Finland’s KAISER Dazzle With Fuzz-Soaked LP, ‘1st Sound’
~By Billy Goate~
Album Art: Marie Bergeron
What a way to get over the hump of the mid-week humdrums -- with an advance listen to what is sure to be one of the most rocked-about records out of Finland this year. I speak of '1st Sound' (2018), the brand spankin' new spin from Helsinki stoner metal trio, KAISER.
1st Sound is nothing short of a rock 'n' roll odyssey. Pex (bass), RiQ (drums), and Otu (guitar, vox) have bottled up a lot of inspiration since their self-titled debut in 2014. As I shared in our previous feature on the band ("Chasing Kaiser"), my discovery of the Helsinki trio dates back at least a year or two prior when I randomly happened upon a single of theirs on Soundcloud.
Bringing every weapon to bear, every piece of potent artillery in their arsenal, Kaiser have devised a salvo of a battle strategy. 1st Sound is a blistered attack of stoner-fuzz and sludge metal that will keep you on the edge of your seat (if indeed you can sit still while listening). What really makes it work is Otu's vibrant singing range that more than once reminded me of the late Chris Cornell, Keith Gibbs from LA heavies Sasquatch, or even Olli "Otu" Surrmunne from Altar of Betelgeuze.
Wait just a darned a minute... Stop the presses! I think I've just made a connection. I can't believe I didn't see it sooner!
Unless it's an incredible coincidence, the powerful voice of Otu in Altar of Betelgeuze and Kaiser are one and the same! This didn't hit me literally, until I was writing this review. I mean, it makes sense, right? Both bands are from Finland, though admittedly, there can be more than one metal singer by the name of Otu. Really, I can't believe I didn't see the connection sooner than this. Altar of Betelqeuze's 'Among The Ruins' (2017 - Transcending Obscurity Records) occupied prime real estate on Doomed & Stoned's Heavy Best list last year. To be fair, the band didn't alert me to this revelation, either. "That's usual for us, the weedheads," jokes bassist RiQ when I confront him with my discovery. Well, in any event I now have yet one more reason to be excited about Kaiser. Otu's vox take both bands to another level of excellence in a scene that has increasingly become saturated by a carnage of riffs. This I can definitely come back to for second helpings!
Among the highlights for me were "Desert Eye," which serves up a fierce ride through the barren wilds, kicking up plenty of sand and gasoline fumes as we attempt escape from the Devil's Hand. Delicious, Kyuss-esque low-end and intricate bass play characterizes this track.
Another standout moment for me came with "Earthquake," which is solidly on the metal side of the "stoner metal" equation. This was actually the song that forced the Altar of Betelgeuze connection for me. I'd just never heard Otu belt loose like this in Kaiser before. It's a fearsome sound that reverberates through most every song on the album.
Mark Friday, May 25th, on the calendar. That's when Kozmik Artifactz/Bilocation Records releases Kaiser's 1st Sound to the world. In the meanwhile, you can listen to it all right here, right now on our bitchin' lil blog!
Give ear...
1st Sound by Kaiser
Track By Track:
A Kaiser Guided Tour Through '1st Sound'
After our last chat with Kaiser, I thought it would be a good time to check in again with the band. Specifically, I was interested in knowing the significance of each of the songs on the new record. As usual, I find their frankness refreshing and occasionally hilarious. (Billy)
HIGH OCTANE SUPERSOUL
This is about how you can (or should) conquer yourself, not living in fear under other people's rules and requirements. You're the star in your life, so you do what you wanna do. There might be some allegories of things that have happened in past, present, and future. The songwriting process is not that special, it's just full of riffs that have been brewing in our pocket for years.
DESERT EYE
This is a compilation from our "travels" that we used to do around the "world" -- do not ask about those you might get lost, too. The writing process is the same, just old riffs butting together.
WE BLEED FOR THIS
This used to be song about intercourse, but then we discovered it's about our songwriting processes in the rehearsal place -- full of lightning, fire, overwhelming joy, and king ideas, but there is also similarity to how this world turns over. I don't know, you people decide.
VOIDMASTER
Everyone should go into this place once in a lifetime: deep, deep down into yourself with nothing around -- no sound, no thoughts, nothing. The song was written like four years ago.
OUROBOROS
This is like a brain fart by force, you know. Our producer said that we need some more songs on the album and this came like in just a few hours. We personally don't like this song that much, but don't mind if it's there. Someone could like it. It’s a pretty cliché story about the circle of stupidity that is humankind -- like a snake who eats his own ass.
INTERMISSION
This is a song. The only song that our bassist had to write.
EARTHQUAKE
This is the very first song that Kaiser had written. It was Otu’s, some old riff that we cultured a little. Then one day, I was in the hangover of my life and this bounced into my head in the same beat as my headache, so I wrote these lyrics and it's about hangover -- THE hangover.
FUZZ OF FURY
One word: Bruce Lee!
KING OF HORIZON
This is little bit similar to "High Octane." Think about how you should live in these end times -- you decide. It's more or less about our owns lives, but you can also build your own vision about it -- you choose the story.
GALACTIC CRUSADE
This is the second song we composed, because our producer said that we needed more songs. I was thinking about a slow song, because we don't play those that much. I did this main riff at home and was little scared ("Will the guys judge me and kick my ass with this unmanly riff?"), but they liked it and when we continued the writing, it crowed more and ended quite effectively. The song itself is about something that ends and you start it from beginning, only to screw it up all over again. Sound familiar?
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