8, 12 and 17 for the fandom asks! :)
8. do you prefer happy, bittersweet, or sad endings?
Huh. I think it depends on my mood and the story. Like, The Lord of the Rings has kinda bittersweet ending and it’s perfect. Rogue One has barely any sweetness among the bitter at all and it’s perfect. And while I obviously want good things for my favourite characters, sometimes super happy endings feel unrealistic/unearned/overly sappy. You know, the whole Everyone Gets Randomly Married, Bliss and Babies Ever After thing. So I guess... somewhere between happy and bittersweet?
12. if you could change one ending to a book/show/game/etc, what would you change about it?
Hah, I guess I always default back to ranting about PotC, so... I’d give At World’s End the ending it would have had if Orlando Bloom’s contract didn’t specify his character always has to ‘get the girl’: no one gets randomly married and Elizabeth stays the bloody Pirate King she was always meant to be. People go their separate ways but there’s room for all kinds of possibilities in the future. I know a bunch of people are glaring daggers at this right now, but... meh.
17. are there any tropes you wished were used less often?
Hoo boy. Patriarchal macho werewolves. Macho ‘alpha’ love interests in general. Abusive assholes being framed as (more or less) misunderstood romantic heroes. And related to that, the whole ‘pure-hearted maiden tames the wild beast’ interpreted as ‘female character patiently suffers abuse from a violent jerkass male character until he one day magically is a bit less of a violent jerkass due to her luuurve (and not because he himself chose to change and atone)’. And ‘love redeems’ interpreted as ‘asshole dude wants to get into a girl’s pants so now he’s redeemed, hurrah’. I mean, basically any trope that puts the responsibility for some dude’s actions/redemption/salvation/whatnot on a woman. And any trope that frames abusive/unhealthy/toxic bullshit as the very height of romance.
(Like, don’t get me wrong, I sometimes enjoy reading about a bit more fucked-up dynamics etc. too, but the important part is the narrative acknowledging the fucked-upness. You know?)