Joseph Beuys (1921-1986)
Rosen (Roses), 1957
Watercolor on drawing board on brown paper, 6 3/4 x 9 3/4 inches
seen from United States

seen from Russia
seen from United States

seen from Japan
seen from Greece

seen from Russia
seen from United States
seen from Malaysia
seen from South Korea
seen from Russia

seen from Malaysia
seen from Germany
seen from United States

seen from Thailand
seen from Australia
seen from Russia

seen from United States

seen from Malaysia

seen from Netherlands
seen from China
Joseph Beuys (1921-1986)
Rosen (Roses), 1957
Watercolor on drawing board on brown paper, 6 3/4 x 9 3/4 inches
Beuys-Schlitten with add-ons by schibbo&rasso
Brian Yates, untitled (from the 18th century diarists series), 2024. Mixed media and collage on yupo, 11x13.5in.
dans l'univers de rick owens
temple of love, palais galliera, paris
Openings and Conclusions 6 by Russell Moreton Via Flickr: Collage on paper, written fragments and images from Peter Greenaway, Josef Albers and Robin Evans. Photo montage of The Physical Self (Greenaway) and Waverley Abbey UK. Visual research as part of The Waverley Project/Obscura and Reading Room. On the horizon, then, at the furthest edge of the possible, it is a matter of producing the space of the human species-the collective (generic) work of the species-on the model of what used to be called "art" ; indeed, it is still so called, but art no longer has any meaning at the level of an "object" isolated by and for the individual. Henri Lefebvre, Openings and Conclusions. from On Installation and Site Specificity (introduction) Erika Suderburg
Andy Warhol