That jacket he is wearing for the meltdown photo was on HS lookbook and the designers bio is
Oh! He's worn Charles Jeffrey before! He made that fabulous green jumpsuit H wore during his HS1 era (and that unfortunate silver version, as well). He also wore a terrific Charles Jeffrey suit during the tour and one during promo. I just remember him really specifically because I loved his style and because he was so openly queer (and that was such an enormous deal at the time).
So, Harry is client 002 of Jeffrey's No Wave Couture line:
From the catacombs of London’s Somerset House, Charles Jeffrey LOVERBOY has never been a brand that colours within the lines. Now, the celebrated Scottish designer is taking his radical, club-kid aesthetic – that vivid collision of queer nightlife and Scottish folklore – into an entirely new, formal dimension with ‘The Charles Jeffrey Line,’ or simply, ‘No Wave Couture.’
The name borrows from No Wave, the late ‘70s downtown New York movement that rejected polish and convention in favour of pure, abrasive experimentation. In that same spirit, Jeffrey is using couture as his new canvas, dismantling its strict codes and rebuilding them with a raw, expressive energy.
For a brand rooted in menswear and maximalist, gender-fluid ready-to-wear, this signals both an evolution and a risk: the move into flou – the French term for soft, flowing garment construction. LOVERBOY has long dabbled in bespoke pieces for collaborators like Harry Styles and Tilda Swinton, as seen in the recent The Lore of LOVERBOY exhibition. But this new line treats couture not as a side project, but as an artistic discipline in its own right.
Jeffrey approaches this high art form with a punkish, DIY ethos, “improvising our own rhythm,” as he puts it. It’s a beautifully confrontational stance: couture not for the gilded salon, but for the restless, anti-establishment imagination.
"Today, we debut the new line from the brand: The Charles Jeffrey line, No Wave Couture. No Wave was an art and music movement born in late 70s downtown New York. A reflection of convention, eloquence, and polish. It was raw, experimental, and anti-trend, celebrating process over perfection. That spirit defines how we approach couture. For a small brain rooted in menswear, this marks our first real step into flou [?]. An essential evolution for the business. We've created custom looks for friends and collaborators, but now we're treating this craft as a pillar in its own right. We're so proud to work with Zoë Bleu Arquette as our first client, client 001, and look forward to many more collaborations ahead. Expect more iterations!! If you want to explore this new issue with us, you know where to find us!!"
Here's my CHARLES JEFFREY tag