Michael Cook. Majority Rule (tunnel) 2014. Australia
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Michael Cook. Majority Rule (tunnel) 2014. Australia
"The new name Watyakan Creek honours the cultural significance and history of the creek to the Iningai and Bidjara people. Watyakan (said Watch-A-Kan) is an Iningai word for women’s creek and is a respectful way to pay tribute to those who historically camped near it." [X]
"[It'll] make me proud to be an Aboriginal woman going across there and looking down, seeing those people either collecting water, sitting around talking women's business." [X]
Dale Harding
The Leap/Watershead
2017
ochre on linen
180 x 240cm
Museum of Contemporary Art Australia and Tate
Acquired 2019
Notes: Harding is from the Bidjara, Ghungalu and Garingbal people of central and western Queensland, and the Ghungalu red ochre and the Garingbal light ochre he has used in The Leap/Watershead are drawn from these lands. Harding has blown the ochres onto the linen canvas, adopting a painting technique used in the rock art galleries in the sandstone escarpments of Carnarvon Gorge, in central Queensland. Harding has described how the physical effort of using his breath so intensively left him exhausted, and he was unable to complete the task he had set for himself. Upon seeing the angular form that emerged from the haze of pigment, Harding was reminded of the form of Blackdown Tableland – a sandstone plateau of cliffs, gorges and waterfalls that rises from the plains below. The title of the work refers to the life-giving significance of this land, where the headwaters of major central Queensland river systems spring. The double-barrelled title refers to another landform of historical significance; The Leap, a locality in the Mackay region which was the site of a massacre of Aboriginal people in 1867. Fleeing from the rifles of the Queensland Native Police Force, the group leapt to their deaths from the cliff edge of Mount Mandarana.
Source: Museum of Contemporary Art Australia
Christian Thompson, b. 1978 On Becoming Australia (2015) [Source]
The National Portrait Gallery Australia says:
In three photographic works by Indigenous Australian artists, the self is again defined as a product of two histories and two cultures.... Christian Thompson hides his European features behind hands decorated in his ancestral cross-hatching style.
More about the artist at his website. In 2010 he became the first Aboriginal Australian to be admitted to Oxford University!
Michael Cook. Livin’ the Dream (vacation) 2020. Australia
Michael Cook. Individuation (acceptance) 2024–25. Australia
Aboriginal girl (unfinished) c.1884, by Harriet Neville-Rolfe
Dr Christian Thompson AO (b1978) South Australia; (Bidjara People)
Ship of Dreams (2015) [from Imperial Relic series] c type print on metallic paper 100x100cm