May 3
“From Hell’s Heart I Stab at Thee!”
Moby Dick by:
Jay Gonzo
Roberto Bonadimani
Christophe Chaboute
Daniel Zezelj
Mattias Bergara
Andrew MacLean
Daniel Warren Johnson
Bill Sienkiewicz
Alex Nino
Skottie Young
seen from United States
seen from United States
seen from Czechia
seen from United States
seen from United States
seen from United States
seen from Germany
seen from United Kingdom
seen from Saudi Arabia
seen from Saudi Arabia
seen from Azerbaijan
seen from United States
seen from Türkiye
seen from United States
seen from United States
seen from Russia
seen from Russia
seen from United States
seen from Belgium
seen from Russia
“From Hell’s Heart I Stab at Thee!”
Moby Dick by:
Jay Gonzo
Roberto Bonadimani
Christophe Chaboute
Daniel Zezelj
Mattias Bergara
Andrew MacLean
Daniel Warren Johnson
Bill Sienkiewicz
Alex Nino
Skottie Young
The Selfless Giant
"Of all the comics I worked on, and heard, none of them grabbed me as immediately and utterly as this. As soon as I heard Andy talking about his experiences with climbing and glaciers, the story just jumped into my head."
Story developed by Andy Serkis and Paul Goodenough
Written by Paul Goodenough
Art by Danijel Zezelj
Lettering: Bernardo Brice
Daniel Zezelj
Il LIVE ROCK FESTIVAL è ormai uno tra festival gratuiti più apprezzati e autorevoli d'Italia. Oltre 100 gli artisti che ogni anno si alterna
CHI HA DISEGNATO MENO PER LA MARVEL?
CHI HA DISEGNATO MENO PER LA MARVEL?
Ricordate l’articolo sui disegnatori Marvel più prolifici? Mi è stato detto: “Sarebbe divertente farne un altro in cui parli di chi ha disegnato meno storie per la Marvel”. Il problema è circoscrivere il campo. Di disegnatori che hanno realizzato una manciata di albi per la Marvel e basta ce ne sono a bizzeffe. Bisogna inventarsi un filtro. No, uno è poco, ce ne vogliono due. Come primo filtro ho…
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ComiConverse takes a look at Starve #1 from Image Comics
Image Comics’ Starve #1 from writer Brian Wood, artist Daniel Zezelj, and colorist David Stewart has a bone to pick with the modern state of cooking shows. In a world of increasingly hyperbolic culinary tournaments, the simple act of teaching others to cook has morphed into a high-stakes game with alienating ingredients and impossible barriers to entry. Wood and Zezelj poke fun at this trend by running this model down to its equally hyperbolic conclusion amid rising global class divisions and sea levels, setting the stage for their unique dystopic vision of Iron Chef-as-Battle Royale.
"...The big picture is so much easier to see."