Putting myself in the shoes of another artist is something I’ve done before, but this in particular is a challenge. Mostly because it’s hard to know just how intricately planned this story was before it was put on indefinite hiatus.
There were supposed to be ten books, but as I’ve mentioned once, I’ve wrote a series of five before, and I didn’t fully plan out the fifth book until I was nearly done with the fourth. I had some vague ideas for what I wanted, but the specifics changed drastically as I progressed.
During the actual writing process, details come to light that you don’t consider when writing an outline, and sometimes you’re forced to make changes to how you planned things out in order for the story to be the best it can be.
So yes, I know it’s a bad idea to get too detailed with outlines too far in the future. But did Vivziepop know that?
Above is a character who was supposed to have a single arc of her own. I’m guessing there were a lot of characters like this, who weren’t supposed to be a large part of the story but get their own character arcs where there was focus on them.
There are literally hundreds of background characters, though, and it’s hard to say how many of them were supposed to have their own arcs, or how well-planned all these individual stories may have been, or how they were organized to contribute to the overarching story.
And even if elaborate plans did exist, like I talked about before, who’s to say if they would have turned out as intended in the end?
I’d like to draw your attention to the blacked-out parts. Apparently they’re covering spoilers for the plot (I’d sure love to see under them now, though) so there was also planning for ZP that wasn’t being shown to the audience, even outside of the comic itself.
But it’s hard to know how thought-out everything is from this perspective! In other posts, I’ve pointed out plenty of examples of plot points or world building details that stop making sense when you think them through.
As a writer myself, I think it’s even okay to make a story out of plot points that you just think look cool or interesting. It can be done well! But it takes a lot of work to make sure they make sense, and contribute to the larger goals of the story.
It’s things like this that make this project frustrating — I wish I could know how the future of ZP was outlined, because this was meant to be a long, complex story once upon a time, but since I can’t, I just have to accept that while I’m trying to write this with the spirit and intention of the canon, I can’t completely see the entirety of what that canon is.
I have to keep fighting that personal disappointment with myself throughout this process.