Cycling74 Perspectives: Monome

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Cycling74 Perspectives: Monome
trying out some cool things
Philip K. Dick's [UBIK] - // 視覚テスト v:0.24.25 from データコード 「___datacode:」 on Vimeo.
working on a new #atmospheric #cyberpunk #experience //視覚テスト___v:0.24.25 //visual.test___v:0.24.25 software: Cycling'74 MAX/Jitter
HD: vimeo.com/497354092 YT: youtu.be/ivxfyiai_9k
Day 1: This is a blog where I am planning to document the progress of my Sonic Arts project for my masters in Goldsmiths University. In this project, I am exploring Machine Learning and how it can be used as a means for Augmented Embodiment in the contemporary practice of performing the electric guitar.
In this short video, I have set up a machine learning regression model where I am using the input provided by the Leap, processed in Wekinator, and fed back the parameters of a digital Diffusion effect manipulating a sample in Max.
digging some beats with Max 8. groove object has so nice time stretching mode. #maxmsp #Max8 #beatmaking #cycling74 https://www.instagram.com/p/B1Oo0ZvhkbT/?igshid=nu5bxopxix7a
Max for Cats Release Colors for Ableton Live
Color by Max for CatsSimulate sounds from the past to create the future.
Color is a sound texture device to bring the feel of analogue media such as vinyl or tape to your digital recordings. Add different types of vinyl noises, hiss, drive and wobble to your music. Color’s filter effects also fit right into the most modern club track.
It works great on drums, synths, keys etc. but also on full mixes of every musical style. Whether you are scoring a film, creating EDM or writing experimental music, Color offers a unique sonic palette to inspire your productions.
The sound of analogue machines
No matter if your music needs just a touch of drift and movement with a hint of saturation or if you want to mangle signals almost beyond recognition, Color is at your fingertips with a simple yet powerful control set.
Color works with live input or prerecorded audio and is easy on your CPU. For full control, any of the sound colouring sections can by activated individually while Dry/Wet blends the original signal with the coloured signal.
The sections:
Vinyl:
Different types of vinyl noise can be added and adjusted in volume and tonality (pitch). Add also hiss in this section (a classic tape noise). The Duck switch allows to make the adjusted noises only audible when music passes through the device.
Wobble:
Simulate tape fluctuations and tape flutter effects. This reproduces the mechanical characteristics of old tape machines.
Phase:
Align/misalign the phase of the signal.
Drive:
Add raw distortion. Soft switches to a slightly more mellow distortion type. Limiter prevents the signal from overshooting, when activated.
EQ:
A powerful 3-band EQ, fully parametric with adjustable Mid-Q.
Output:
An additional Post-Gain allows for gain staging your signal before it leaves the output while Dry/Wet lets you adjust the overall effect signal.
What you get:
a self-installing Live Pack with integrated lesson in Live's Help section
System Requirements:
Live 10 or higher
Max for Live 8
OS X or Windows
http://sonicbloom.net/en/products/color-by-max-for-cats/
Price $25
http://www.christiankleine.com/ck/maxforlive.html
Building custom #generative sequencers on a Friday night. . . . #maxmsp #drums #drummachine #electronica #idm #cycling74 @c74connect #rdomain
「新しいプロジェクトのためのレイヤーの作業」 「working on layers for a new project」 #datacode #postdigital #experiment #cycling74 #max https://www.instagram.com/p/BqfgVz9nYfs/?utm_source=ig_tumblr_share&igshid=16ih9o9yryyaa