This is a Titan vs. Titan fight and I apologize for nothing. I woke up and chose violence throughout this entire poll.
Seven-time Tony nominee, two-time winner Bernadette Peters (1948) has a sixty-plus year stage career of monumental proportions. Considered the foremost Sondheim interpreter, their collaborative works include Sunday in the Park with George (1984), Into the Woods (1987), Gypsy (2003), and Follies (2011). She has a thriving concert career, and was a co-founder of the beloved Broadway Barks event each year in Shubert Alley. She has an honorary third Tony (Isabelle Stevenson Award) for her outstanding advocacy and philanthropy.
Eight-time Tony nominee, three-time winner Patti LuPone (1949) has a staggering fifty-plus year stage career. Award-winning roles include Eva Peron in Evita (1979), Gypsy (2008), and Company (2022). She has toured the US with her wildly successful concert and cabaret acts, and will kill you on sight if she sees a cell phone in the theatre. Patti was NOT Norma Desmond on Broadway, and because of it, is the proud owner of the ALW Memorial Pool. She is no longer a member of Actors' Equity.
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Pictured Annie Get Your Gun (Annie Oakley), Gypsy (Mama Rose), A Little Night Music (Desiree Armfeldt)
"Do I even need to write propaganda for these women? Do they not speak for themselves? Very well. Bernadette Peters in Cinderella (1997) was my very first, official, undisputed gay awakening. I was three, and enamored with the stepmother. This would prove to be a blueprint in my life, and well, here we are, twenty-some-odd years later, with a thing for stage actresses who play redheaded stepmothers in various Cinderella adaptations. It's a surprisingly common phenomenon."
Pictured Annie Get Your Gun (Annie Oakley), Gypsy (Mama Rose), A Little Night Music (Desiree Armfeldt)
"This woman can breech the sound barrier. The reverberation she gets on that one note in her Anything Goes Tony performance physically rearranges every atom in my body every time I hear it. Patti is THE definition of a Broadway Diva, with more than just a little touch of star quality. Her 54 Below show was an absolute riot from start to finish."
-photo submitted by anon.
(Please note, dear voters, that the above quote is from a clickhole article, and Patti LuPone never actually said it, but it would be on-brand of her if she had.)
Which of these do you think is the wildest Diva story? (context below)
Elaine Stritch's first orgasm during "Who's Afraid of Virginia Woolf?"
Gertrude Lawrence (almost) drops dead during "The King and I"
Julie Andrews declines her Tony nomination for "Victor/Victoria"
Marin Mazzie's "pussy on fire" incident during "Passion"
Patti LuPone and the ALW Memorial Pool
Voting ended onJun 12, 2024
Elaine Stritch's first orgasm during "Who's Afraid of Virginia Woolf?":
Crazy cantankerous Elaine Stritch was never one to mince words. Perhaps a crowning achievement in her many instances of raw candor, Elaine revealed the story behind her first-ever orgasm in an interview with "30 Rock" co-star Alec Baldwin in 2013. Elaine starred in Who's Afraid of Virginia Woolf? on Broadway and during the national tour, 1963 and 1965, respectively. She would have been in her late thirties.
"But I wanted to tell something intimate about myself to John [Turturro] about when he was interviewing me. I told him that when I was doing Virginia Woolf and when George and Martha had their scene together and George said, 'Our son is dead.' You know, that big scene? 'Our son,' he yells in my face, 'is dead.' And I went 'No!' At the height of my force, I said no to him. And I had an orgasm for the first time in my life... So this is how important that moment was on stage to me. This is unbelievable, you don't know." -source
Gertrude Lawrence (almost) drops dead during "The King and I":
On August 16th, 1952, one of the great stage divas of this world--and rumored lesbian--Gertrude Lawrence collapsed backstage after a Saturday matinee of The King and I. She was admitted to a hospital shortly thereafter, and by early September, the Tony-winning star was declared dead. She was buried in the iconic champagne "Shall We Dance?" gown, and became the first person for whom Broadway dimmed the marquee lights for. She was 54. And so began the long-standing King and I curse (I say tongue-in-cheek) where every subsequent Anna Leonowens has had some terrible tragedy befall them. -source
Julie Andrews declines her Tony nomination for "Victor/Victoria":
We live in a cruel and unforgivable world where Julie Andrews does not have a Tony Award. The closest she came was in 1996 where she was nominated for Victor/Victoria. As the sole nomination for the show, Julie announced that she would withdraw her name for consideration in protest on behalf of her egregiously overlooked costars and creative team. She was thought to be a locked win at the time, and though her name did remain officially on the voting ballot, the award ultimately went to Donna Murphy for The King and I, making an awkward situation for everyone involved. -source
Marin Mazzie's "pussy on fire" incident during "Passion":
Well, I'll let her tell you all about it.
Patti LuPone and the ALW Memorial Pool:
Patti LuPone and the infamous lawsuit that cost ALW a million dollars for breaking her Sunset Boulevard contract. Patti had an iron-clad contract that stated she would be transferring with the production to Broadway, but news broke that she would be replaced by Glenn Close. Patti, who was at the theatre when she found out, went absolutely batshit and trashed her entire dressing room. Her feud persists to this day with several ups and downs, as is her right as a Diva-with-a-capital-D.
Season 14 Episode 84 Show Highlight: Actress Patti LuPone talks about going to court against Andrew Lloyd Webber regarding losing her role t
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Honorable mentions:
Stephen Sondheim sex dungeon
Bob Fosse's womanizing and finally him collapsing in separated wife Gwen Verdon's arms and dying shortly after.
The affairs of Broadway
Anti-vaxxer Laura Osnes tanking her promising Broadway career and now performing as a circus singer.
So. It's all come down to this. Were any of us truly surprised? Are any of us really prepared?
Audra McDonald vs. Bernadette Peters
Audra McDonald
Bernadette Peters
Voting ended onMay 19, 2024
Six-time Tony winner Audra McDonald (1970) holds the record for most Tony acting awards a person has ever won. She is one of five actors to be nominated across all four respective acting categories and the only person to win every one (and the only actress out of the three who is still living...). Her stage work includes: Ragtime (1998), Porgy and Bess (2012), and Lady Day at Emmerson's Bar and Grill (2014). Internationally acclaimed concert tours, Tony host, crown jewel of the American Stage. Grammy winner, Tony winner, Emmy winner. Get this woman an Oscar, stat. This is a BROADWAY Diva tournament, and Audra Ann McDonald is BROADWAY.
Seven-time Tony nominee, two-time winner Bernadette Peters (1948) has a sixty-plus year stage career of monumental proportions. Considered the foremost Sondheim interpreter, their collaborative works include Sunday in the Park with George (1984), Into the Woods (1987), Gypsy (2003), and Follies (2011). She has a thriving concert career, and was a co-founder of the beloved Broadway Barks event each year in Shubert Alley. She has an honorary third Tony (Isabelle Stevenson Award) for her outstanding advocacy and philanthropy. This is a Broadway DIVA tournament, and I mean come on, look at her. That is the quintessential DIVA right there.
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"I don't know what to tell you if you're somehow on the fence here. Audra Ann McDonald is Broadway's most beloved darling, and that's a quantifiable fact. Look at her award shelf. Her voice could resurrect the dead. She is an Oscar away from EGOT status. She has overcome almost insurmountable racism on the Great White Way. She is everything to me. A triple threat of acting, singing, and dancing where not one takes a backseat and she looks and sounds amazing at all times. "
"I have been besotted by Bernadette Peters (and her bosom) for more than two decades. Her name is synonymous with Broadway. She is THE Broadway Baby. She started in showbusiness as a child and has not left in seven decades. Her voice is emblematic of a time when we let people with unique, fascinating, wildly different voices star in shows rather than have everyone bow to the BA-ification of Broadway where everyone sounds the same and no one is distinctive."
Lea Salonga (1971) made history in 1991 as the youngest performer to ever win Best Leading Actress in a Musical for Miss Saigon. She was just twenty years old at the time, and now all these years later, she qualifies for our MILF tournament. Lea has starred in six Broadway shows including Les Miserables (as first Eponine and then later Fantine), Once On This Island (2017), and most recently a brief stint in Here Lies Love (2023). She is also the singing voice for Disney's Mulan.
Diva, icon, certified GILF Christine Baranski (1952) has a theatre resume a mile long. A two-time Tony winner, Christine has performed on and off-Broadway, regionally, and internationally in shows such as Mame at the Kennedy Center, the pre-Broadway workshop of Sunday in the Park with George, and the infamous flop that was Nick & Nora (1991). She can be seen alongside a slew of other Broadway Divas in HBO's The Gilded Age, and has also participated in at least ten Sondheim shows and concerts over the years.
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"Lea Salonga was our only major Asian representation on Broadway for decades, and yeah okay, Miss Saigon was the single most racist, orientalist, offensive show I've ever seen on Broadway, but-- Actually, no, I have no "buts" for this. It's just a bad show, and Lea Salonga deserved a better star vehicle."
"If you didn't turn into a raging lesbian from the moment you watched Christine Baranski perform "Does Your Mother Know?" in Mamma Mia, then are you really queer? THE GILF, and still able to be a high kicking bitch when she wants to."
Kelli O'Hara & Victoria Clark (The Light in the Piazza, Dido and Aeneas)
Voting ended onJun 5, 2024
Yes, yes, there are so many iconic friendships on and around Broadway (Bernadette and Mary Tyler Moore, especially), but this time there's no "other" option.
Video Clips & Stories Beneath the Cut: More Polls
Angela Lansbury & Beatrice "Bea" Arthur:
Angela and Bea first met in 1965 during rehearsals for the production of Mame, in which Angela played the titular Mame, and Bea her "bosom buddy" Vera. Both women would earn Tony Awards for their iconic, never-to-be-bested portrayals. They remained lifelong friends for the next five decades until Bea's death in 2009, where Angela hosted her memorial service at the Majestic Theatre. As the story goes, Angela's legendary Jessica B. Fletcher is named "B" for Bea.
"She was a class act and a real joy to work with. When I first met her I thought I was meeting this patrician, classically trained actor, but she has a mouth like a longshoreman. No kidding. She loved telling dirty limericks." - Bea Arthur on Angela Lansbury, 2003.
Ann Reinking and Bebe Neuwirth:
Forever linked by dance and the great Bob Fosse, Ann and Bebe met in passing during the special 3,389th performance of A Chorus Line, but would not come to know each other closer until Sweet Charity, where Annie took over Charity for Debbie Allen during the run, and Bebe played Nickie (Tony Award). They remained dear friends until Annie's death in 2020, working together in Fosse, and of course, the 1995 revival of Chicago that persists to this day.
“I fell in love with her, I continued to fall in love with her. I am in love with her forever. There was a trust between us, there was a connection between us that was beyond anything that had any logical explanation. I felt sometimes--this may sound strange, but it’s the truth--I felt sometimes I looked in her eyes and I time travelled.” - Bebe Neuwirth on Ann Reinking, 2021
Carol Burnett & Julie Andrews:
Though they may have never starred in an official Broadway show together, Carol and Julie are too iconic to pass up here. They met in 1961 and are both still alive, kicking, and enduring friends. They did a series of television and stage specials together, including Julie and Carol at Carnegie Hall (1963, Emmy Award), Julie and Carol at Lincoln Center (1971) and Julie & Carol: Together Again (1989). They also both starred in Putting it Together as the part, one after the other. And as a story goes, Carol and Julie were "caught" kissing as a prank on their friend Mike Nichols, but were instead discovered by Lady Bird Johnson.
"As we sat in the darkened hotel hallway on the sofa in front of a bank of three elevators waiting for him, we started to feel rather foolish, and we thought 'Let’s do something to make him laugh.' We decided to pretend we were making out," she said at the time. "He’d called our room and said he was coming right down, so we thought, well, the first person off the elevator would be Mike. But it wasn’t." - Julie Andrews recounts the story to Oprah magazine.
Chita Rivera & Gwen Verdon:
Before there was Annie and Bebe, there was Chita and Gwen. The original Velma and Roxie duo in the 1975 Chicago, Chita and Gwen remained friends until Gwen's death in 2000. As Chita recounts, Gwen Verdon was the first person to tell her she had her own talent and didn't need to be her understudy. Years later, they were starring together in Chicago. Chita and Gwen shared the role of Charity (alongside many others) in the benefit concert production of Sweet Charity in 1998. It would be Gwen's final stage appearance. Though Fosse brought his own drama, Chita and Gwen never fell out.
"Our relationship was what it was from the day I stood beside her in “Chicago.” She was a strong woman. She was private. She used to, which is really kind of cute because I would call her on it, sometimes dramatize a story and would say, “Isn’t that right, Chita? Don’t you remember that?” And I wasn’t even there. I would find myself saying, “Yeah, absolutely.” She was so terribly funny, really, really funny." - Chita Rivera on Gwen Verdon, 2019
Donna Murphy & Marin Mazzie:
Donna and Marin met while doing the Passion workshop in 1993, and their friendship endures to this day, despite Marin's death in 2018. After all, "and should you die tomorrow, another thing I see: your love will live in me." Marin sang at Donna's daughter's christening. Donna sang at Marin's remembrance concert. She still writes her memorial posts to Marin each year on the anniversary of her passing. Donna played Mother in the earliest workshop of Ragtime, before Marin took over and made that role what it will always be.
"She would always be the first person to say "how are you doing?" That kind of kindness and selflessness in a way--it's not that I didn't appreciate it then--I really did. So I don't need to smack myself in the head and say "why didn't you realize how rare and beautiful it was?" I did. What I couldn't calculate was how much I miss it." - Donna Murphy on Marin Mazzie, 2018.
Kelli O'Hara & Victoria Clark:
Our first and only mother-daughter duo, though who is mother and who is daughter is up for debate. Kelli and Vicki met playing mother and daughter in the 2005 The Light in the Piazza as Clara and Margaret Johnson. They remain dear friends to this day and the only pair alive, well, and not dangerously close to death... Kelli and Vicki, trained opera singers, also reunited for Dido and Aeneas in 2016. Their friendship has survived a few awkward situations, such as being up against each other (alongside fellow Piazza star Celia Keenan-Bolger, and that's a story in and of itself) for the role of Nellie Forbush in South Pacific.
"I just started calling her Mother, because I felt like I could be who I was without covering up. Why she called me Mother back is pretty obvious, but she was, for me, always the rock. I felt like, Okay, she loves me, warts and all. Hopefully." - Victoria Clark on Kelli O'Hara, 2016.
Diva, icon, certified GILF Christine Baranski (1952) has a theatre resume a mile long. A two-time Tony winner, Christine has performed on and off-Broadway, regionally, and internationally in shows such as Mame at the Kennedy Center, the pre-Broadway workshop of Sunday in the Park with George, and the infamous flop that was Nick & Nora (1991). She can be seen alongside a slew of other Broadway Divas in HBO's The Gilded Age, and has also participated in at least ten Sondheim shows and concerts over the years.
Newly certified GILF, Donna Murphy (1959) is a two-time Tony-winning legend of the Broadway stage, with five nominations in all, each for Best Leading Actress in a Musical. Her gripping performance as the chronically ill Fosca in Sondheim's Passion (1994) may have disgusted and disturbed audiences, but earned her immense critical acclaim. Two years later, she won her second Tony for The King and I (1996), and the year after that, earned a Daytime Emmy. Additional credits include: Dear World (2023), Hello, Again (1993), LoveMusik (2007), and most recently on Broadway, Bette Midler's alternate in Hello, Dolly! (2017)
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"The high-kicking bitch herself, Christine Baranski. It's a legal requirement that every actress who plays Phyllis must have legs for days, and she delivers."
"There is one singular show above all other I would commit heinous crimes to travel back in time to see. Follies for Encores!, 2007. And now, with the upcoming Follies concert at Carnegie Hall this June, I can live out at least some of my dream. Donna Murphy, my beloved, who looks fucking stunning with no makeup. I am unwell."
Two-time Tony-winning, newly three-time nominee, dancer-extraordinaire Bebe Neuwirth (1958) is best known for her winning role as Velma Kelly in Chicago (1996) alongside her beloved Annie Reinking. After playing Velma off-and-on for some years, she then took on Roxie, and later Matron "Mama" Morton. Bebe has also won for Sweet Charity (1986), and is a two-time Emmy winner for, of course, Lilith in Cheers. Other credits include Here Lies Jenny (2004), Fosse (2001), and Cabaret (2024), which opened to glowing reviews for Bebe, and dismal reviews for basically everything else. In addition to her beloved stage, Bebe is a devoted cat-lover, and activist. She founded the Dancers' Resource program to provide support for injured and/or aging dancers. She is *THE* living Dancing Diva of Broadway.
Seven-time Tony nominee, two-time winner Bernadette Peters (1948) has a sixty-plus year stage career of monumental proportions. Considered the foremost Sondheim interpreter, their collaborative works include Sunday in the Park with George (1984), Into the Woods (1987), Gypsy (2003), and Follies (2011). She has a thriving concert career, and was a co-founder of the beloved Broadway Barks event each year in Shubert Alley. She has an honorary third Tony (Isabelle Stevenson Award) for her outstanding advocacy and philanthropy. A true Broadway Baby at her core.
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"Are you truly a Broadway Diva if you haven't appeared on the cover of the biggest queer magazine of its age? I am just over the moon with all the Bebe Neuwirth buzz going on now. She got her third Tony nomination for Cabaret, she's about to embark on a whirlwind press tour, she's the critic standout of that whole show. I need her in every magazine, newspaper, and photoshoot right now. And here she is, in the semifinals against the Bernadette Peters herself. She's swept every poll up until this point. It's been a lovely run."
"I don't care that it's from a movie. This was my gay awakening. This song right here (along with "A Lovely Night"). At three years old, I saw this little redheaded bitch of a stepmother and decided, yeah, that's the blueprint. And it was. I proceeded to fall in love with Broadway Divas in movie musicals for the next few decades. I do love a petite, curly-haired, fair-skinned Diva with a unique voice... This poll hurts me personally because Bebe is my favorite and Bernadette was my first."
Six-time Tony winner Audra McDonald (1970) holds the record for most Tony acting awards a person has ever won. She is one of five actors to be nominated across all four respective acting categories and the only person to win every one (and the only actress out of the three who is still living...). Her stage work includes: Ragtime (1998), Porgy and Bess (2012), and Lady Day at Emmerson's Bar and Grill (2014). Internationally acclaimed concert tours, Tony host, crown jewel of the American Stage. Grammy winner, Tony winner, Emmy winner. Get this woman an Oscar, stat. This is a BROADWAY Diva tournament, and it doesn't get much more BROADWAY than this.
Legend, icon, certified GILF Christine Baranski (1952) has a theatre resume a mile long. A two-time Tony winner, Christine has performed on and off-Broadway, regionally, and internationally in shows such as Mame at the Kennedy Center, the pre-Broadway workshop of Sunday in the Park with George, and the infamous flop that was Nick & Nora (1991). She can be seen alongside a slew of other Broadway Divas in HBO's The Gilded Age, and has also participated in at least ten Sondheim shows and concerts over the years. This is a Broadway DIVA tournament, and it doesn't get much more DIVA than this.
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"Okay, so. I've seen Audra McDonald in concert three times, and each time has been a soul-ascending experience. She is *THE* Diva of Broadway in every single definition of the word. Most Tonys, tied for most nominations, critically acclaimed. I'm listening to "I Could Have Danced All Night" as I type this out, and the high note she just hit at the climax almost knocked me out of my seat. If you do not vote for Audra McDonald in this BROADWAY DIVA TOURNAMENT, what are you even doing here?"
"Did you know that Christine Baranski has a lakehouse in Connecticut, and she invites all her famous friends to go swimming "with or without" swimsuits? Cherry Jones is particularly fond of staying out on the lake all night long. If that's not icon diva behavior, what is? Christine may be a big screen star with some Emmys and whatnot, but she started on the stage, and she remembers her roots fondly. I long for the day when she comes back, if only for a special one-night-only extravaganza."
