#carlocrivelli

[aic-european]

The Crucifixion, Carlo Crivelli, 1482, Art Institute of Chicago: European Painting and Sculpture

Wirt D. Walker Fund Size: 75 × 55.2 cm (29 1/2 × 21 3/4 in.); image (arched): 74 × 55.2 cm (29 1/8 × 21 3/4 in.) Medium: Tempera on panel

https://www.artic.edu/artworks/111622/

[met-european-paintings]

Madonna and Child, Carlo Crivelli, ca. 1480, European Paintings

The Jules Bache Collection, 1949 Size: Overall 14 7/8 x 10 in. (37.8 x 25.4 cm); painted surface 14 3/8 x 9 1/4 in. (36.5 x 23.5 cm) Medium: Tempera and gold on wood

https://www.metmuseum.org/art/collection/search/436052

[theamazingpoppingeyes]

He had a very tough time last week... just for us... Carlo Crivelli!    Here • The Dead Christ supported by Two Angels • from c.1475-80.     Even if your admiration for Italian Renaissance painting is more culturally received than deeply felt, Crivelli is your man.     In the 1460s, Crivelli was banished from Venice for committing adultery. He subsequently moved to the Marches region of northeast Italy, devoting his talents almost exclusively to religious commissions for churches and individuals.     Being very successful during his life, after his death in 1495, his reputation declined rapidly and his art has spent most of the last 526 years languishing on the margins of art history, considered parochial, conservative and overly decorative if not decadent. It also didn’t help that Vasari didn’t mention him in his “Lives of the Artists,” which concentrated on the creatives of Florence and Venice and steered generations of scholars in the same direction.     Yes, the naturalistic trends arising in Florence during his lifetime, are not visible in these works.   Yes, the Gothic gold, which he punched with brocaded patterns or integrated into his scenes with overpainting, while adding gold touches to other areas are often there.   Yes, he employed pastiglia, building up images with low-relief plaster that he painted and gilded, heightening the presence of precious details.     Yes, it is all there, fabulously and bold.     This frameless masterpiece of Renaissance (sur)realism was originally the pinnacle, or crowning element, of an altarpiece, probably for an Dominican convent.     The Dominicans are known for dwelling on the suffering of Christ, as well is Crivelli.   Do you see the wounds, graying skin and angels tears?      #carlocrivelli #crivelli #art #artist #painter #tempera #gold #panel #fashion #arthistory #miracle #storytelling #passion #christ #angels #pieta #magic #sorrow #death #realism #surrealism #gothic #religiousart #renaissance #figuration #figurative #figurativeart #theamazingpoppingeyes #philadelphia https://www.instagram.com/p/CNS9upJAF8C/?igshid=1xscset1appp

[bm-european-art]

Saint James Major, part of an altarpiece, Carlo Crivelli, 1472, Brooklyn Museum: European Art

Size: 38 1/4 x 12 5/8 in. (97.2 x 32.1 cm) Frame: 44 x 17 1/2 in. (111.8 x 44.5 cm) Medium: Tempera and tooled gold on panel

https://www.brooklynmuseum.org/opencollection/objects/4847

[fleurduart]

Carlo Crivelli, Cristo morto sorretto da San Giovanni Evangelista, la Vergine e Maria Maddalena #carlocrivelli #artdetails #hands #detailofpainting #detailofhand #painting #details #italianart #artlovers #artoninsta https://www.instagram.com/p/BsCKExUAXzc/?utm_source=ig_tumblr_share&igshid=za6hs6qb3jwx

[the-met-art]

Saint George by Carlo Crivelli, European Paintings

Medium: Tempera on wood, gold ground, transferred to Masonite

Rogers Fund, 1905 Metropolitan Museum of Art, New York, NY

http://www.metmuseum.org/art/collection/search/438691

[thehairhistorian]

Madonna della Candeletta (detail), c. 1490, Carlo Crivelli ⠀⠀⠀⠀⠀⠀⠀⠀⠀ ⠀⠀⠀⠀⠀⠀⠀⠀⠀ ⠀⠀⠀⠀⠀⠀⠀⠀⠀ ⠀⠀⠀⠀⠀⠀⠀⠀ #hairhistory #hairstyle #vintagehair #arthistory #thehairhistorian #CarloCrivelli

[vulgariumfragmenta]

Le Madonne di Crivelli circondate da fiori, zucche, frutta e drappi damascati. Bellezza e bizzarria. #pinacotecadibrera #breramilano #crivelli #carlocrivelli #arteitaliana #pitturaitaliana #painting #italianart #masterwork #ig_masterpiece #museumday #rocailleblog (presso Pinacoteca di Brera)