the increasing boobaliciousness of luke in your art is a development most pleasing to me
thank you. you're at least partially responsible for this.
seen from Denmark
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the increasing boobaliciousness of luke in your art is a development most pleasing to me
thank you. you're at least partially responsible for this.
gives ta server a handful of kittens @bvckbiter @phoenix--flying
@/TA server, @bvckbiter, @rising-phoenixx kittens!!!
Silly Luke collab with @bvckbiter and @raps-hellion ! For this one Kang did the sketch, Kai did the lines, and I did the final coloring/shading. Kai and Kang are posting the other finals over on their blogs which I will link to once they're up :D
[Kang's post] [Kai's post]
We also all ended up with little bonuses - mine was a little chiikawa Luke lol
thoughts on the current state of pjo fanart and/or how the fandom interacts with art? sorry if this question is so vague HAHAHHAHAHA i mean we've talked a lot about this in the TA server, specifically how a huge chunk of fandom being a community is lost due to fanartists basically just doing their own thing and the audience largely crowding around fanartists that are more or less established already... i also feel that, same as with fic writers, reception (i dont want to use the word 'engagement,' nor am i sure on if it's the right word to use lol) has drastically decreased compared to before, even though the fandom is reasonably large
Oh i have so many thoughts about this. I actually went on a tag rant on my main blog the other day adjacent to this exact topic.
Basically my current theory is the current widespread-fandom "environment" that exists is a result of a combination of two things: 1.) Widespread social media purges of nsfw material leading to large swaths of fandoms moving to different platforms and a loss of old fandom history and means of communicating that culture to the simultaneous large new wave of younger folks coming into fandom for the first time, and 2.) fandom becoming more mainstream and the way "fandom" as a concept was marketed and presented versus fandom practically.
Cause the way fandom was marketed in the mainstream sense was "This is a subculture surrounding a media. It's all about the media. Fanworks exist but they're just a natural part of fandom - they just kind of spawn or spontaneously appear." There's no acknowledgement of the community that is the actual foundation of fandom (and how some fandoms don't even have a source material!), and implies that fanworks are something guaranteed that you can take for granted and only exist for consumption like the source material itself. It's commodification of fandom.
There's also the secondary aspect of that mainstream marketing of fandom which is the sanitization of fandom, particularly painting large swaths of the community as "those icky weird parts of fandom" and something to be ridiculed, rather than an actual foundational aspect - which is where we see a lot of the purity culture in fandom arise (between that attitude being fostered and the dwindling resources to be able to educate new fans across fandoms). And this once again leads me to my usual spiel of encouraging folks to watch The Fandom documentary by Ash Coyote on youtube - particularly from the 1:03:27 timestamp - because learning pan-fandom history is very important especially right now when we're in a fandom climate where we're seeing a lot of these exact topics and talking points coming up again in different spaces. I seriously cannot stress enough how much I need this documentary to be like base-level fandom education, it's so so useful and important to know general pan-fandom history and major experiences of other fandoms.
Aside from all that though, I totally agree that we've seen a lot more of fandoms - particularly Riordanverse fandom - rarely straying away from BNFs who already have an established presence. I again think that's part of how the lack of community in modern fandom spaces makes it difficult for new fanartists and writers and such to get a lot of traction or footholds, because nobody is actually going out and having discussions or sharing work. The BNFs a lot of the time have old fandom presence and that established audience is how their work continues to travel. But also in modern fandom enviornments they're often treated as secondary source material - which is really terrible for them! Because it's such a rude and entitled attitude to have towards fancreators! And it is absolutely worse for fanfic writers I think particularly because of how when the media presents fandom as a whole in the mainstream, fanfiction very often gets the short end of the stick and is mocked, so new fandom folks don't appreciate it as much or even understand how to properly engage with it.
Especially also given how, because new fans are lacking a lot of fandom cultural knowledge that used to be passed on, a lot of them don't know how to navigate fandom sites like Ao3 and the language and structures used (like tagging systems - most new fandom folks are more used to tagging structures like on instagram or tiktok which is to say, completely nonfunctional) and are struggling with that since the resources to learn about it are difficult to find if you aren't already familiar with fandom - which is exactly why i'm working on my riordanverse fandom infrastructure project.
@bayetea and @ruegarding always have the best meta/analysis posts! we love book fans who actually read <3
@bayetea & @ruegarding!
@bvckbiter’s art and writing is PHENOMENAL!! can i send them a bowl of blueberries that magically fix art/writer’s block??
@bvckbiter! Bowl of blueberries for you!
@bvckbiter’s art is v good and usually either makes me laugh (/pos), leaves me in awe or makes me have very strong Feelings and Emotions. its good.
@bvckbiter!
I hope @bvckbiter knows how cool they are 😎
@bvckbiter!