— Cold grin —
Finished YCH from VK
I really like to draw artworks of non-pony

seen from United States
seen from Canada
seen from United States

seen from United States
seen from United States

seen from Malaysia

seen from Malaysia
seen from China
seen from China
seen from China
seen from China
seen from Malaysia
seen from China
seen from United States
seen from United States
seen from Russia
seen from United States
seen from United States
seen from United States
seen from Russia
— Cold grin —
Finished YCH from VK
I really like to draw artworks of non-pony
i belong here
C I N D E R
A selection of the oil paint palette I use for winter paintings
Save it so you don't lose it 🤍🧸
Titanium White
Produces a dense, pure light. Ideal for snowy spaces and cool highlights
Viridian Green
A cool, grayish-green hue. Perfect for pine needles under caps of white snow at dusk
Emerald Green
More saturated and warmer than viridian. Works great for pine branches during the day – it adds depth and contrast
Sky Blue
A pure, transparent blue. When mixed with white, it creates airy transitions and a frosty air
Ultramarine
A rich, cool violet undertone. Ideal for shadows on snow, evening blue hour, and deep twilight
Deep Violet
Added in small quantities to white, it creates a frosty glow. I use it for cool shadows and dawn reflections
Light Ochre
Adds warmth and coziness: village houses, tree bark, dry grass under snow
Natural Umber
A rich brown-gray. Indispensable for shadows, old fences, branches, and wooden structures
Mars Black
A soft brownish black. Ideal for tree silhouettes and deep shadows without harshness
I didn't want them to confess. I wanted them to die. And so what now? What now? That depends on you.
The Pale Blue Eye (2022)
Corrine Day
In the cold light of morning. 🧊