Oh dear, this might be tricky. I suppose I deserve that after making you choose your favorite Chie and Nene roles XD Also, it occurs to me that I’ve seen/heard a lot of opera excerpts but not a whole lot in their entirety. Thankfully, all of the ones listed below I have completed in some capacity.
5. I haven’t seen it in its entirety, but from a purely musical perspective I really enjoy Phillip Glass’s Einstein on the Beach. First of all, I like minimalism. The repetitive quality can be very soothing and just nice to hear. This one, in particular, is a great opera to have playing in the background during studying or some other task that doesn’t require a lot of focus on the music. Uniquely, the title character doesn’t ever speak or sing, he only appears as a violinist. All other words are spoken and sung by members of the chorus. A favorite excerpt (and general taste of the opera) is the finale, Knee Play 5.
4. Wolfgang Amadeus Mozart’s Die Zauberflöte. Beautiful in either German or English. It has some of my favorite things ever, in opera or otherwise - fantasy elements, funny baritones, very catchy arias (I had the one from Act 1 when Tamino is playing his flute to charm all the nearby animals into dancing stuck in my head earlier) that can also be quite beautiful to hear, dancing animals, and general goofiness at times. I mean, you have a bird man who falls in love with a bird woman and then they sing a duet to proclaim their love and babies ever after. So cute and silly. XD Favorite excerpt: the Act 1 Quintet between Tamino, Papageno, and the Three Ladies.
3. Definitely the most recent of my favorites is Ricky Ian Gordon’s The Grapes of Wrath. It’s an operatic adaption of the John Steinbeck novel of the same name, and it is a beast of an American opera. Taking elements from other American operas, folk songs, musical theatre, and likely other inspirations, Gordon creates a 4 hour adventure. There’s something for every voice type, and plenty for the chorus to do as well. I got to see this one live at Northwestern University in 2013, so there’s that. Check out this ensemble number from Act I, “The Plenty Road.”
2. It’s an operetta, but I’m counting it anyway - Gilbert and Sullivan’s The Pirates of Penzance. Partially because I had a leading role when my university did it in the spring of 2013. BUT it’s very silly and chock full of great music in English. Big choruses, lots of arias/duets/trios/etc., fun for all voices. And it has singing pirates, how could you not like that? Especially when said pirates are trying and failing at being quiet, resulting in THE BEST MALE CHORUS NUMBER IN THE SHOW.
1. No contest, my top favorite is Georges Bizet’s Carmen. It was my first opera that I got exposed to and subsequently became obsessed with at the age of 10. Also, as a mezzo-soprano, I am a lover/defender of all major mezzo roles, most particularly Carmen. But really, this opera is amazing. Wonderful music, featuring some of the most well-known arias in the popular consciousness of opera. I’ve never seen it live, but SOMEDAY I WILL. If I had to choose a favorite excerpt, it would probably be the final duet between José and Carmen. Really, I love this entire opera, but that is my favorite part of all. It’s just so visceral and raw and full of emotion. Also Jonas Kaufmann is a wonderful Don José.