#cns2141

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“Section” Format: Pop-up Book

Audience: Performer

Intent: Represent the spatial and visual relationships afforded by the building design as it relates to performance. Gesturally illustrate the see and be seen (and be heard) dyad (triad). Answer questions: Where will I be seen? Where will I be heard? Where can I see? Where can I hear? Where will I be hidden?

Distributed: On site, in pamphlet form.

Workflow Overview: Digital 3D --> 2D --> Analog 3D

Workflow Overview 2: Construction --> Deconstruction --> Reconstruction

Workflow Detail: Rhinoceros 3D, Illustrator, Printing, Cutting, Folding, Assembly.

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“Section” Format: Pop-up Book

Audience: Engineer

Intent: Demonstrate primary concept of design, creation of vertical visual relationships which span between and “connect” horizontal floors.Presented as a relationship which must be maintained, strengthened, and physically supported through proposed structural system. 

Distributed: Amidst other drawings, within larger presentation to engineer.

Workflow Overview: Digital 3D --> 2D --> Analog 3D

Workflow Overview 2: Construction --> Deconstruction --> Reconstruction

Workflow Detail: Rhinoceros 3D, Illustrator, Printing, Cutting, Folding, Assembly.

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Excerpt from Finnegan’s Wake by James Joyce, presented through typing patterns from four individuals.

In Axonometric.

Line length determined by frequency of letter in text. Length decreases with each character use as if of a degrading material.

Line angle determined by character type: uppercase, lowercase, symbol, space.

Line’s vertical position determined by individual character, such as: a, q, !, or -. 

Line weight determined by time between key presses. Slow typing produces a heavy image; fast typing, light.

Typing errors included.

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Top: Transcription from “Mr. Smith Goes to Washington”

Middle: Excerpt from Le Corbusier’s “Toward an Architecture,” typed by Individual A

Bottom: Same excerpt from Le Corbusier’s “Toward an Architecture,” typed by Individual B

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1 am, 7 am, 1 pm, 7 pm