Boris Ender (Russian, 1893-1960), Colors of Nature, 1924. Watercolour and gouache on paper, 14,6 x 20,1 cm
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Boris Ender (Russian, 1893-1960), Colors of Nature, 1924. Watercolour and gouache on paper, 14,6 x 20,1 cm
Boris Ender (Russian, 1893-1960), Untitled, c.1923. Gouache on paper, 24,3 x 22,4 cm
Fond of Paradox: The Works and Days of Vadim Ovchinnikov
Fond of Paradox: The Works and Days of Vadim Ovchinnikov
Vadim Ovchinnikov, 1990s. Photo by Igor Ryatov. Collection of Igor Ryatov
Ekaterina Andreyeva Fond of Paradox
Vadim Ovchinnkov’s masterpieces have always been remembered in Petersburg. The paintings Window, Green Square, and What Is Ruining Us, which he exhibited at shows in the late 1980s and early 1990s, have become enmeshed in the local mythology, just like the image of the man who painted…
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Boris Ender (Russian, 1893-1960), Movement of Organic Form, 1919. Oil on canvas, 104 x 100 cm.
Boris Ender - Extended space
Boris Ender Sans titre / Untitled Aquarelle sur papier / Watercolour on paper 27.6 x 35.7 cm 1923 - 1925
(plus de / more by Boris Ender)
Boris Ender Portrait de / of Nikolai Khardzhiev Crayon sur papier / Pencil on paper 22.5 x 14.5 cm 1959
(plus de / more by Boris Ender)
Nel 1925, in un periodo di stasi nella sua produzione poetica, Osip Mandel’štam, maestro tra i più alti della lirica russa del Novecento, pubblicò alcune raccolte di versi per bambini. Due tram è uno dei capolavori dimenticati per l’infanzia e la presente versione, nelle illustrazioni originali dell’epoca di Boris Ender, pittore dell’avanguardia futurista, contribuiscono a renderlo il capolavoro di lirica e grafismo che è ancora oggi.