Oliver Jeffers beautiful spacey paintings at Bryce Wolkowitz

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Oliver Jeffers beautiful spacey paintings at Bryce Wolkowitz
Jim Campbell at Bryce Wolkowitz Gallery.
“Lamenting Alone with Pear Blossoms Raining Down,” Work by Airan Kang. LED monitor, LEDs, plastic, 6 1/2 x 46 x 25 inches. Bryce Wolkowitz Gallery
Wang Ningde at Bryce Wolkowitz Gallery
Wang Ningde’s ‘Form of Light’ images, currently on view at Bryce Wolkowitz Gallery in Chelsea, appear to be photos but fool the eye. From straight on, thin strips of photographic film disappear and visitors see only the projection of images underneath, arranged via projection software to synch with the gallery’s light sources. (On view through Feb 17th). Wang Ningde, Thicket No. 4, transparency film, acrylic, honeycomb aluminum board, 78 x 54 ½ inches, 2017.
Jim Campbell at Bryce Wolkowitz Gallery
New media artist Jim Campbell is known for deliberately low-res projections of crowds and individuals in movement. The focus of his current solo show at Bryce Wolkowitz Gallery – images and video from January’s Women’s March in DC – is serendipitous subject matter for the artist. In this layering of still images on a lightbox, many people (and metaphorically, points of view) come together to suggest a mass action. (At Bryce Wolkowitz Gallery in Chelsea through June 17th). Jim Campbell, Untitled, c-print, Plexiglas, light box, 32 x 48 x 5 inches, 2017.
For the AIPAD dealer series, Bryce Wolkowitz spoke with ARTREELS production about the technical innovations in photography and the benefit of attending the AIPAD photography show.
Yorgo Alexopoulos at Bryce Wolkowitz Gallery
Shot around the world from Peru to Greece, Yorgo Alexopoulos’ videos of the natural world are a low-key sublime, prompting appreciation of beautiful landscapes unblemished by mankind. (At Chelsea’s Bryce Wolkowitz Gallery through June 11th.) Yorgo Alexopoulos, Tree with River, digital animation on two synchronized High Resolution square LCD displays, 4K video, CGI, custom playback system, painted aluminum, polished stainless steel, glass, 12 minute infinite loop, 17 ¾ x 33 ¼ x 7 ¾ inches, 2015-16.
Once a street artist, now an artist inspired by the histories of the built environment, Jose Parla adds layers of posters, grime and brightly colored paint to faux fragments of wall currently on view at Bryce Wolkowitz Gallery and Mary Boone Gallery. Considering that the block on which these galleries stand has been largely rebuilt in the past several years, Parla’s treasuring of fragments from the past has particular resonance. (Through Oct 31st). Jose Parla, installation view at Bryce Wolkowitz Gallery, Sept 2015.