#brutalista

[germanpostwarmodern]

Church St Rita (1959-66) in Harelbeke, Belgium, by Léon Stynen with Paul De Meyer, Paul Meekels and André Vlieghe

[tartsdmegazaprot]

Szűk egy órája jött ki a Szily-féle Brutalista kritika;

és ami belőle az enyhén szektaszagú ‘csatlakozz a Körhöz’ előfizetés nélkül elérhető, nagyon megosztó próbál lenni (pedig én kulturális témában csipem Szily velemenyet), így - természetesen - kiváncsi lettem; elkuldené valaki, hogy mire jut a sokat latott szakértő?;

ugyanakkor ne tartsa a tumli se magában, hogy mit gondol a filmről - minden érdekel!

Köszi előre is 🏗️

[susannatosatti]

“Bambini che leggono a Rozzol Melara”, illustrazione per Il Piccolo Libri, Trieste, 2020.

[iamrobertoraveralopez]

Zaha

Zaha Hadid Architects, Pierresvives multifunctional building.

Montpellier, 2006-2012

Shot on Nikon D7000

© Roberto Ravera López 2018

[lovasoklonelkul]

#684_19.03.08_Berlin, Németország / Germany

[a-fallen-wolf]

Pseudo Brutalismo/Brutalismo Latinomerica 1. Colegio Federado de Ingenieros y Arquitectos de Costa Rica 2. *I dunno* 3. Caja de Seguro Social Costa Rica 4. Banco de Guatemala 5. Tribunal de Contas, São Paulo 6. El Helicoide, Caracas 7. Complejo Cultural Teresa Carreño, Caracas 8. Santuario Virgen de Coromoto, Venezuela 9. Banco Hipotecario, Buenos Aires

[weandthecolor]

Brutalista Font Family by Latinotype

Brutalista is a contemporary sans-serif font family designed by Jorge Cisterna and published by Latinotype. Comprising 28 styles, it draws inspiration from the architectural brutalist movement, characterized by raw, unadorned materials and bold structural forms.

Rooted in early 20th-century grotesque and neo-grotesque typefaces, Brutalista features a medium x-height, clear counterforms, and low contrast, enhancing its versatility and functionality across various design applications. Distinctive cuts and character details add a unique personality to the typeface, making it suitable for both headlines and body text.

More here.

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[melhorde10]

Os 10 melhores edifícios desenhados por Marcel Breuer

Quando o designer e arquitecto Marcel Breuer deixou a Europa na década de 1930 para ensinar arquitectura em Harvard e iniciar a sua própria