#bill whitney

[bloodstainedmuzzle]

Society (1989) dir. Brian Yuzna

[art--harridan]

[Image description: A digital drawing of Billy Whitney from the film Society. He is the focus of the piece, shown from the shoulders-up. He is looking to the side with a paranoid and scared expression on his face. Sweat is streaming off of him, plastering his hair to his forehead. It is highlighted with an uncannily bright white. This same white is used to colour the kitchen knife he is clutching in his hands, pulling it close to his chest. Above him, there's a close-up drawing of an sickly green apple with a bite taken out of it. The hole left behind is teeming with worms and maggots, dark red in colour. Below the apple, the phrase "all my fears are real" is written. To his other side, there's three panels which show different scenes of fleshy uncertainty. They share the same colours, deep reds and unappealing greens and browns. The only truly clear panel is the first one, which seems to show a face twisted in agony. The lineart is scratchy and unpolished, and a deep brown. There's a lot of stark shadows. The background is a gradient, with a light pink at the bottom and white at the top.]

Inktober - Day 2 (Discover)

Film - Society (Brian Yuzna, 1989)

[horrorhelp]

⭑  BILL  WHITNEY  (  SOCIETY  )  ICONS.

MY REQUESTS ARE CURRENTLY OPEN. i hope i got the right person, if not just let me know. <3

[venus-in-leather]

I want to rewrite society by Brian yuzna from the ground up. Make that shit queerer and even more paranoia-laced. If I can find the power within me... Perhaps even MORE revolting...

[shayne6790]

very supportive dad and his gay teen son thats totally his son

and a gif just incase

[damnablehumbuggery]

Society (1989)

Not quite the hand Bill Whitney (Billy Warlock) was looking for.

More tomfoolery at https://damnablehumbuggery.com

[theoriginalhag]

How do you like your tea? Cream, sugar... or do you want me to pee in it?

Society (1989) dir. Brian Yuzna

[art--harridan]

[Image description: A traditional gouache painting of Billy Whitney from the film Society. It's a close-up of his face, eyes distant and mouth agape. The piece is predominantly red, resembling the lighting from the shunting scene. The other main colours are a dark blue-toned grey, which is used for dark sections like his hair or shadows, and a yellow for highlights. Some brush marks are visible, with other areas of grain texture, but the red is flattening. The darkest parts are dramatic and lack depth. The piece veers dark and moody, but has a strange boldness to it.]