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Excited to announce “Just a Peek,” a new art print based on the illustration for my recent @davematthewsband poster. . The prints are seven color screenprints, existing in three colorways (shown in order): Dusk, Nocturne and Midnight. Each colorway is available both on Cougar natural 100# paper as well as holographic rainbow foil, all available in limited quantities, each print hand signed and numbered. . The prints drop in my online shop this coming Friday, September 2. The gig poster version of this image sold out faster than any print of mine to date, so be sure you’re signed up to the newsletter in the sidebar of ncwinters.com to get the exact drop time, as the sale is expected to go quick! . Special thanks to the crew at @ladylazarustx for the impeccable printing on these, every screenprint is a collaboration between artist and printer, and these prints sing because of the hard work and diligence of Lady Lazarus and their crew. Thanks, LL. . Thank you as always for all the incredible support, purchases, likes, comments and care! I love you all. ❤️ . #limitededition #screenprint #seriagraph #davematthewsband #dmb #fineart #ncwinters #ncwintersart https://www.instagram.com/p/Ch7qaBopdkK/?igshid=NGJjMDIxMWI=

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Update: WE MADE IT!!! #davematthewsband #isletaamphitheater #albuquerque (at Isleta Amphitheater) https://www.instagram.com/p/CU6xjwfrMvX/?utm_medium=tumblr

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Dave Matthews Band Carter Beauford July 09, 2007 Toyota Park Bridgeview, Il Nikon D2x, AF Nikkor ED 14MM F2.8D ISO: 400 #nikon #nikond2x #nikonnofilter #musicphotography #musicphotographer #rudyparias #rudyariasphotography #dmb #davematthewsband #dmbhistory #jamband #backstagephotography #unedited #uneditedphotos #carterbeauford #carterbeaufordonthedrums (at Toyota Park) https://www.instagram.com/p/CecP6D5uaf9/?igshid=NGJjMDIxMWI=

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Jubilance - 7/28

A evening with the Dave Matthews Band in Tampa, FL

I am still trying to piece together and process what I experienced last night in the sweaty mess of a pit, watching some of the most talented, world-class musicians weave unforgettable songs and melodies together with us. The last 2 hours of this show amounted to the most powerful and most spiritual experience I’ve ever had seeing live music. Words, especially in English, fall short of my experience and don’t do it justice. It seems futile to write about it, and yet I want to preserve this night in my writing and internalize the lesson from last night as much as I can.

To stand so close at a show is something I had only done 10 years ago, but I wasn’t ready at the time to understand what I was seeing. As a musician, to watch these men last night, who I have now listened to for the better part of 20 years, genuinely felt like spending time with family or the closest friends of your life.

I could see everything. I could see the smiles, the laughter, the concentration, the emotional highs and lows, and the chemistry of these humans on stage together. I could see Carter’s love and thrill for each band member, his genuine undying smile and extraordinary speed and language he speaks on the drum kit. I could see him feel every single cymbal hit before it even landed. I could see Jeff and Rashawn’s friendship as two brass players, and the way they observe each other through their intricate solos. I could see Fonz get giddy during certain musical moments. I could see Tim’s immense concentration and what feels like his access to another dimension in the way he speaks through his guitar. I could see Buddy fresh and fly demeanor, his constant smile while playing keys, and how he is so deeply appreciated by the other legacy members of the band. I could see Dave’s raw outpouring of himself into every song he sang, his soul eternally begging to be released and shown to the world through the language of music. I could also see the warm twinkle in Dave’s eye from 25 feet away, you could tell that he, who feels like a lifelong friend to all of us, felt right at home and his presence communicated something like “I am so thrilled and happy to be here with you, my loving family, after so damn long.”

The venue disappeared for me because we were so close. I felt like I was in a small room with these guys. I was listening to exactly what I would want to hear and watch if I knew I had one evening left until my life was over.

Below are a few moments from certain songs that I wish to hold onto forever.

Setlist and moments:

**I felt the show really started to take off from JTR onward, so I’m going to start song comments at that point.

Tripping Billies Raven Seek Up So Right When The World Ends Seven You Might Die Trying Satellite The Riff

JTR: the pit crew was absolutely thrilled when JTR started playing. “Rain down on me” resonated deeply with a crowd and musicians who were so brutally covered in the sweat and humidity of the evening, it felt as if everyone in this moment resigned to the extreme physical state we were all in, and the musicians were right there with us. The way the horns built the the jam motif in the end of this tune, teasing and getting snagged on the same melody (between 4 and 6 time sig) until their final release in the last 8 bars. The way Carter carries the group through the end, with Dave high stepping along the way… just fantastic.

The Song that Jane Likes: Sweet song, amazing visuals behind the stage, and first time playing this year on tour.

Typical Situation: Something happened at this point in the show that changed the dynamic of the rest of the night. I watched Carter and Dave come alive during this tune. First, to see Carter playing shaker, mallets, and drumsticks on one song and switch effortlessly between them was awesome. But when this song went into the 7/8 chromatic jam during the middle of the outro it was off the charts. Buddy was hammering the keyboard, Carter was slamming the china cymbals, and Dave was DANCING harder than I’ve seen in 4 shows. The pit sang this one loud.

Do You Remember: Endless 90s nostalgia for me. The visuals of the bicycle evoke extremely colorful feelings of my childhood on Ivy St. The endless summer days, the laughter and sports and quiet evenings outside. My dad sitting on a chair watching us. I could write pages on just this feeling, but this song is a portal into my childhood.

Grey Street: Felt the song coming, and as Carter counted the intro out loud the tempo is so recognizable, it almost has its own identity for this song as the drums roll into the opening chord. The third verse comes back to life and the pit loves it. The girl I’m with says something about me being the crazy man creeping and I make a maniac face and she laughs. The thrill of seeing someone I know witness this song in person, up close, is overwhelmingly wholesome. It feels for a moment, as if the night has conspired to make this all happen. I almost hit the floor during the yeah scream on Grey Street after the 3rd chorus. Belted the note too hard and lost oxygen to my head, felt myself about to pass out immediately and grabbed on for dear life. The sax and trumpet duel during the outro between Jeff and Rashawn is staggering and leads us into the final riff of the song which just punches you in its goodness and power.

If Only: Just a humble little song. I need to listen to this one again (live version) to draw out what I remember from the stage.

Dancing Nancies: Dark, absolutely astounding. Tim Reynolds played the most other-worldly guitar solo with visuals on the back of broken dolls, babies, all kinds of crazy things. Dave began the song asking all the right questions about what he could have been to the audience. The hits on the outro in series of 8 were felt in my chest. Best version of it I’ve seen.

Warehouse: My all-time favorite song from this band. This intro is the most visceral and raw sequence in the show. When the sax, trumpet, guitar, and keys come together all in tremolo in 32nd notes, the frequencies and overtones created along with Carter’s enormous rapid cymbal sound is so intense you can see the physical effect it has on Dave. The closest way I could describe this intro as if the soul is being extricated by force out of the body and almost vacuumed or sucked upwards into a new reality it has to reckon with. “Only hope you’re here to pull me out, when I start going under, as the warehouse slips away” gives me chills. (To get a slight idea of what this is like, watch this clip at 38–40 mins. It’s from a different show, but note especially Dave’s viscerally clear connection with something beyond our understanding around the 39m mark.)

The strobes and lights here only add to the intensity of this intro. The huge yell before the 2nd verse. The drive into the outro. The salsa hits at the end. Rashawn just driving the trumpet to where it sounds like a different instrument. And the final lyrics in the moment of great reckoning:

That’s our blood down there⁣

Seems poured from the hands of angels⁣

Then trickle into the ground⁣

Leaves the Warehouse bare and empty⁣

Then my heart’s numbered beat⁣

Will echo in this empty room⁣

And fear wells in me⁣

Til’ nothing seems big enough to stay long

So I am going away, I am going away

The final Eadd9 chord lands as the warm summation and resolution to the song. I see the faces of all of my friends from the last 10 years that have been moved by this piece of music as well, and every place I have been in my life when listening to this song. It’s a sweet ending.

Everyday: One of Buddy’s licks on the intro to this song was a 32nd note run that blew the entire band away. He played 16 notes in under 2 seconds down the scale. Carter, who is probably the most attentive to rhythm, had his jaw on the floor. Everyone was loving it. The improv vocals. The 3 part harmonies. The crowd singing Hani Hani come and dance with me. The final build. Richness.

PNP > Rapunzel: Endlessly playful song that is perfect way to end a show. Funniest part of the show is when Dave’s string broke about 15 seconds before the outro-dance-explosion that becomes the end of this song. It was very critical that the new guitar get on before the downbeat of the outro because of how much the song picks up and to keep that energy. As Dave is bending his neck to put the new guitar on, after 3 hours of playing and probably in some pain, he changed the last lyrics of Rapunzel to: “Every single thing you do to me, my god I’m FUCKED, but I’ll do, my best, for you, I’ll do yeaaaaaa. LOL! I’m sure he’s used this change before but it was timed so perfectly with him tangled in a new guitar strap, with his head banging against the various items, knowing he had about 3 seconds to pull of this change and it was not going well.

Encore:

Singing From The Windows: I could not hold it together for this song. After a year and a half of what has felt like chaos in the lives of many people and in humanity, the acceptance and hope that pours from this song, and out of Dave, is enough to floor anyone that has an ounce of care for the rest of our species. I looked around and everyone around me in the pit was crying. Dave got choked up on this song the other night and looked like he was barely holding it together. There was a quiet and serenity for a moment without the band, and all of the focus went to the songwriter and the gripping power one man and a guitar can have on an audience of 20,000 people.

Why I Am: Man, it really felt like Leroi still carries a presence in this band and you can tell why the band sings it often.

Stay: By this point, everyone was so insanely hot in the pit that they were belting Stay knowing that it was the last chance we would get to sing together. The way Carter syncopates the china cymbals on the outro of this song has always captured me. To watch Dave dance to this one more time while the horns went off and spread his arms wide on the final 3 seconds of the song was an exclamation point on a wild ass evening.

— —

Anyway, I wish that every human being could experience what I did last night. The world would be an infinitely better place. It’s not often that we have moments in our life that alter the course of the path we’re on, but I think it’s important to recognize them when they happen.

Whatever God is or means, or exists insofar as we allow him/her/it into this world, God was absolutely radiating last night. In the faces of the people, and in the entity that lives and breathes and is created when these musicians get together on stage. There is something above and beyond human form that I am humbled to have been a witness to.

It sounds a bit wild, but we are so unbelievably bigger than our bodies trick us into thinking we are. We are so much bigger than the Warehouse that contains us. And yet, we must live and do God’s work through this physical vessel because it is the only form that we take while we’re here. We must learn from this self and feed it, nourish it, teach it to become more than what it thinks it is.

One other thought: to share this musical experience alone is wonderful. But to have shared this band with someone I love so deeply is all a person could ever ask for. It is the epitome of the human experience, that is, to watch another person receive their own gift, their own joy, their own meaning from something you believe in, and to know they will carry it with them forever. They are changed by your truth. I got to see her become fully and endlessly alive because of this music last night. And that was infinitely enough.

We left the venue on fire with gratitute. It sounds wild, but I remember thinking I could die quite peacefully at that moment! I couldn’t conjure any other thing I needed to go do on this planet. I couldn’t conjure a negative thought. It was impossible. The word “ecstasy” doesn’t do this feeling justice, because the emotions are so much further in range than just intense happiness. Perhaps “awareness” or “power” or “spiritual fullness” resound a bit more to me, but for everyone it is different.

I think what’s most special about this band is that their music permeates into the core of who you are as a human being. It’s spiritual. It’s bursting with truth. It transforms how you see the world. It becomes your attitude and your way of life. This is why these guys sold more live tickets than any other group on earth for 10 years straight. The range of emotion embedded in the music is also the perfect analogy of what we as people honestly grapple with during our journey here. The lessons are clear. The music has given millions of people permission to live better lives: with jubilance, resilience, and an understanding that joy exists even amidst the deepest of pain. Each day we have an opportunity to show someone else this honest attitude, this truth, through whatever medium we choose. It is one of the greatest gifts we can offer another person. There is no question I will carry the richness of this experience with me, from now until the end of my life. I am forever thankful for nights like this, nights that are simply transcendent.

Thomas Harpole

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"A guy and a girl can be just friends, but at one point or another, they will fall for each other...Maybe temporarily, maybe at the wrong time, maybe too late, or maybe forever." Dave Matthews Band #superman #wonderwoman #supermanwonderwoman #smww #superwonder #catwoman #batman #batmancatwoman #batcat #greenarrow #blackcanary #powercouple #UltimatePowerCouple #dccouples #davematthewsband https://www.instagram.com/p/CHtD1_OAT7F/?igshid=o2abitr81p5n