Joseph Beuys (1921-1986)
Rosen (Roses), 1957
Watercolor on drawing board on brown paper, 6 3/4 x 9 3/4 inches
seen from Russia

seen from Maldives
seen from Belarus
seen from Brazil
seen from United States
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seen from Argentina

seen from Canada
seen from United States
seen from Slovenia
seen from Türkiye
seen from Belarus
seen from United States
seen from Maldives

seen from Sweden
seen from Greece
seen from United States

seen from Maldives
seen from Canada
Joseph Beuys (1921-1986)
Rosen (Roses), 1957
Watercolor on drawing board on brown paper, 6 3/4 x 9 3/4 inches
Beuys-Schlitten with add-ons by schibbo&rasso
Brian Yates, untitled (from the 18th century diarists series), 2024. Mixed media and collage on yupo, 11x13.5in.
dans l'univers de rick owens
temple of love, palais galliera, paris
Openings and Conclusions 6 by Russell Moreton Via Flickr: Collage on paper, written fragments and images from Peter Greenaway, Josef Albers and Robin Evans. Photo montage of The Physical Self (Greenaway) and Waverley Abbey UK. Visual research as part of The Waverley Project/Obscura and Reading Room. On the horizon, then, at the furthest edge of the possible, it is a matter of producing the space of the human species-the collective (generic) work of the species-on the model of what used to be called "art" ; indeed, it is still so called, but art no longer has any meaning at the level of an "object" isolated by and for the individual. Henri Lefebvre, Openings and Conclusions. from On Installation and Site Specificity (introduction) Erika Suderburg
Andy Warhol