I watched the last two episodes of Vincenzo yesterday, but even in the midst of my viewing experience I was able to synthesis and analyze what I was enjoying and not-enjoying, what worked and what didn’t work (for me), so that itself says something about how immersive it was. Of course, Vincenzo is a great show — the action is sharp and satisfying, the schemes are elaborate and spectacular, the humor is cracky yet genuine, and the characters are so, so lovable. And I loved the romance side plot, because yes, I am weak. Still, the last 2-4 episodes strained some of that, and this is my take on why I felt not exactly disappointed, but underwhelmed in the final stretch. I’m also including what I did like at the very end, as that makes sense with how I’m structuring this kind-of-analysis.
spoilers below
Tension, Stakes, and Pay-off
The tension in Vincenzo has been ramped up ever since the death of Vincenzo’s mother, loudly and painfully declaring in that moment that “this is not a game” (contrary to Vincenzo telling Hanseok in jail that he’s toying with him). This leads to a chilling confrontation between Vincenzo and the antagonists while also uniting the residents of Geumga in all-out, unapologetic war. And there is no more game of chess — just one of cat and mouse, with Vincenzo descending upon his prey.
Hence, Vincenzo is noticeably less soft, and he strikes Babel with the steel of his resolve. His schemes feel much more sinister than mischievous as they had been before; he is ending this, once and for all. So, how does the show amp up the tension and stakes from there?
Well, it’s all in what I said before. The tension is teased out in Vincenzo stealing everything Hanseok has ever treasured and then taunting/threatening him in prison, and then with the Babel villains descending into chaos and desperation. The stakes, however, are less noticeable, because Vincenzo is kind of obviously winning. The stakes have already been established with Vincenzo’s mother, then paid off with her death, and then paid off even more with Vincenzo mercilessly seizing the upper hand.
That’s why I feel like Myunghee and Hanseo’s death just... happened. Because it’s been 3 whole episodes since Vincenzo has founded this new resolve, that sort of dragged out follow-up loses its thrill and gratification. They’ve been defeated now, completely and totally. But so what? They’ve been on the losing end for more than 3 hours of screen time now, and even their last resort of a counterattack didn’t hold much narrative weight (which is something I’ll get to later). Their deaths are not boring to say the least — I saw a post that said something similar to “Myunghee, a woman who danced to the music of others’ pain, died dancing to her own” and “Hanseo, a man with no heart, has a hole drilled into that empty cavity.”
But their deaths also happen very isolated from everyone else, not just physically, but emotionally as well. It’s almost as if Vincenzo’s clapping his hands and saying, “Let’s wrap this up now, I’m getting a little tired.” And while I wouldn’t say their deaths are unnecessarily cruel, given everything they’ve done, I don’t think Vincenzo does this in response to anything particularly substantial. Is this for his mother’s death? For Chayoung’s injury? For everyone else? Well, maybe, but it sure didn’t feel like he was contemplating that during or after torturing them. If I put the Vincenzo from the beginning of the show there in those two scenes vs Vincenzo from the end of the show, post character development and all, I think the only difference would be that beginning-of-the-show Vincenzo would still be unfamiliar with Babel’s crimes and see this as a waste of time.
A sort of side note: Now, one of the strong points of this show is its use of comedy in its otherwise very serious schemes (I still thinking about episodes 8 and 15 all the time). But with the impending climax and increasingly serious tone, there was no comedy to make said-serious schemes as engaging to watch. So now unable to rely on one of its greatest strengths, the show must rely on emotional impact. Or similarly: narrative weight.
Narrative Weight
In episodes 19-20, Chayoung is shot, Hanseo dies, and Chulwook is stabbed (and you think he’s going to die but he doesn’t). Who said there was no emotional impact in these episodes again?!
Oh right. Me.
Beyond Hong Yuchan and Oh Gyeongja’s death, injuries and fatalities suffered from our protagonists’ side don’t really have that many consequences. You can argue the consequences of Hanseo dying is that we’re all very sad, but both we and the characters are barely given a moment to grieve before we have to move on. What does Hanseo die for? He dies as an abuse victim just beginning to break out of the cycle he was trapped in, and that itself isn’t necessary a bad narrative choice, and he dies as a warrior in this Mafia vs Conglomerate war, but what does he die for? If it’s for Vincenzo and Chayoung to live, they pretty much get lucky with Hanseo running out of bullets. If it is to show that he had changed, and that this tied into some greater theme of redemption, then his death really isn’t really given enough thought for it to resonate well. I would’ve loved to see Vincenzo reflecting on Hanseo learning to trust and love again, despite all the mistakes he made in the past, and how that influences his own decision to embrace his version of villainous justice. But no. This is something I only thought of after reading a few Vincenzo posts and trying to justify my own moral for the show.
Don’t forget that Chulwook almost dies too. Like I genuinely believed he was dead, shed a tear for the daughter he would never meet, and then the show went like, “Guess what? Psyche!”
I’m not very fond of that injury/pseud-death-but-not-really.
And now we have Chayoung, the person who Vincenzo is the closest to. Don’t get me wrong, I amso weak for her never giving into Hanseo and asking for death over Vinceno getting hurt, for guarding Vincenzo from the bullet, for Vincenzo’s shocked and empty eyes, for Chayoung’s glazed gaze, for him desperately and powerlessly hugging her tightly because that’s all he can do for her now. Afterwards, she’s in the hospital, her shoulder is recuperating, and there’s a nice Chayenzo parallel to episode 4 when Chayoung was waiting by Vinny’s hospital bed. But afterwards afterwards? She’s just in the hospital. Sidelined from the climax.
Vincenzo told her, “I will finish this, for you.” That could’ve worked, because we could’ve seen Chayoung emotionally or spiritually with us during the climax and Myunghee and Hanseo’s deaths. But like I mentioned earlier, it really didn’t feel that way. Ultimately, the narrative tells us that Chayoung’s injury just means she can’t strain herself for a couple of days, despite initially delivering it so dramatically and emotionally.
As one of my friends said while we were discussing this episode: Vincenzo is the titular character, but Chayoung has so much to care for too. Her father died because of Babel, and she said, “We should share the danger.” Instead, we got a decentish-but-slightly-underwhelming scene where she is driven to see Vincenzo off. Okay then.
Characters
Speaking of, Chayoung receives much of the short-end of the character development stick in the last 4 episodes. I found this to be acceptable in episodes 17-18, and she does have that moment where she looked uncertain and nauseated at the death of the “hunting dogs” before shoving down her misgivings, clinging onto a facade of strength as she says “this is what I wanted.” Also, even though it wasn’t episode 14, I wasn’t complaining about the Chayenzo moments either.
But still, this is the second most important protagonist in the narrative and nothing about her really changes in these last few episodes. Nor does she experience catharsis alongside Vincenzo, emotionally or otherwise. There had been some buildup about whether or not Chayoung can swallow the cruel path that she has chosen, but if she’s not even the given the chance to make her own decision on said cruel path, that’s just wasted set up.
(I know that during the Babel Tower party-fiasco Vincenzo told Chayoung that he originally wanted her to push the button that’ll kill one of the hunting dogs, but then decided against it upon seeing Chayoung’s wavering face, but like. Narratively, if she was the one to press it, and then we had some follow-up character arc about her coming to terms with her decision... Oh, we could’ve had it all.)
Another thing I want to point out is that Chayoung has been a foil to Vincenzo in that she represents the happiness, love, and innocence now unattainable to him. (This is just his view, by the way, since Chayoung isn’t exactly innocent herself, which he could’ve seen if the show had only taken this direction.) That is to say, Vinceno’s most interesting character moments are drawn out of him by Chayoung: In his apartment, when they are under the ceiling-stars, and she asks him whether he has ever killed anyone. On the rooftop, when they decide that Hanseok must lose everything before he dies, and he promises to her that he’ll stay in Korea to see things through to the end, in direct contrast to himself at the beginning of the show. In the highway pass, when she embraces him after a gunfight, the closest he’s ever grazed past death. When they drink makgeolli together and he tells her about what her father wanted to say to her. When they sit together by the riverside and she tells him that his mother would have been proud of him.
One of my favorite parts of episodes 11-12 during the gun fight is just how emotionally present Chayoung is, despite not wielding a gun herself, or even being anywhere near the action. I’m not sure if I’m getting this right, but I think this is the first time Vincenzo had killed people on screen, so to see Chayoung embrace him so tearfully afterwards almost felt like he was being reminded of his humanity. And this also shows that Chayoung, despite saying that she would feel distant towards Vincenzo if he did have blood on his hands, loves him closely, so closely it hurts.
We think about Vincenzo, what it means to be a consigliere, and his distorted flashbacks of flesh and blood and killing and losing himself, and that teddy bear, slowly panning out to a child, staring at him in fear. We think about how is it possible for him to love again? Can he even know what love is?
Then Chayoung appears, a woman whose very presence unraveled the mystery that is Vincenzo. But the moment that Chayoung’s development was stunted, that was the moment Vincenzo lost his foil, and we, the audience, lost the ability to see how his past, present, and future reconcile.
Themes: Loving in Sin
In episode 20, Vincenzo and the monks have a conversation about whether he was worthy of love or not before being told that he was Vaisravana — and though he could never be accepted by Buddha, he would be appreciated at times, and he would have his own role to play too. I like this conversation a lot in concept. In execution, it would’ve left much weightier an impact if only we had seen Vincenzo’s journey to reconcile his villainy and humanity play out more, if we had a glimpse into the moral conflict warring in his mind. The last time the drama showed that to us — not told it to us — was with the death of Vincenzo’s mother.
I would add more, really, but I feel like my review up until here says everything I want it to. In my opinion, there was no real epiphany that Vincenzo reached upon hearing those words from the monk because he hadn’t reflected on it enough for there to properly be one. And the ending to Vincenzo and Chayoung’s romance would’ve felt a lot better if it was Vincenzo choosing to love her despite his fear of himself, despite his belief that he could only hurt people. (Also that ending monologue wouldn’t have felt so tacked-on, like, oh wait this is supposed to have a theme right? Here, this is vaguely related, right?)
Because a lot of this emotional potential was not quite met, I think the finale also had to resort to some cheaper ways to make us feel for the romance, such as Chayoung rushing to see Vincenzo off and Vincenzo leaving the diplomacy-relations party early (he very poetically disappears while walking behind this sculpture, but I thought it was hilarious that if the shot didn’t get cut off there in another 2 seconds we could’ve seen him walking out of where that sculpture thing blocked him lol).
Overall though, I’m pretty happy with the romance’s ending, at least conceptually. The way they incorporated the story of cow herder and weaver girl and the bridge of pigeons (not magpies!) that will allow them to see each other again every year was so bittersweet, and as someone familiar with this myth, it made me very nostalgic. Also, I do think it works better with Vincenzo’s themes that he would be apart from Chayoung in some way. They each have their own lives to lead, but although they met by coincidence, they’ll remain by each other’s sides by intention. He is a villain, and so is she, but villains love tenaciously.
answer me at the end of this road (shall we go further?)
read on ao3 • masterlist
summary: Vincenzo tips his head back, sinking into the couch until the singular sound of his lighter drowns out the chaos clouding his head. Shuddering out a sigh, he wills his mind to be blank and chase away his thoughts. Chase away his fears. Chase away the thoughts of her.
And yet.
a/n: hiiii. it's 3 am and i should be doing my econ unit work but i have been struck with the insatiable need to write some angst for our boy vin.
the title is from the song "more days with you" by super junior (which just gives me a lot of vinyoung/chaenzo feels) this is pretty short but i hope you enjoy and let me know if this is something you'd like to see more of!
shing. shing.
He toys with the cap of the gold lighter in one hand, the metallic click bouncing off the walls of his bare-bones apartment. His other hand tracing the edge of blue nightclothes, circling the same pattern rhythmically. Vincenzo tips his head back, sinking into the couch until the singular sound of his lighter drowns out the chaos clouding his head. Shuddering out a sigh, he wills his mind to be blank and chase away his thoughts. Chase away his fears. Chase away the thoughts of her. And yet.
shing.
“I was wondering, if you were planning to stay in Korea,” Cha-young said to him. It startled him, especially the earnest look in her eyes, and the smile she gave him that had his heart racing as he roamed his eyes over her face. And just for a moment, he could forget what he was here for. Looking at the way her hair framed her face, tempting him to reach over the table and thread his fingers through and pull her into a kiss. Looking at the soft pink of her lips and the genuineness in her eyes, the temptation to stay was hard to resist.
shing.
And yet, he turned away from her, the reasons not to stay, the reasons not to give in flooded him. “I don’t have much attachment to this country,” he had replied. A Lie.
He shut his eyes, tight, and pushed the moment away. And in flooded the familiar empty feeling, as he contemplated everything he had done to get to this point. Vincenzo understood that Cha-young was under no delusion; she knew what he was, who he was. Yet, letting her know his full character and all he had done in Italy— it would twist her image of him beyond recognition, he was sure of it. Those days he struggled with the flashes, the sounds of what he had done, to people, to families, she was a reminder of the good he was capable of. The way she glances at him, over the cups of coffee in the morning and the way she bounded towards him, dancing in circles, after he freed her from jail had him craving to preserve whatever image she had of him. He wants to stay like that, in her memory, even if it was just a lie. To have Cha-young find out his true nature, the true evils he was capable of, would force her to look at him the way he views himself— cold and distant, a man so far away to the hero she thought he was.
shing.
“After we find Babo and get rid of him, you’ll leave right?” Cha-young glanced up at him, as she poured him another glass of makgeolli. He looked up at her, and for a second, he let himself believe that she was asking him to stay, for her. And as he indulged in gazing at her for a beat longer, he fought the urge to tell her that he’ll stay. For her, he would stay.
shing.
And yet, he turned away from her once again and forced himself to smile as she toasted to him leaving her life just as unexpectedly as they had met. It was decided. It was better to keep her far away from his heart, save her, and himself, from disappointment. It was better this way.
And yet, Cha-young still managed to creep into his thoughts, during every sleepless night. The way she felt against his chest, his hands in her hair as he comforted her, the way her eyes twinkled as she teased him to no end. He stays there, sagging against his couch, his eyes screwed shut and his hand curled tight into a fist, crumpling the edge of his pajamas steeling himself against his heart.
And yet, against his better judgement, Vincenzo lets himself indulge one last time, in what it would mean to stay. For her.
