2025 ⦂ alternate uncropped version of a creature sitting on a louis XIV armchair
acrylics on old textbook + digital intervention

seen from United States
seen from United States
seen from Romania
seen from United States
seen from Greece

seen from Canada
seen from United States

seen from Japan

seen from Brazil
seen from Ukraine
seen from United States
seen from Poland
seen from Argentina

seen from United States
seen from China

seen from Japan
seen from Romania
seen from France
seen from China
seen from United States
2025 ⦂ alternate uncropped version of a creature sitting on a louis XIV armchair
acrylics on old textbook + digital intervention
2017/2022 ⦂ ánimaľ̴̢͎̙͚̩̼̈́̈́̔̈́͝ứ̴͓̭̈͂̂̏̋͑̈́̕s̷͉̣̼̜̏̀̓̈̂̀̕͝t̷̛̠̰́̊̅͋͠
re-issued collaboration with my dad for his poetry book CONTRALUZ.
2017/2022 ⦂ c o n t r a l u z
re-issued collaboration with my dad for his poetry book CONTRALUZ.
2023 ⦂ s̴ỳ̷̱̯l̴͖̆̆v̵͓͕̂͊i̵̬̍l̸͚͠ả̸̻̽ǵ̸̹̩̕ụ̴̌͌ŝ̴ ² + s̴ỳ̷̱̯l̴͖̆̆v̵͓͕̂͊i̵̬̍l̸͚͠ả̸̻̽ǵ̸̹̩̕ụ̴̌͌ŝ̴ ¹
(positive & negative sides) monoprints with oil paint, acetate sheet & japanese rice paper.
2023 ⦂ la décima noche ⦅🎧: Sarah Davachi - Two Sisters⦆
charcoal & graphite on paper.
ondıne
[bɛʃtɨəl] self-portrait, inkjet print, water, human hair, typewriter.
2022 ⦂ variations of self-portraits for borders
2017 ⦂ first attempts with wet plate.
some ambrotypes i made during one of my favorite classes at uni. wish i could go back to the wet-plate collodion process properly and more intensively.