Absurdism is a philosophy that contends that life is inherently meaningless and that the only way to create meaning is through the act of revolt against life’s absurdities.
(For a more in-depth explanation: What is absurdism/the philosophy of the absurd?)
Right off the bat, Atsushi assumes the role of our absurdist protagonist by refusing to die despite his seemingly hopeless situation.
Atsushi is an orphan who has just been kicked out of his orphanage, he’s starving, and yet refuses to steal and cannot get a job. Even so, he has this steadfast determination to keep on living, if only to spite those who spurned and abused him. He’s already got that spirit of rebellion in him!
And so he does ultimately resolve to steal from the next person he sees… but then he finds Dazai floating in the river.
It’s a funny contrast we get here. We’ve just had Atsushi declare his intention to keep on living, and then he saves Dazai, who is salty that his suicide attempt has just been interfered with. Immediately, there’s a dichotomy here between a person who wants to live and one who wants to die.
I won’t get too into it here because it's bound to come up again, but absurdists view suicide as a cop-out, basically. If the whole point of absurdism is to rebel and revolt, choosing to take your own life is the opposite of that, it’s giving up. In this moment, Dazai represents a different response to absurdity, suicide. I will also mention here that there is a third response to the absurd, and this is what the average civilian in BSD likely does: accept absurdity and just live with it. Rather than rebelling, they do nothing, and simply let meaninglessness control them.
Anyway, after Dazai’s rescue, we are introduced to Kunikida and his ideals. His ideals are a form of absurdist revolt, in a way, and while I’ll explore this more deeply in future chapters where it's more relevant, I did want to bring it up as we establish characters during their introductions. Essentially, Kunikida’s ideals are the guide to how he navigates the absurd world and lives his life, and contrary to popular belief, he is not some goody-two-shoes who constantly panders to rules and authority, he has an acute sense of justice that he’ll adhere to no matter what. That is his way of fighting against the absurdity of the modern world.
The ADA is neither government nor criminal, they kind of live in their own gray area and their job is basically to handle the most absurd situations (i.e. a man-eating tiger on the loose). I think the ADA being the “dusk” is a really important concept not only for BSD’s ongoing theme of moral grayness but also for this idea of absurdity. The BSD universe is so insane that the government and police, who are supposed to be society’s ultimate protectors, cannot handle it alone — there has to be a specialized group of individuals to do so.
After this, Atsushi agrees to become bait for the tiger, still unaware of his own special ability, he wallows in self-pity while he waits with Dazai, and then Dazai nullifies his ability once he transforms. Kunikida and some other ADA members show up, and when asked what they’ll do with him, Dazai decides to hire Atsushi.
Note: I love how Ranpo is grinning here while the others are like "wtf?"
You catch an insecure orphan kid with an extremely dangerous ability he has no control over, and decide to hire him? It seems to make no sense, especially since the ADA is introduced as this super-specialized unit of incredibly powerful individuals who do serious and important work.
But, as we know, this works out amazingly for both Atsushi and the agency.
Dazai’s decision to hire Atsushi was his way of embracing the absurd, which is a common theme within stories with absurdist themes. Because what are the other options here? They turn Atsushi over to the police and he’s imprisoned for the rest of his life on account of his dangerous ability? They just kill Atsushi because of said danger? Both of those options have little bearing on Dazai or the agency in the end, and we’re well aware that Dazai isn’t exactly an empath, and yet he chooses the seemingly worst option for the agency, which is to take on this clueless kid.
We’re treading into Dark Era territory here, but I do want to talk about it because it’s not included in the manga. So, I think it’s also really worth noting that this decision directly ties in with Dazai’s goal to live up to his promise to Oda. At this point in the story, we wouldn’t know this, but Oda explicitly told him to “help out some orphans” when advising him to do good. Overall, what Oda tells him to do is to become an absurdist and search for the beauty in life by fighting against its meaninglessness, rather than giving in through suicide or perpetuating violence in the Port Mafia.
Anyway, that’s the end of chapter 1 of BSD! It sets up a lot in terms of absurdist storytelling, from the characters to the world they inhabit. Future chapter analyses might not take up an entire post on their own like this depending on the chapter’s content, but for the first one, I felt it was important to establish the characters and setting within the absurdist context.
I also have absolutely no plan or schedule for posting these, I’m mostly doing it for my own enrichment because I genuinely get a lot of fulfillment from merging two of my interests together like this. I will continue to read manga like this in my free time and make these posts until I catch up with the present, and that might take a while since there are currently 110 chapters to get through. Additionally, I will absolutely still continue to do my absurdist analyses when chapters come out, especially since it’s so prudent to the plot of the current arc, so look out for those, too!
Thanks for reading and please feel free to reply and/or send asks about these posts, I love engaging in discussions about this stuff and I’m sure there will be things I miss along the way!
#project hail mary
#lana del rey
