Louis Armstrong
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Louis Armstrong
📷 Wordpress
ᴄᴀsᴇ ғɪʟᴇ: ɴᴏ. 341 // ᴛʜᴇ ʀᴇᴅʜᴇᴅɢᴇ ɪɴᴄɪᴅᴇɴᴛ
A cluttered wooden desk, a heavy brass trench lighter, and a stained case file left open under the dim glare of a desk lamp. If you are setting up the table for a late-night mystery board game, plotting out your next crime novel chapter, or just staying up past midnight to finish that detective novel, you need the right soundscape to stay in the shadows.
This is the definitive 1940s private eye atmosphere. Think heavy double bass plucks skipping like a heartbeat, a smoky saxophone cutting through the mist, and the steady, cold rhythm of a midnight downpour hitting the pavement outside. It keeps your head down and your focus sharp while you piece the clues together.
𝖳𝖧𝖤 𝖲𝖳𝖱𝖤𝖤𝖳𝖫𝖨𝖦𝖧𝖳𝖲. 𝖳𝖧𝖤 𝖲𝖤𝖢𝖱𝖤𝖳𝖲. 𝖳𝖧𝖤 𝖴𝖭𝖲𝖮𝖫𝖵𝖤𝖣 𝖢𝖠𝖲𝖤.
Pull the brim of your fedora down, lock the office door, and let the investigation begin.
🔎 Listen to the full Dark Noir Jazz session on YouTube: Dark • Noir Jazz - 1940s Detective Vintage Vibes [Music for Board Games, Reading & Writing]
That's 30 minutes and counting......
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Welllll, it’s been along time since I’ve posted on this account! But I have some updates for anyone who would be interested in hearing about it! I’m 20 years old almost 21 and I will be dropping my very first EP soon! May 8th is the date of release! “Smile” my first single from said EP is out now on all streaming platforms! Just type in “Esai Aliquo” or “Esai Aliquo Smile” and you should find it! I worked on it with my grandfather, and I’m so proud of it!
Album · 2025 · 43 Songs
Your new-release brilliance for the day. All the Riverside studio recordings by Bill Evans’ classic trio, comprising him, Paul Motian, and Scott LaFaro.
Headphones recommended, as LaFaro’s storied bass is squarely in the right channel. One of the marvels of jazz is the interplay between Evans and LaFaro, and this is that jewel in a fine setting. Evans’ inimitable touch and melodicism enhanced and prodded by LaFaro’s countermelodic support, sometimes full, sometimes spare.
LaFaro’s tragic death at 25 devastated Evans, causing him to stop playing the piano for half a year. According to Gene Lees, “The shock of LaFaro's death stayed with Bill for years, and he felt vaguely guilty about it...He felt that because of his heroin habit he had made insufficient use of [their] time together...After LaFaro's death, Bill was like a man with a lost love, always looking to find its replacement.”
Great profile of the bassist here, from which the preceding quote is drawn:
One of the most substantial biographies I’ve read in recent years is the 2009 publication that Helene LaFaro-Fernandez devoted to her brothe