Claire: Gotta love knitting needles! I can make a scarf, I can make a hat, I can stab someone’s eyes out, I can make mittens...
Jamie: What was that middle part?
Claire: I can make a hat.
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Claire: Gotta love knitting needles! I can make a scarf, I can make a hat, I can stab someone’s eyes out, I can make mittens...
Jamie: What was that middle part?
Claire: I can make a hat.
Anonymous said: Roger is lost. Literally.
Lost and Found - Part 1
by @theministerskat
Roger sensed the irritation radiating from Brianna in the passenger seat. He felt it permeating his own demeanor and gripped the steering wheel tighter. She hadn’t said a word to him since they passed the small rural gas station an hour before, though every few miles a small sigh would pass over her lips.
She had protested only slightly when he had pulled off the 85 in Sailsbury. Tired of the mundane scenery of the highway, he had announced that his directional instincts would get them where they meant to go via backroads. Head southwest, into the mountains, he had thought to himself, simple enough. Many travelers had found their way without modern maps, he himself had done it and still could. But now his current predicament was turning into a bad man-versus-map joke.
He pulled his eyes away from the road before him and looked down, noticing his knuckles had turned white from his firm grip on the wheel. With a sigh that matched one of his wife’s, Roger loosened his hold and glanced at the rearview mirror. Jem and Mandy were fast asleep, her head on his shoulder, their contrasting curls mixing together. The sight sent a small pang of loss through his heart. He recalled the way Jamie and Claire’s hair would weave together as they sat on the porch step of the big house, her head on his shoulder in the same way as their grandchildren were now, completely at peace.
Love, love, love your fan art! In addition to the beautiful work you've already done, I'd love to see a portrayal of William Ransom! Maybe the scene from an Echo in the Bone where he realizes Jamie is his father and that he's been lied to..?
Thank you so much for this prompt, dear Anon! I am a huge fan of William in the books, who I find to be so very much like Jamie as a young man - impetuous, reckless and stubborn are the qualities which come to mind! But he is also a product of his upbringing, and the scene in Echo which you describe is HUGE in terms of William’s character development. He is very literally confronted with the truth of his history, and there is no escape or denial possible.
I can only hope I’ve done it justice - mod Fiona
And here are some close ups :
Anonymous said: How did Jenny decide to leave Lallybroch once Ian died?
“And ye’d leave Ian?” he [Jamie] asked.
She made a small noise in her throat. Her hand lay against her breast still, and at this she pressed it flat, fierce against her heart.
“Ian’s with me,” she said, and her back straightened in defiance of the fresh-dug grave. “He’ll never leave me, nor I him.”
- An Echo in the Bone, Chapter 84, “The Right of It”
Canon compliant, a missing moment from Echo (Jenny/Ian).
Other Ocean
by @ianmuyrray
Lallybroch, 1777
Ian was not what he once was.
He lay on his back, the bedclothes tangled around his waist. He slept naked - he always had, no matter the weather. Early on in their marriage, she had laughed at him for it, not seeing what a familiar comfort his body would become to her, how often she would turn to him on cold nights, how he would always sigh and open his arms to her without waking. She knew if she leaned over him she’d see the peg he used to get around leaning against the sideboard, resting within easy reach, awaiting daybreak.
He had always been lean and wiry, but now - she ran delicate fingertips over his protruding ribs, the crests and valleys on his chest - it was different. Imprisonment and English interrogation had left their mark on him, leeched much of him away over the years. Jenny withdrew her hand and studied him, his body bathed in orange and blue, firelight fighting the depth of moonlight. The dimness of light must be accentuating the weight he’d lost, she reasoned, trying to hold her grief at bay. Then the lines of his body blurred, the gaps and sharpness filling and softening with how she’d known him, like a blacksmith pouring molten metal into a mold.
Ian: Did I just scream like a woman?
Fergus: Don't flatter yourself. You scream like a girl.
William: [sarcastically] Well, you’re obviously a better man than I am.
Ian: Don’t beat yourself up. You got plenty of company.