(Cloud on a Boat), 1963 by Méret Oppenheim
Plaster over metal armature
seen from United States
seen from China

seen from United States

seen from Kazakhstan
seen from Argentina
seen from France
seen from China
seen from Thailand
seen from Germany

seen from South Africa
seen from Türkiye
seen from Italy

seen from Malaysia
seen from United States
seen from Germany

seen from United Kingdom

seen from United States
seen from Poland

seen from Russia
seen from Spain
(Cloud on a Boat), 1963 by Méret Oppenheim
Plaster over metal armature
four clouds, 1985 by Méret Oppenheim
pen on paper
Preliminary study for clouds, 1971 by Méret Oppenheim
Print, Watermark and pencil on white cotton paper
Wolke, 1963 by Méret Oppenheim
Oil on canvas
Sterne hinter Wolken, 1967 by Méret Oppenheim
Crayon on paper
Large Sky with Clouds over Continents, 1964 by Méret Oppenheim
clouds are a recurring theme in Meret Oppenheim’s work. Interpreted through various techniques, here they occupy the pictorial space of this large canvas without any vanishing point, nor any perspective beyond the accumulation and arrangement of shapes one behind the other.
From 1953, Meret Oppenheim’s clouds conveyed an extremely wide range of expressions, and were even transposed into three dimensions, materialized in bronze.
“diary paintings: CLOUDS” by UGO RONDINONE
ACRYLIC ON CANVAS, SILKSCREEN ON PLEXIGLASS PLAQUE
The notion of temporality is, moreover, implied by the word “diary” in the title. Like Rondinone’s series of so-called “diary paintings,” which he started in 2008, with each work taking as its title the day of its creation, the clouds seem to represent the passing of lifetime.
DREIUNDZWANZIGSTERJULIZWEITAUSENDUNDSECHZEHN, 2016 by UGO RONDINONE
ACRYLIC ON CANVAS