Album Review: Procol Harum - Live: In Concert with the Edmonton Symphony Orchestra (Remastered and Expanded)
With bonus tracks tacked on, the expanded edition of Procol Harum’s 1972 LP, Live: In Concert with the Edmonton Symphony Orchestra, now shows off the band’s hard-rock side along with its other diverse personas.
There’s the quasi-pop purveyors of “Conquistador,” aka the Procol Harum song not titled “A Whiter Shade of Pale” that’s still played on classic-rock radio. There’s the lush, symphonic Procol of “A Salty Dog;” the prog heroes of the epic “In Held ‘Twas in I;” and the guitar-based rockers of “Simple Sister” and “Shine on Brightly,” which were not on the original album.
Now more than ever, Live In Concert is a schizophrenic listening experience as the band shifts gears with virtually every track and several times within the the vinyl-side-length “In Held ‘Twas in I.” What gives it a semblance of stylistic cohesion is the presence of the Edmonton Symphony Orchestra and the Da Camera Singers, who, thanks to Gary Brooker’s arrangements, are more like fully integrated band members than mere accompanists and curiosities at a rock show.
The album is unique not just because of the orchestra and choir but because it’s the only Procol album to feature Robin Trower’s initial replacement, guitarist Dave Ball, and the first to include bassist Alan Cartwright.
Despite the new blood, the band still sounds like Procol Harum because of Brooker’s impeccable vocals; Keith Reed’s peerless lyrics; B.J. Wilson’s stunning drum work; and Chris Copping’s uncanny knack for sounding like Matthew Fisher on the organ. Retrofitted with rehearsals of the aforementioned cuts plus “A Salty Dog,” and “Luskus Delph,” this new edition is worth the update for existing fans.
Newcomers should start with the band’s first five studio albums - the ones with Trower - before diving in to this most-challenging LP.
Grade card: Procol Harum - Live: In Concert with the Edmonton Symphony Orchestra (Remastered and Expanded) - B