#cronotopo

[noneun]

Esempio di oggetto quadridimensionale

Seguitemi per altre lezioni di Relatività generale.

[thewasteland2]

Bologna (Emilia). Basilica of Santo Stefano (4th century). Complex of seven churches. The complex, remodeled over time, currently has as distinctive elements, the church of the Crucifix, the Holy Sepulcher, the Saints Vitale and Agricola, the courtyard of Pilate, the Church of the Trinity or of the Martyrium (baptistery - octagonal on the outside and dodecahedron on the inside), the two-storey cloister, the museum. It is a proto-Romanesque complex of Longobard origin, which imitates the sacred places of Jerusalem as a whole and in a small space: the Holy Sepulcher, Calvary or Golgotha, as in Constantinople and in other medieval churches. It was built on an ancient pagan temple dedicated to the Egyptian goddess Isis (I century) whose source and seven columns remain. The crucifix dominating the staircase leading to the presbytery is by the master Simone (14th century). The mezzanine floor recalls the space for women, as in the ancient synagogues. #basilica #cronotopo #santostefano #settechiese #complex #bologna #crucifix #holysepulcher #sanvitale #agricola #pilate #trinity #martyrium #baptistery #cloister #jerusalem #goddessisis #instatravel #travelling #tourism #tourist #instatraveling #mytravelgram #travelgram #travelingram #estremisti #ilmiolibro #sovversivi #massimopistis #alettieditore Information for the purchase of my new book "Estremisti!": the book at a cost of 12.00 euros (120 pages), can be ordered in bookstores (ISBN 978-88-591-5719-9 - Publisher Aletti) or online on the page http://www.alettieditore.it/emersi/2019/pistis.html from the link below. https://www.instagram.com/p/BxD9U1BlqEA/?utm_source=ig_tumblr_share&igshid=16yvx00t4azbd

[pasthello]

Nanda Vigo, Cronotopo, 1971

Erastudio Apartment Gallery

[chesogno]

sogno 63

sognato che una delle trafficate rotonde stradali, nei pressi della mia abitazione, veniva sostituita con un sopraelevato e avveniristico tunnel.

Particolarità della futuristica galleria era che al suo interno vigeva un differente incrocio spazio-temporale: tutte le auto, compresa la mia, non appena entravano, venivano risputate fuori alla velocità della luce.