How do I avoid writing a female protagonist that is an “ordinary girl who is super special”?
(Have a question? Submit it on our website.)
As someone who examines every sentence from books, in hopes of avoiding bad writing problems in my own, your posts about "Lessons from (insert book title)" are probably my favorite.
In the one on The City of Bones, you mention that Clary gives "just an ordinary girl who is also super special" vibes. You also mention that "the ordinary girl type always thinks she’s not good-looking because her “eyes are too big” or she’s “too shapely”.
It seems that when you say "super special" you mean some sort of special powers which is generally why your protagonist is the protagonist, right? They have something that makes them special. An ability/skill. You want them to have a skill so she is involved in the fighting unlike Twilight's Bella.
As a writer, I want my readers to relate to my characters but I definitely don't want to fall into the ordinary girl who is super special. How does one do this? How is an ordinary girl who is super special defined? What are the markers?
One way I've thought about this is for my female MC to have always been told she is beautiful. She knows it but she dislikes the attention her beauty results in.
TBH male characters aren't sitting around complaining about their looks based on the stories that I can think off. So perhaps writers should stop writing female characters who do? Yet, I don't think Clary is ever talking to herself about her looks? The pressure on looks is something that many women can relate to. Would you say its a weak point on character empathy to rely on the thinking of "Bella isn't pretty & my readers may feel they aren't, so they'll relate"?
How can a writer avoid writing this type of female protagonist?
"An ordinary girl who is also super special" is just one example of the formula where you start with an "every person" type protagonist, in other words, a blank protagonist the audience can relate to. Then, once they are in the shoes of your relatable character, you give them some wish fulfillment - generally in the form of revealing the main character is actually very special. While these characters are often young women in YA stories, there are more likely to be boys or men in stories in general. Think of the farm boy chosen one that appears in so many fantasy stories. Mainstream movies very frequently feature an adult "every man" character.
I can tell you how to avoid it if that's not what you want for your story, but first, I just want to be clear that though I have criticisms of how many of these characters are implemented, there's actually nothing wrong with the convention itself. It's really easy to hate on feminine character archetypes just because they are feminine, so I just want to avoid that.
My issue is how often the physical descriptions of these young women are disingenuous. The writer wants them to feel relateable and ordinary, but isn't willing to actually depict them as less physically attractive than a runway model (and they always look this way without makeup). That's why Bella physical appearance is supposedly marred by being too pale and Anastasia's physical flaw, I wish I was kidding, is that her eyes are too big and blue. It's totally reasonable for young women characters, particularly in real world settings, to worry about how they look - the pressure is real and relateable. But when those protagonists always end up looking perfect, it only increases that very same pressure in real life. If you want to avoid this particular problem, just be clear about the physical flaws your character has, and stick with them. Don't make your protagonist the fairest of them all. If you want your protagonist to be super attractive, you can at least be upfront about it, like you suggested.
If an "ordinary but special" character isn't right for your story, the easiest way to avoid it is to give your character some distinctive personality traits. That way they are no longer blank. For instance, Hermione Granger falls well outside being an "ordinary girl." She's depicted as being slightly bossy, bookish to the extreme, and much too smart for a blank character. Give your character some memorable quirks that sets her apart from most people. Just don't make a big deal about how she's "not like other girls." That's the internalized misogyny speaking. There's nothing wrong with being like other girls.
The Six Traits of Strong Characters
Five Ways to Make Your Character Stand Out
(Have a question? Submit it on our website.)