18+ mdni simon riley is a horrible lay, everyone says.
thatâs what youâve heard around base, from men and women alike. heâs too fucking big, apparently, fucks like the mean bastard that he is. hurts. apparently, heâs so cold he doesnât even care for his partner. and apparently, every time anyoneâs tried to sleep with him, theyâve always stormed out of his room, pissed off at him because his room is a hellhole.Â
apparently. itâs all word of mouth, but you believe it.Â
but after the end of the month drinks at the local spoons, you can barely get simon off you, heâs pawing at you with his big hands. the two of you split a cider in two, and he looks at you with his big brown eyes, ây- youâre really fucking hot.â he blurts out, kissing your nose with chapped lips.
his face is red, blushing deeply as you try your best to not flush the same. âand johnny told me you canât ever think about the pretty lass on floor 3 with the filing cabinet, but guess what, i can.â he kisses you on the side of your head this time, and youâre enjoying his affections.
itâs only back in his room on base that he fumbles with his belt, before he looks at you again, âs-sorry, itâs just, i donât really get to spend the night with pretty women like you-â
you want to hide your face in his pillows, his room is really fucking nice. he has plants, actual plants growing from gaz, sketch drawings from johnny, photographs of him and the captain.Â
his cock is huge, hard and leaking, slapping against his stomach, but he still looks at you with his sweet brown eyes, âlove, itâs okay if itâs too bigâŚâ he sounds dejected already, but you just shake your head, itâs nowhere near as big what the word around base was.Â
âitâs fine simon-â you whisper, licking your lips and placing kitten licks on his length, feeling the taste of him coat your tongue.Â
âno no no-â he shakes his head, pulling away before his hands touch your wet panties, âfuck, youâre so wet love.âÂ
and then he dives in, tugging them off, before licking at your cunt with a sloppy tongue, he doesnât have a technique down but whatever the fuck heâs doing itâs good, your legs are shaking as his tongue dips inside you.
âgotta make sure itâs good for you-â okay, what the fuck was anyone talking about?
he slides into you with ease, and thrusts into you? his hands above your head, his eyes still looking at you. âyouâre very fuckinââŚÂ mmmphâŚÂ hot.â he says, with a grin on his scarred face that would look terrifying if it wasnât for the way his brown eyes shone with sweetness.
Â
it wasnât long before his cock twitches inside of you, and his eyes roll back, âoh fuck love, right thereâ fuck!â he was filling you deep, his cum thick in your stomach.Â
âlove?â he asks, whimpering, his head on your chest, âlove, did you find it good?â heâs desperate for your fucking approval.Â
you kiss his head, his soft curls growing out of army regs.
âyes darling.â fuck the word of mouth, did anyone even try this with him?
âth-thank you dove-â he pants, his cock deep inside you as you keep stroking his hair, feeling his breath even out.Â
Simon being an emotionally unavailable bastard and purposefully keeping things casual between you and him with occasionally rearranging your guts. so when you ask him the dreaded question "what are we?" he just tells you that he's nothing to you and you're just something convenient for him to come back to. period. nothing more than that.
and although you're disappointed but not surprised, you accept it. youâre smart enough to distance yourself from him to find something more meaningful. to find someone who won't leave you in the middle of the night while you're asleep or even right after sex. someone who won't turn down an invite to your place if it didn't involve taking off your clothes. someone who doesn't shy away from being vulnerable or just silly conversations about mundane topics of life.
so why is Simon surprised when you go on a date with one of his sergeants? why's he surprised when you end up with the most stable one of his group? why is he surprised when he sees your face on Gaz's lockscreen?
and why does his chest tighten when Gaz has to excuse himself out of the room but hearâs his âhi, baby. whatâs up?â following him out of the room? why do his fists clench under the table whenever Gaz mentions you with that stupid lovestruck smile of his? why this and why that and all the questions that Simon does not want answers to but the mere sight of you and Gaz together makes his throat burn.
this inexplicable ache, this never-ending throb in his chest that never seems to die down, that seems to unearth itself right after he buries it deep down. he canât put a word to it. not because he canât. because he wonât. he refuses to.
yet he almost punches the fucking wall when Gaz mentions that he plans to propose on christmas. but instead swallows down the thick lump in his throat and congratulates the man in advance before walking away.
he contemplates death when Gaz sends a message in the group chat saying âshe said yes!đâ a week later.
royal portrait artist simon riley who is given a wife from the court to ensure his position in the kingdom. but he didnât want a wife; he had no interest in entertaining some spoiled bird from the capital, so he just ignores you.
and you spends a few years married, no romance, no children, barely any words spoken between them, until you die young, a childhood illness that was never cured. and simon is left having to explain why your funeral portrait is one from before your union and not one he would have painted after. or a wedding portrait that heâd never even considered making until he realizes that he doesnât have a single portrait, sketch, or watercolor of his betrothed.
even worse when he takes it upon himself to organized your belongings and he comes across your diary. a detailed recollection of your life and your decision to marry him because you know of his aversion of touching but you admire him and his work so much that it is worth the cold shoulder, and that it isnât like you had much time left anyway, so you might as well spend your remaining years in his presence.
so that leaves simon, clutching to shakes memories and despair, to desperately try and replicate your essence in a portrait. for weeks, months, and years but none of them are worth any admiration. your eyes are the wrong color, your hair flows in the wrong direction, and your skin doesnât have the glow it once did. it drives him mad, unable to rest until he can finally have you with him again.
Whatever you do, don't think about being Ghost's childhood best friend. About making blanket forts to hide from the world, sharing secrets in the dark or sneaking a beer from your parents in your early teens. Don't think about simply being each other's person â the one you tell everything to.
Don't think about writing letters and talking on the phone when he first enlists. About the butterflies you'd feel whenever he hummed some pretty pet name in your ear. Don't think about calling him big guy when you see him for his first leave â definitely don't think about the eye roll and the fond smile and the rosy tips of his ears.
The letters get longer, the phone calls more frequent, and it almost feels like the beginning of something â something new, something beautiful.
Don't think about the devastation when you get the news of the Riley family's death and the emptiness that fills your chest. About attending the funeral and shaking the hands of his fellow soldiers â the ones who got to live instead of him. Don't think about visiting his grave, replacing wilting flowers with fresh ones every time as you talk to him about your life. Maybe sometimes it feels more like a conversation than a monologue. Maybe sometimes you can't get out a word at all.
Don't think about seeing his face one day, years and years later, in a stranger passing by the window when you're ordering a morning coffee. The anniversary of his death is coming up, maybe you just miss him a little extra this year? Except it happens again. And again. And suddenly what had been your dream feels like it's suffocating you. He's older â but you guess even ghosts can't outrun time â he's scarred and covers more of himself than ever before. But you recognise those eyes; you'd recognise them anywhere.
Don't think about coming up behind him in the grocery store one day, his name so so soft on your lips, but it makes him freeze anyway. Don't think about the way he pointedly ignores you, going about his shopping as if he hadn't just returned from the dead and turned your world upside down.
"Simon," you say again, louder this time, harsher, and grab onto his elbow. Because you need him to listen, you want answers.
"'s not my name," he murmurs, stepping away from your touch like it burnt him. His words reaches out with stained hands, cracks open your ribs and strangles any hope that had dared begun to blossom there.
Your face falls, feet rooted to the spot, but you don't try again, and you can feel your heart shatter anew.
Don't think how, for a moment, you thought you'd maybe get him back. Get back the boy you grew up with, the one you loved, the one who got away. Only for him to die all over again.
"I want to live by the water one day." You tell Simon on a sunday afternoon.
You're sitting on a park bench in some quiet neighbourhood, his arm wrapped around your shoulders tightly, staring off at the lake in front of you, the blue waves lightly lapping at the shoreline. It was calm, peaceful here
He responds with a grunt, simple enough in nature, but you know you're Simon. He'd build you that house with his bare hands just to see you smile. All he ever wanted was to make you smile.
This was your little tradition, spending some quiet and alone time together before he left for another tour in some foreign country. He never called, he couldn't anyway, explaining that he wanted to keep you safe.
But you knew the truth, if he told you what was going on in his life, you'd be concerned, horrified with the life he willingly walks into, that he's choosing chaos and death over staying home with you.
4 long months. That's how long you waited for your husband to come home
You didn't expect to be handed the union jack flag by two visiting officers, a heavy stone placed in your stomach when they recited their apology. You could barely hear it through the intense ringing in your ears, the low moan of anguish building in your chest.
Simon was gone. ripped from your hands without a second thought for who he was, or how much he meant to you. But that was war.
His name, usually spoken softly with love was now a harrowing cry from your throat. You thought that if you wailed and sobbed enough to the heavens, maybe he'd hear you. That he'd come back, like he always promised you he would.
You didn't get the privilege of having a funeral, there wasn't enough of him left to put in a coffin anyways. Rough hands patted your shoulders and back, trying to console you on the loss, but how can you even comfort someone who just lost their world.
Johnny watched helplessly as you faded away, your eyes growing dull and lifeless, your clothes looking a bit looser on you. He'd promised Simon he'd take care of you if anything were to happen, and Johnny comes up short on his promise.
You don't go to him and he doesn't come to you either.
You couldn't stand living in this house anymore, every object a painful reminder of the life you'll never have. Your wedding photo is a cruel taunt, the empty bedroom for a baby in the future a spit in the face.
Now you do live by the water... just not with Simon.
CW: angst, canon-typical violence, hurt/comfort, references to suicide, injured Simon, eventual smut, military inaccuracies
wc: 7.1k
Masterlist đŚ
When Soap gave you Simonâs address, you thought youâd end up in some dodgy building with flickering lights and the pungent smell of piss.Â
You expected sleazy neighbours, creaky old doors, and grime-crusted flooring: he is a clean man, sureâpathologically so, youâd like to add, since his barracks back at HQ look like an ORâbut he absolutely adores his privacy. You wouldnât put it past him to move somewhere other people would never go for their safety, even if it meant tiptoeing around pools of unidentified fluids and used condoms.
Instead, as your GPS pings your arrival, you find yourself in front of the loveliest house youâve ever seen.
Uneven bricks, ochre and grey, cloaked by a pitched roof and tiles laced with moss and ashen lichen. A chimney peeks from the top left, darkened right around the top. Thereâs a stone path leading from the gravel where you parked your car to the front doorâsturdy hardwood thing, painted a deep dark chocolate with bronze trims all around. Wooden fixtures for the windows, worked and etched in that way that makes them look old, but they clearly arenât. Thick glass, maybe to isolate soundsâas if itâs needed.
This house is as pretty as it is lonely. Lost in the middle of nowhere.
At least you were right about one thing. Not even God would go this far to look after His disciples.
Out of four hours, you spent half driving through unpaved roads, with your car jumping over fat roots and potholes. Got lost once. Almost ended up in a ditch twice.
However, the landscape they led to is gorgeous as few. Worth the money that youâll surely have to splurge on new shock suspenders.
Itâs autumn, so thereâs the occasional tree popping golden amongst an emerald ocean extending behind the cottage, farther than the eye can see. In front of the house, thereâs a small grove. It rustles with the wind, coos with birds and owls, runs with squirrels and wildlife clawing up the trees. Evergreen bushes with the occasional pop of colour, whether red or pale orange, lean against the trunks. The sun is setting behind it, painting the landscape with the shadows of the fronds and a soft golden glow.
It's quiet, in that way only nature can be.
If you hadnât been worried down to the bone marrow, youâd have lit a cigarette and smoked it with your ass on the trunk of your car while basking in the last shafts of sunlight of the day.
Alas, youâre not here for sightseeing.
You turn off your car and jump out of the seat. Gently, you stretch your arms; your shoulders pop, your back cracks like a fucking glowstick. Your knees arenât faring better, clicking when you stand up fully.
With a withering sigh, you walk to the back of the car and open the bonnet.Â
There are groceries for a lifetime stacked in there. Four bags from Tesco, two smaller ones from the chemistâs. Pain killers, vitamins, paracetamol, supplements, benzodiazepines, citalopram, escitalopram, and all the fucking prams the pharmacy had to offer. The list was long; you eyed Johnny worriedly when he gave it to you, but knew better than to ask.
Youâre tired. Tired beyond measure. You went to work at the crack of dawn and then jumped in the car when you couldnât take it anymore. Dropped everything, apologised to Kyle for leaving him to fend for himself with the diplomatic envoy, and when Price scrunched his nose disappointedly, you apologised to him as well and promised to do double the job once you were sure he was alright.
Because you hadnât heard from him in days.
Not a phone call, not a text, not a sign that he was using his phone at all. Not a sign that he was alright, that he was still grumbling about the growing prices of groceries, that he was still nursing a nightcap in the eveningsâthat he was alive.
He used to tell you.
They donât get itâJohnny, Kyle, Price. They donât know about the texts, the calls, the photos, the messages sent in the middle of the night, the ones left just shy of dawn, just to wish each other a good day.
Your little secret, that. Your little something soft, developed in the ruthlessness of your job. Something amicable and familiar stuck in between the horrors of cold-blooded murder, of dead bodies scattered in your lives, and endless stacks of paperwork.Â
Youâd send him pictures of your pale teaâtoo much milk, if you asked him. Of your pies baked during downtime, of the Christmas decorations youâd hang on the ceiling. Heâd send you those of birds landing on the hood of his car, cats heâd find along his walk that would nuzzle his calf.
SR: Donât know why.
LT: they think youâre snow white
LT: because youâre pale and you have the sweetest big brown eyes
SR: Wouldnât say sweet.
LT: in fact i said sweetest :)
SR: Flattery wonât work on your lieutenant.
LT: ha! but im a lieutenant too. you canât pull rank on me
SR: Iâm your L.T.Â
SR: Youâre my second lieutenant. Under my command.
LT: technicalities
SR: Youâre L.T. too
SR: L.Too
SR: L2
L2: oi
SR: Haha
L2: rude
SR: Alright, L2.
They donât get it.
SR: Sleeping?
L2: are you keeping tabs on me?
SR: Youâd be surprised.
L2: wonât ask
SR: Shouldnât.
L2: Fancy a chat?
And your phone would ring.
âL2,â heâd greet.
âNot funny anymore.â But it was.
âReckon itâs bloody hilarious.â
âBeen too long. Itâs losing its charm.â
âCharm?â Heâd breathe a laugh. Almost. âRight, thenâEl.â
Midnight, midday, seven AM, four AM, six PM. On and off the job. Christmases and birthdays and Easters and early Sundays and late-night Mondaysâ
His touch, secretive and fleeting. Warm hands on the hollow of your spine as he walks by, fingers tightening the straps of your vest, adjusting the holsters on your thighs. Watchful eyes chasing your shadow in the crowd, following your fingers as they deftly work through cables and buttons. Burning holes on the back of your hands as you aptly defuse an IED. His huff of relief, his palm warm on your shoulders. A pat, a caress.
âGood job, L2.â
âFuck off with that,â youâd laugh. âSpooky fucker.â
âThatâs my El.â
They donât get it.
Or maybe they do.Â
Price wrinkled his nose, but didnât stop you. Kyle took over your shift. Johnny gave you the means to reach him.
Maybe they saw itâyour eyes softening whenever he walked into a room, his shoulders unravelling whenever your voice crackled over comms. Two peas in a pod, birds of a feather. The moon and the fucking sun. Lieutenant Riley and his 2nd lieutenant.Â
LT and L2. Ghost and El.
On the seventh day of no contact, you couldnât take it anymore. You raided Tesco, you begged Johnny to give you his address (and thankfully, he was just as worried as you wereâyouâd have hated pulling rank on him), and he secretly passed you Simonâs medical file so you could pop by the chemist too.
Now, you find yourself properly hauling your own weight in groceries along the stone path leading to his cottage. You drop them with a grunt in front of his door.Â
On your side, his car is parked. Second-hand. Onyx black. Bird shit on the roof, windows grainy with soil and opaqued with rain tracks.Â
Unused for a while. Normal, in a way. Itâs not like he can drive in that state. For any amenities, a nurse would come by, provided by the SAS. Sometimes heâd open and be cordial enough. Sometimes he would just tell them to leave groceries and whatnot at the door.
The nurse told Price it had been days since Simon even answered his phone calls, never mind open the door. Price told the team, but not you. Kyle passed you the intel with the same secrecy as a mole working for the enemy.
Gooseflesh crawls up your spine as you look at the weathered bronze of the doorknob. Thereâs no doorbell that you can see.
You knock.
âLieutenant.â
Nothing.
The wind grazes your ears, ruffles the fronds as it intersects with the leaves. You dry the pearls of sweat on your forehead with the back of your hand, and knock again.
âL.T.,â you say, trying to sound chirpy. âSpecial delivery!â
Silence.
You lean to the side and try to peek through an overgrown bush into one of the windows, but the curtains are drawn shut. You bring your thumb to your lips and nibble at a cuticle.
Knock.
âLieutenant!â Again. Worry seeps through the cracks. âItâs me! Itâs lieutenantââ
You chew on your name. It dies on your tongue.
âItâs L2!â You yell instead. âItâs El!â
Blood beads on your thumbnail, bitten short.Â
Knock knock.
âPlease open the door?â You venture. Your heart pounds in your ears. âIâm so fuckingâso fucking tired and worried.â
Knock knock knock.
âWhere the fuck do you live anyway, uh?â You sniffle. Your nose stings. âWas right, wasnât I? You are fucking Snow White.â
Nothing.
Loudest silence youâve ever heard.
You hate it. You want to fill it with more knocks, with more yells, with the sound of his footsteps, with the gravel of his voice, the crackle through comms, the clicking of his ankle when he rests his weight on it for too long, the burn of his cigarette in the coldest nights, the breath of a laugh he wants to swallow but doesnât manage.
âLieuââ You gulp. âSimon? Please.â
On the far right, thereâs a bench whose greyish paint is chipping away. Old wood rots in the centre because of rain and constant humidity. Even though you sat in that godforsaken car for the past four hours and some, you feel your knees buckling the more you keep standing.Â
So, you carry yourself over there. Drop down. The bench creaks. As predicted, itâs wet and it seeps through your jeans. You sigh.
âI brought you food!â You go on, âAnd if you donât open the door Iâm gonna eat it. Everything. Even your stupid chocolate biscuitsâIâm gonna gobble them up in one sitting.â
The milk will go bad if you donât put it in a fridge. The ice cream will melt.Â
âThe bourbon too,â you yell. âGonna drink it all. Gonna get comatose on your stupid bench in thisâin this fucking fairy grove you live in.â
The fruit will start softening. The meat will start rotting and smelling. And flies will run to it, conquer it, eat it raw, and lay their eggs inside. Their buzz will drive you insane, and youâll lose your mind on this bench, in the middle of nowhere.
âAnd Iâm gonna sleep here until you open that fucking door, you hear me?â Your voice cracks. âAnd Iâm gonna get sick andâand itâll be your fault, because you didnât open the bloody door.â
You wonder whether youâd smell the same thing if you broke it down. If the buzz would be heavier, more persistent. If it would be something else driving you insane.
The image flashes bright and real. Smells like you have it within reach, before you, hanging from a chandelier, drowning in a crimson bathtub, or melting on the bed, stomach filled with pills and nothing else.
Your heart plummets at your feet. You feel claustrophobic, boxed in a square of cement that pushes in your shoulders and compresses your chest.
âSimon!â You yell, voice cracking. Droplets stain your jeans. Itâs not raining. âYou fucking cunt open the fucking door!â
Elbows on your knees, you drop your head in your hands. Youâre so tired. You donât even know if you can drive back home, especially now that the sun is setting. Youâd gladly sleep in your carâfuck, youâd sleep on this bench if it meant finding him at the door the next morning, looking all cranky and grumbling about the mess you made.
All you can do is plead quietly, a breathy prayer you hope he can hear, even if only whispered.
âPlease open the fucking door, please open the fucking doorâ"
Are you strong enough to break it down? Youâre special forces, but youâre not a battering ram. You donât have the tools that would helpâyou didnât think you were gonna need them.Â
Stupid.
Are you brave enough to open the door? To find whatâs inside? Should you call the police? An ambulance?
The thought makes you retch. You cover your mouth and bite on your palm.
âThis fucking idiotââ You whisper. Swallow thick. Your throat stings as bile rises. âI swear to God you selfish bastard, you better not. You better fucking not, Simon, I willââ
âWhich bourbon?â
Your head snaps.
His shoulders, wide and hunched, fill the doorway, open enough for you to see him entirely. A grey shirt hangs loose around his torso. Heâs got his hands stuffed in the pockets of his joggers, but thereâs a strain in his arms. Corded and rigid, tied in a way that shows in his neck, too.
A scar runs thick down the side of his head, starting from the centre of his forehead and tipping at the shell of his ear, following a curved line clearly left by a surgeon. Bulbous near his temple, where the flesh was too soft and took longer to heal.Â
Darkness blossoms under his eyes, swollen and sunken at the same time; puffy with sleep, hollow with tiredness. Heâs paler than usual, his cheeks are gaunt, and heâs so much fucking thinner.
But heâs alive.
His chest rises. His blood runs.
You blink.
A tear threatens to stream down your cheek, but you anticipate it, drying its path with the back of your hand. Your bones soften, muscles unclenched. Clumsily, you take a trembling breath, and it feels like itâs the first time youâve ever done it.
âI-I donât know,â you stutter. âDonât drink the stuff. Asked the clerk for his favourite and he justâjust tossed it in there.â
âMh.â
His eyes look for the bottle amongst the mountain of food and drinks stuffed in the bags.Â
âYou better like it.â You sniffle and nod at the bags. âFifty-five quid just for that thing.â
He snorts. Sighs. âGood enough then.â
You exchange looks.
Then, he nods his head inside.
âHelp me out?â He drawls.
Dizzy, you nod. Your legs tingle as if theyâve just been awakened, your stomach rumbles like you havenât eaten in days. The world turns upside downârelief so visceral and thick you feel like itâs drowning you.
You stumble to the doorway. Your guts squeeze and thrash. You might throw up, but you donât, swallowing the tightening feeling clawing up your throat.
You stuff the smaller pharmacy bags inside the Tesco ones.
Simon leans in too, taking his hands out of his pockets.
You hadnât seen the aftermath yet.
Heâs missing the last two fingers on his left hand. Surgery scars run along the back of both, slicing the tattoo on his forearm in a cobweb of thick, ruddy lines. That is, where the flesh isnât rubbery and burnt, convoluted as if yearning to weld itself back together in the aftermath of being torn apart.Â
They shakeâfiercely, like heâs experiencing an earthquake inside his body; unfolding before your eyes, shattering his bones.
You look at them. Transfixed. At the mangled flesh sewn back together, at the tremble that runs through his veins and tips at his nails. The strain of his muscles clawing up his arms, taut to the point of painâlike heâs putting all his effort to keep them still, to exert control over them.
Control he lost.
When you lift your eyes again, you meet his face.
Stone cold. Dreadfully frigid.
âThe bags are heavy,â you croak.
âCarried worse,â he replies flatly, and his hands curl around the handles of two.
His fingers tighten, knuckles painted white. Nails bite his palms, but he perseveres. Swallows a groan of pain that rumbles in his throat and lifts the groceries off the floor.Â
The plastic bags crackle like a gale is blowing furiously through them. The glass of the bottles clinks. You see, as he walks inside, the tension in his gait: forcing his legs to cooperate, to work by themselves, as he focuses exclusively on the stability of his hands.
Without looking back, he leaves the door open for you to follow.
You stand frozen stock still, arms down your sides, and eyes brimming with guilt.
Carried worse, he said.
Carried you, months ago, when the bomb went off.
Six Months Earlier
Intelâs rarely faulty when the source is the police themselves.
Granted, even in these cases, one should always take statistics into consideration: a mole, a diversion, the original source. However, things sometimes are so obvious that statistics fall flat.
Because in front of you, right now, thereâs a big, fat bomb. No doubt about it.
A squared box, half as tall as you. Itâs raggedly painted black, as if someone decided to spray the colour on the metal slabs at the last minute. Rust gathers at each corner, likely due to the humidity building up in this underground tunnel, which is also chipping away at the paint and leaving ruddy streaks scattered down the sides.
Itâs not much different from the ones youâve dispensed of already, at least at first sight. Thereâs no timer, not a visible one at least. Though from the looks of it, you donât think this one is timed at all. If youâre fortunate, it needs to be manually detonated on site. Worst-case scenario, it can be set off remotely.
Thank fuck youâre wearing sturdy PPE, then.
With a huff, you flop on your knees before it. Thereâs a soft puff as the pressure pushes air out of your suitâa big, cumbersome thing that safely cradles you from head to toe.Â
âCaptain,â you call through comms. âYou sure itâs off, yeah?â
The static preceding his voice buzzes softly through your ear, before Johnâs usual rasp fills the helmet shielding your head.
âLocal bomb squadâs had a look already,â he says. âSaid itâs old.â
Though the bomb in front of you looks untouched by the deft hands of a demolition specialist. You wonder how they concluded that the device is too old to be active, since there doesnât seem to be a sign that it has been studied at all.
âDoesnât look like they did anything, though,â you offer.
John grunts. âDonât shoot the messenger.â
âRight.â
His voice rumbles even through the distortion of the radio. âJust passing it on, L2. They want us to check it before they move it.â
You roll your eyes at the nickname. You knew it would stickâSimonâs convincing like thatâthough it is the first time John actually uses it.
You let it slide.
âAnd whyâs that?â
âSigned by Konni.â
You tilt your head and easily spot the mark of Konni group sprayed on one side, dried red paint drawing a path downwards from where it dripped.
âAlways nice to see an old friend, isnât it?â
âKeep us updated, yeah?â
âOn it.â
You squeeze your eyes through the visor of your helmet, focusing on possible entry points. Each breath you take is measured and quiet as you clear your mind to steady yourself.
âAlrighâ?â
Though considering the questioning drawl coming from beside you, youâd wager the suit is amplifying not only your voice, but also the heaviness of your panting.Â
Itâs fucking hot in this thing.
âYou shouldnât be here.â You give him a sidelong glance. Heâs not wearing an EOD, only his usual uniform with an added clunky helmet, a bulletproof vest, and his stupid skull mask. âEspecially not naked like that.â
âNaked, uh?â He snorts. âBetter get a good look, then.â
You bite down a smile and return your eyes to your job. âCaptain, the lieutenant is padding around in his birthday suit.â
Priceâs voice crackles through the comms in your ear. By his tone, you can practically see the tight set of his jaw and the roll of his eyes.
âGhost, either wear the EOD or leave the premises, for fuckâs sake. Donât fancy scraping you off the walls.â
Simon gently kicks the side of your boot. âRat.â
You turn your head around just enough to stick out your tongue at him.
âI asked the second lieutenant a question anâ she ainât answered yet,â he drawls with his usual dispassionate tone. âPermission to kick her off the team?â
âYou wonât hear a single fuckinâ word she says if youâre ground meat, Simon,â Priceâs voice rasps. âWear the bloody PPE and then weâll talk.â
Static replaces Johnâs orders as communication cuts off on his part.
Only then does Simon pitch in.
âI asked you a question.â
You sigh, but itâs neither weary nor exasperated.Â
âYeah, Iâm alright,â you huff, already tinkering with your toolbox. âWhy arenât you wearing the gear?â
âIâm in good hands.â
âThanks, Iâm immensely flattered,â you quip. âPlease go wear it now.â
âThought it was too old to still be active.â
You donât have time to roll your eyes, because as soon as he mutters his thoughts, you notice a familiar indented square in one of the panels. A carefully hidden entry point that, once popped open, will show you the intricacies inside the device. Itâs like spotting an oasis in the desert.
You reach for a flat tip in your toolbox at your knees. Carefully, you wedge it in the embrasure.
It only takes a few tries, and it unhinges seamlessly. Metal clinks as you gently place the lid on the ground.
Thereâs no need for you to look his wayâhis presence is like a heavy blanket wrapped around your shoulders. A shadow sewn to your own.Â
âI wonât support your suicidal tendencies, so please, for the love of Christ, listen to the engineerââ you point at yourself with the screwdriver, ââand go wear the bloody bomb suit.â
Simon stays silent for a handful of seconds, only filled with the tinkering of metal of your tools.
âWorried âbout me, are ya?â
You huff. No use pretending, when he can see right through you. âPlenty.â
âGood heart.â
âChop chop, Riley.â
âAye aye, El.â
With a gentle squeeze of your shoulder, Simon turns on his heel. His footsteps become distant until the soft thud finally vanishes behind the creaky door that first led you down here, slamming shut behind you.
You donât turn around, too focused on studying the wires wrapped around each other in the panel you just opened. Thereâs an entire bundle crossing the opening diagonally and so shrouding most of the circuit board in the back. Theyâre held together by a couple of cable ties that look awfully cheap, like the rest of the device.
âWeird,â you mumble to yourself.
âWhat is?â John pitches in.
You flinch, not expecting an answer to your musings.
âUhm, uhââ You shake your head to recollect yourself. âThe bombâit looks quite cheap. Not their usual MO.â
John hums. âCould be one of Konniâs earliest works. Disposal said itâs old, innit?â
âYeah,â you huff. âI donât trust a single word those fuckers said.â
âRight,â he grunts, though you recognise that hint of agreement in it. âDo what you can with it. Keep me updated.â
âRoger that, captain.â
Back on track. First thing to do is get rid of those ties to isolate the cables.Â
You work quietly for a while, removing your gloves to minimise errors while doing such minute movements. The flush cutters are sturdy but the blades are small, and the thickness of the cable ties is stupidly non-existent. You want to avoid cutting things you shouldnât.
However, you canât quite ease the knot of doubt forming in your guts.
This device has literally nothing preventing you from disposing of it. Everything is poorly put together. The control centre was placed under a thin slab of metal, which you simply popped off using the flat tip of a screwdriver. There are corner store-level cable ties keeping together a bundle of wires. Each cable isnât isolated, but either overlaps with others or knots on itself.
This is amateurish.
And you know, with utmost certainty, that Konni isnât. The same Konni group that blew up an entire airport wouldnât DIY a bomb and spray paint their signature on a slab of metal like a mere local gang of criminals.
Unlessâ
âEl? You with us?â
Simonâs voice snaps you out of it. He sounds muffled and echoey, as if heâs speaking from behind a glass. You recognise that distortion: he put on the bomb suit.
Relief floods through you.
You shake your head to clear your mind. Sweat collects on your forehead. You feel each drop brewing on your skin, only to then slowly make its way to your brow, then your eye.
Your fingers close around the cutters, and the first tie snaps off.
Then, you squeeze your eyes to get rid of the burn.
âYeah,â you huff. âThey should invent more comfortable suits for us in demo. Itâs fucking sweltering in here.â
Priceâs voice crackles once more. âWeâll hire a fashion designer.â
Simon snorts.
âLook at you, captain,â you croon. âProviding jobs for the youth.â
Youâre sure heâs rolling his eyes. âDo yours or youâll lose it.â
But you know itâs an empty threat. Jokes tossed around to defuse the tension as you defuse your bomb. High stress situations require ways to destress in order to keep your mind clear and at ease, even as your life is on the line.
âAye aye.â
And from then on, silence lingers, only interrupted by Simon shifting his weight on his feet behind you. The crinkle of the suit folding as he moves, the tap of his fingers against the pack he must be holding in his hands. Thereâs the occasional clink of metal when you drop a tool in its box, or the snap of plastic as yet another tie comes off.Â
And finally, you manage to isolate the cables from one another. Carefully you pinch one between two fingers and shift it to the side, only so you can have a broader vision of the circuit board in the back.
Itâs entirely dead. Singed in places, the lights are off, no sounds fill your ears unless it's the ones youâve already recognised as familiar. The blasting cap has an old serial number on it, different from the most recent ones you came across. The base was once attached to a couple of red cables that have been cut from their root.
You exhale, emptying your lungs in a single, long breath.
âItâs dead.â
John huffs through comms. âThank Christ, eh. Sending Garrick over. ETA 20.â
But you stay put, staring holes through the jungle of wires that intersect and crisscross like vines in front of you, draped on the circuit board.
Simon shifts from behind you and comes to crouch by your side. The same puff of air exhales from his suit. You turn your head to look at him, though with the helmet itâs hard to have a good view of his face.
Heâs taken off the skull mask to favour the protective gear placed around his head. His eyes arenât poised on the bomb, though; theyâre on your face. He must pick up on something there that doesnât reassure him, because he knows you better than he should.
âHang on, Price,â he rumbles.
You stall for a moment.
Itâs only a hunch that spurs you to negate certainty. Youâre special forces, an engineerâsixth sense isnât enough to support evidence.
But Simon believes in it. He trusts that tiny spark he sees in your eye, the tautness of your fingers as they curl into fists atop your knees. You hear him sniff, shift on his knees to get closer.Â
âEl?â He whispers, perhaps not wanting the radio to pick up on it.
Your stomach lurches.
âI meanââ You gesture vaguely at the device. âIt looks dead. The circuit board is gone, and the wires have been cut from the detonator. Some of this shit could be older than meâ"
John cuts through your conversation. He sounds irritated, and in turn, it irritates you, too.Â
âGet to the point.â
You stare at the dead circuit board. The main piece of this puzzle. It doesnât take an engineer like you to recognise that itâs long gone, but in a very peculiar way that you donât know how to explain without sounding like a lunatic, it looks too long gone.
You smack your lips. âSomethingâs wrong. It feelsââ
âDonât care how it feels, lieutenant. Is it dead or not?âÂ
âListen, John, Iâm not here to fucking playâ"
âNeed to have another look at it, boss,â Simon cuts in. âGive us a minute, will ya?âÂ
âRoger.â
You sigh. You wish you could scratch your forehead. Your scalp stings as sweat collects on it. Each tiny, uncomfortable thing happening to you is amplified, including the knot in your guts.Â
âI hate him with passion each time he acts likeââ
âHe can still hear ya.â
âGood.â
If John can actually still hear you, he doesnât voice it. Thankfully, you think, because if he pitches in again with some more of his caustic sarcasm, you might just say things before your mind can properly filter them.
You take a couple of seconds to recollect your thoughts, guiding your eyes to study the device. Itâs composed of rusted metal plates welded together and protecting the bomb inside. Youâd need a plasma cutter to breach the plate, but the heat could set the thing off if itâs live. In fact, there are no entry points aside from a small, squared panel that youâve opened with unexpected ease.Â
Considering how the rest of the thing is protected, however, it feels out of place. Conveniently put there for you to declare that the device is gone, when it actually isnât.Â
A hunch isnât enough to negate evidence, that is true, but itâs there, and you wonât allow it to gnaw at your guts.
Easy is never the right answer, not with Makarov.
âPass me the snake cam.â
You hold your hand out to Simon, palm up, without sparing him a glance.Â
Your ears pick up on sounds even if youâre entirely wrapped in protective gear, even if your heart pounds madly up your throat. A zipper being opened, a cable as it unfolds. His hands are warm when they place the cold wire in your palm, steady when they close your fingers around it.
âGet it in,â he says. âIâll hook it up.â
In the corner of your eye, pale hands reach inside the pack at his knees to pull out a pad. It blinks to life as he taps his fingers on it.
Gently, you insert the tip of the snake cam into the opened panel, carefully steering the camera underneath the knotted bundle of cables and behind the seemingly dead circuit board.Â
âGot anything?â You ask Simon.
âToo dark.â
âTurn on the flash.â
The pace of your heart matches the rapid tap of fingertips running across the pad. In a blink, a soft glow fills the darkness behind the board.Â
Simon hums.
âGot something.â
You inhale sharply. Your eyes flicker around, sifting through your thoughts as if you can see them, rushing unrestrained with endless possibilities. You squeeze them shut, clearing out the sting of sweat as it builds up on your brow and fogs up your sight.
âFuck. Letâs switch.â
Simon shifts until heâs kneeling behind you. The rustle of his suit precedes his arms as they come around your head, carefully taking the cable from your fingers.Â
âGot it.â
Ever so slowly, you remove your hands, shuffling on your knees and ducking your head to leave the shelter of his body. With no minimal effort, considering the weight of your blast suit, you manage to stumble to where he once sat, grabbing the pad he left lying on the ground.
As he said, thereâs something. The flash clearly highlights a darkened silhouette, bulky and squared, but the quality of the camera doesnât allow you to make out much more of it.
Only one thing stands out.
A light.
âJesus fucking Christ.â
âThought so,â he spits. âFucking Makarov.â
You donât have time to curse him as well, though you quietly share the sentiment.
âJohn.â
Like lightning, his voice crackles in your ear. âSend over.â
âWe got something.â
âDetails.â
âIn a sec. Stay on.â
You look at Simon. Heâs perfectly still, not a tremble in his fingers, exactly as youâd expected. Heâd make an incredible demo specialist, though you know heâs an even better sniper.
âGentle, Simon,â you murmur. âNeed you to go south.â
He follows your orders, sliding the cable down inside the box.
âGentle,â you repeat. âSlower.â
And without a single word, he heeds you. Trusts you. Lets the camera cover each corner, bit by bit, moving his muscles imperceptibly as he snakes the camera through the jungle of wires.
Now closer to the device, you can better make out its details on the screen. Itâs not old nor rusted, not singed nor dead. It sits attached to one side of the box, each cable perfectly isolated and running on sinuous curves around the circuit board. One that blinks red, then green, then red againâbeating like a heart, shifting its colours inside the darkness.Â
Stacks of white rubber are slathered around it, bulky and thick. You curse under your breath.
âC4.â
Simon clicks his tongue. âChrist.â
âJohn, tell the local authorities to clear out the area now,â you order steadily. âAdd that theyâre a bunch of lazy cunts, too.â
âWill do.â Then, quietly, âgood work, lieutenant. Stay safe, both of you.â
âRoger.â
The static on the radio goes dead. Thereâs only your heart pounding in your ears, falling in rhythm with the switch of colours on the screen.
Red, green. Red, green.
Simonâs voice reaches out to you. âSee a blasting cap?âÂ
âYeah.â You tongue your cheek. âSouth. Then move to the right.â
He follows suit, once again trusting you entirely. As the camera moves, you try to take stock of each tiny detail you can make out. The quality is poor, but youâre starting to have a general idea of what youâre working with. The serial number stamped on the blasting cap matches those of more recent detonators, causing the theory of the local bomb squad to completely crumble.
Red, green. Red, green.Â
While you canât make out the logo on the circuit board, you recognize the finish immediately: factory-made, not cobbled together in some basement workshop. New. Polished clean. A pale square chip mounted against the green lacquer of the board.
Red, green. Red, red, green.
You blink.Â
âStop.â
Simon falls still.
Red, green. Red, red, green.
There. Blinking in the shadows, off to the side.
âRight. Go to the right. Quick.â
Simon doesnât put up a fight, though you can see the uncomfortable shift of his knees. Imperceptible and yet conveying the same nervousness festering in your eyes as they fly across the screen. He is quick with his hands to find the source of the light.
It ticks, ticks, ticks.
âShitâSimon, drop it!â
And if the clock is right, it will tick only for two minutes more.
âDrop that shit and run!â
Simon bolts on his feet, awfully quick considering the bomb suit clinging to him. You hadnât accounted for that. Fuck, you hadnât accounted for any of this.
You told him to wear it. You put that extra weight on him. He wouldâve been out of the place and far away enough to be safe if you hadnât insisted, if youâd let the overwhelmingly stupid trust he had in you to win, for once.
âFuckââ You drop the pad and stand up. Your knees buckle under the cumbersome weight of your suit and the sudden dread gripping your stomach.
âItâs timed, John!â You bellow. Your yell echoes inside the EOD helmet, ringing in your own ears. âWeâre leavingâno time to defuse it. Less than two minutes and it goes off!â
An old, singed circuit board as a decoy to mask the real bomb ticking away just beneath its surface. Only a demolition specialist like those in the UKFS wouldâve thought of venturing further inside the device.Â
Makarov knew it.Â
He knew the local authorities would have called the anti-terrorism unit as soon as they saw the Konni group mark. Makes sense that he signed the device so clearly, like a fucking amateur.
He wanted Johnâs team there.Â
He knew those bastards wouldnât be arsed to check further. Why would they take on the burden when they could leave it in the good hands of better-trained professionals.
Call the big guns and then call it a day.
âRun. Donât look back and run, both of you.â
He doesnât need to tell you twice. Youâre already panting, forcing your legs to move against the strain put onto them by the suitânot protection anymore, but a cage. Your knees donât bend as they should, your feet struggle to hold you up. The sting in your eyes, the heart in your ears.Â
Simonâs ahead of you as you trudge behind him. But heâs faster, strongerâable to carry the added kilograms of his blast suit as if itâs only a mere annoyance to him.
Though he must hear youâor rather, he must feel the lack of you by his side.Â
He halts in his steps and looks behind to find you.
âFuckâfaster, El!â
âI know!â Youâd like to yell at him to shut the fuck up, but that would be a waste of precious breath that you need to focus on using to run.
âGo!â Your voice cracks. âFucking run, Riley!â
Though heâs been standing still for so long that youâre now by his side.Â
You stagger past him, grabbing his hand to tug him with youâthough thatâs one arduous thing, rooted on the ground as he is.
âWe got one minute at mostârun ahead for fuckâs sake!â
Itâs like you can hear it, nowâeach ticking breath exhaled by the device behind you. You wonder if it had always been there, signalling his presence as you knelt next to it, but you were acting too cocky to notice it.
Your fault. Your fault. Your faultâ
Your rushing thoughts recede to a trickle the moment you feel Simonâs hand slipping away from yours. As it does, he takes your own heart with him, as you feel it skip a beat inside your chest.
The momentum of your run makes it hard to stop, and you almost stumble on your own feet as the weight of the suit drags you forward. Thankful for a wall next to your side, you slam your palm against it to avoid falling face-first into the ground.
Though when you turn, itâs your stomach that touches it.
Simonâs already pulled at the quick-release cord hanging from the front of his jacket.Â
âWhatââ
The contraption strapped around his torso unlatches from the back. While he struggles with it, heâs impressively steady as he rips at the sleeves to take it off, shimmying his shoulders out of it with easeâchest plate and all, until everything falls on the floor at his feet.
Initially, your eyes widen in shock. Then, your face morphs into a mask of unadulterated rage.Â
âAre you fucking mad?!â
But heâs taking his helmet off, too. The thud of it as it hits the ground is deafening, echoing ominously in the otherwise quiet underground tunnel youâre stuck in.
âSimon what the fuck!â
âCome âere anâ shut yer mouth.âÂ
He charges forward, running much faster as most of the extra weight that was hindering him now lies uselessly on the floor. He bends at the waist, using gravity to his advantage, and reaches towards you with his arms.
You donât have time to think as breath is knocked out of you. His arm wedges between your legs, and the world turns upside down. Darkness and grey bricks swivel and roll before your eyes as the air catches in your lungs.Â
Your stomach curves around his shoulders. He holds your leg with one arm, curled around your knee, and your opposite sleeve with his offhand.Â
He stumbles at first, trying to find his balance.
âSimonââÂ
âKeep still.â
And then, he runs.
Thereâs a rasp in his breathing that makes it sound as if his chest is being crushed. The gravel of debris crunches under his boots, stomping heavily down the tunnel. Each sound is amplified, but youâre unsure of what is real and what isnât.Â
He trembles. Groans fiercely for each step he takes, baring his teeth as if to scare an invisible monster ahead of him.
âIâm slowing you down!â You yell, hoping the chaos wonât mask your voice too much. âPut me down! IâI have the bomb suit on, Iâm going to be fine!â
Though thatâs a lie. He knows it, and you do as well. If the tunnel collapses, no miracle can bring you back.Â
But at least your head would be protected, giving you a chance. Your chest, too. Your legs. A minuscule, tiny possibility to have a minute more to breathe as you wait for Search and Rescue.
A chance he doesnât have, not with half of his suit now lying uselessly on the floor.
However, Simon doesnât answer, just runs. Runs and runs and runs, towards the exit at the end of the tunnel. Itâs close, maybe another handful of meters, and yet now it feels like an endless chasm ready to suck you in.
A black hole hidden underground.Â
You donât know how much time you have left before the bomb goes off. Your breathing picks up, hand reaching around to fist his shirt around his collar to make him please, please listen.
âPlease Simon, please!â
His eyes are fixed ahead, feet as quick as can be considering the weight heâs carryingâyours, his own, the suits. He stumbles, pace naturally slowing down due to the effort, but it doesnât deter him. Hits walls with his shoulders, slams your helmet and your boots against corners, but he never stops.
He just looks ahead, drunk on adrenaline and ignoring the unfathomable strain heâs putting on his body.
Your eyes sting with panic and tears. His face is red with exertion and lucid with sweat as it beads on his forehead. Then his run turns into a stagger, trembling legs forcing themselves ahead.
Simon bursts through the door. Your helmet knocks against it.
At the same time, the tunnelâs darkness turns blinding white.
An open relationship happened with Ghost after a few years.
He asked to open it. He couldn't look you in the eyes when he murmered it, you couldn't find it in you to fight a losing battle.
He'd just been so irritable lately, he'd always shrug his shoulder to get your hand off him when you'd scratch his back. A few times of that and you stopped. You stopped putting so much thought into dinner after he'd come home saying he'd eaten.
But Ghost had to ask for the open marriage, he had to. And Simon Riley had to cry into Johnny neck as he fucked into him. He just couldn't stay away, he made the wrong choice marrying you, he would've made the wrong choice marrying Johnny.
Somehow in six years you'd never met his best friend but you knew of the man, knew how wild he was. No clue what he looked like though, he had no pictures of his crew.
He couldn't marry Johny because the man was so unfaithful. It was just too hard for him to stick to one track. But Ghost opened up his marriage for him, he ruined his wife for him.
It took ages for you to stop crying so much in front of him. You knew it was hopeless, but how could you divorce him. You knew you would never find another man even remotely like him again. So you stayed in your opened marriage. Was he even doing anything with it? He never came home smelling like another woman, not even hotel soap.
It took even longer for Simon to see you get back to normal, if only a little bit. Your eyes stopped being so puffy all the time for one. Less and less tissues were seen on the grocery bills.
Only to find out the man who'd been cheering up his wife was Soap himself.
Inspired by that one TikTok sound and my knee pain.
âSay please.â You smirked, leaning back against the wall, holding out the ration bar you swiped before Ghost had the chance to tuck it away.
âI never say please,â he deadpanned, voice low, final, like it was a law of nature.
You laughed, nudged his arm. âFigures. Manners would kill you quicker than a bullet.â
You handed him the bar anyway. That was it. A nothing moment. A joke.
Until it wasnât.
Until weeks later, he was on his knees in the mud with your blood soaking through his gloves, watching it spill too fast, too much. His chest felt like it was collapsing, lungs burning, mask damp from breath he couldnât control.
âMedic!â Ghost bellowed, the word shredded. He pressed down harder, desperate. âFuck. Please! Hurry!â
Your eyes fluttered, lips pale, and that stupid grin, the one you used to pull when you teased him, flickered, faint as a dying flame.
Ghostâs voice broke. His whole body shook as he bent close, as if he could anchor you by sheer force of will.
âStay with me,â he rasped, the word tearing out of him raw. âPlease⌠please, donât do this.â
Your hand twitched in his, blood-slick and trembling.
And for the first time anyone on 141 had ever heard it â Simon Riley begged. Over and over, every syllable cracking against his teeth, as if the word could bargain with death itself.