell Sole 2 by Dej Loaf, Progress by Struggle Mike, Merry Wickmas by Shawny Binladen, Don’t Ask Me Where I’m From by Donsmith, Serene by VRN Hayes, In My Life by Dat Boi Vic, Ho, Why Is You Here? by Flo Milli, Limbo by Aminé........................................thank you, and cheers to a happier, healthier New Year. 🙏