#cartoon core

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Chipping in and Daling out of trouble

Sometimes, crime-fighting comes in a pint-sized package! Relive the ultimate nostalgic vibes with the whole crew back together. This classic look brings together the entire main cast of Chip 'n Dale: Rescue Rangers in all their adventurous glory.

You've got Chip rocking his iconic detective-style leather jacket and fedora, Dale keeping it breezy in his bright Hawaiian shirt, the mighty Monterey Jack flexing proudly, the brilliant Gadget Hackwrench ready for action with her trusty tool, and the tiny but absolutely fearless Zipper leading the charge. With their cheerful poses and energetic expressions, this design perfectly captures the warm, heroic team spirit of the legendary animated series. No case too big, no rescue too small!

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Killer of Sheep (1978) - Charles Burnett.

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‘Disney as a Utopian Dreamer’, Oksana Bulgakowa.

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File under: Cartoon core meets soft sculpture meets naively made replicas of my baby brother whose nickname was the Michelin man when he was fresh out the humid crib.

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File Under: Cartoon-Core: Gauche Caviar (2003), Untitled (Steingesichter "Der Raucher") (2006), The Bonin/Oswalds Empire’s Nothing #03 + #01 (2010) - Cosima Von Bonin.

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Painting in the information age has one task and one task only: to seduce the cyborg. To pretend that no gap could ever keep them apart. To fake its orgasms and dope itself. It must get closer to the programs unleashed by digital cameras and computers, and appropriate the logic of these infernal machines. If painting embraces its loss of distinction to the program, it becomes even more committed in this affair, it might discover ways of making itself as smart and effective as any other contemporary device. But it must not lose its stupidity either. Collage is one way to keep painting opaque to itself, even as the program attempts to absorb and predict it. Collage is an experienced guerrilla: Having nothing of its own, it infiltrates readymade territories and makes do with the enemy's readymade power.

John Kelsey, ‘Collage and Program’ in Rich Texts: Selected Writing for Art.

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Untitled (1983), Sigmar Polke.