Case Study 3:
Case study 3:
Malmö central station virtual window/Elsewhere
Overview
Elsewhere is amulti-projection video art work which seeks to transform the reinforced concrete landscape of the Malmö C underground station into a wide open space. Through a projection device that evokes the perceptual experience from the train, the viewers will be invited to lose themselves in images during their wait. The projections acting as windows, the station itself becomes a train that loses its spatial and temporal rails, itinerant across the earth.
Project challenge:
The video landscapes on display on the platform walls. The train platform was a great location for this as a small but somehow silently beautiful nod to this historical conjunction between technologies of transport and technologies of vision. At the Malmö train station platform a projection that imitates the windows of a screen is a nod towards the train passenger’s view as cinematic glimpse into landscapes, people, things passing by, as well as a form of cinematic spectatorship where the projection wall could be seen as stabilized frames – a frozen film, or actually where the frames are frozen but the image magically carries on.
Audience: Tourists, passengers
Impact:
Most visitors arrived early to catch their train from Malmo to Gothenburg in tow decided to wait on the platform for the train. And Malmö central station virtual window caught these passengers’ attention. Waiting time is very long and there was no train at the platform, but instead people saw a series of moving landscapes on the wall. At first, it seemed a bit strange. It was almost like I was sitting in a train watching the landscape pass by through the window except people were not on a train and yet had this visual illusion. In fact, after overcoming their slightly confused state, they started recognizing some of the world landmarks on display. To some extent, video installation intended to show waiting passengers’ visuals that they would see on train journeys around the world. It is actually a very creative work of art which draws in the viewer, engages them and puts them in a frame of mind to enjoy their train journey. To some extent, the installation opens up thoughts about our relationship to the distant past and to the invisible world, which surrounds us.
Craft:
The starting point for this work is the power movement and rhythm that is constantly generated by and in a railway station. The work focuses on energy from both a physical and existential perspective. The functions of the installation are symbiotically linked to the technical construction of the station building and City tunnel. Tracks of LED lights have been built into the wall of the station. They are in turn triggered and controlled by the arrivals and departures of the trains. The movements of the lights have been programmed to imitate the flocking behavior of small insects that come into the station when a train has left the platform and flee for the darkness of the tunnel again when a new train arrives.
Through a projection device that evokes the perceptual experience from the train, the viewers will be invited to lose themselves in images during their wait. The projections acting as windows, the station itself becomes a train that loses its spatial and temporal rails, itinerant across the earth. This virtual window system like a lost river flows continually into an underground passage. It is said that one never steps in the same river twice; comparably, the installation is elaborated in such a way that it is unlikely that a viewer on a fixed schedule will see the same image time and again. In terms of tempo, the visual window system is conceived as a release for the individual viewer. The recorded images are slowed down, in contrast with the speed of everyday urban life, in order to ease the experiential flow of time. In symbolic terms, this artwork highlights the importance of the Central Station as a node; in its primary sense, as a crucial railway link, but also metaphorically as a connection between the city and the entire world.












