hmmmmm, pick a bladework of your choice, 7, 9, 18?
this is kinda gonna be as a whole -
7: What are you most proud of?
CHARACTER VOICES. Bladework is really where I’m getting down differing character voices in narration as opposed to just dialogue. Asch in To Be a Sword sounds different from Jade in Scabbard sounds different from Arietta in tuck your chin, and I’m just really pleased with how that’s going, especially when the model Second Person Fiction Of Our Time (that is, Homestuck) doesn’t put near as much effort into it.
9: How would you describe your writing style?
Making English teachers cry, and also everyone else. How To Get Thrown Out Of A Creative Writing Class. Everything The Internet Thinks Is Bad Writing Done Well. Overlord of the Forbidden Perspective, etc, etc.
This is only half a joke, given that I’m a second person writer. Aside from that... “Punchy” and “plainspoken” though I realize that my idea of plainspoken can involve a dictionary for everyone else because of high vocabulary content. I try to keep a focus on actions and feelings, rather than description, because when I’m reading something that’s what I care about. It’s definitely a style that grows out of years of fanfiction and fandom RP - “assume your reader already knows what things look like, and instead write about what happens.”
I think it serves me pretty well, though.
18: What's easier, dialogue or description?
[Nai laughing alone with quotation marks]
real talk: I can definitely pour out the description if I want to. One of the side effects of sensory disorder cocktail is that you notice sensory details that a lot of other people miss, and I can definitely bring that to my writing - if I want to.
The thing is that I usually don’t want to. Lots of description slows the pace of a scene, and I usually don’t want that. If I need a slight slow, I fill it with internal monologue instead, because especially in fanfiction, the description is redundant as all hell and it annoys me.