Jan 2, 2024
Highlight methods I use:
Masking - leaving the canvas unpainted.
Painting & pencil - using a screen/add layer over the base layer with varying texture.
seen from China
seen from Poland
seen from Sweden
seen from Australia
seen from China
seen from United Kingdom
seen from United States
seen from United States
seen from Bangladesh
seen from Japan
seen from Germany
seen from Canada
seen from Italy
seen from Bulgaria
seen from United States
seen from Italy
seen from United States
seen from Japan
seen from Italy
seen from United States
Highlight methods I use:
Masking - leaving the canvas unpainted.
Painting & pencil - using a screen/add layer over the base layer with varying texture.
Between reality and fantasy, the paintings by Artem Chebokha
Between reality and fantasy, Artem Chebokha’s digital paintings travel on these two distant and almost unreachable poles.
But with his imagination the Russian artist manages to shorten this unbridgeable distance, his shades of blue and gray form and invent volatile environments and universes.
His special technique is called “Impasto”, a digital technique that he has refined over time and that has partly defined his style. Thanks to this special technique Artem Chebokha is able to reproduce oil painting.
If you pay close attention in each of his works you can see those pigments typical of oil painting, from his desk he is able to harden every detail as the oil in contact with oxygen over time creates an insoluble and resistant film.
Madarak lsd-n / Birds on lsd
(digital collage, 2018)
Kéz / Hand
(digital technique, 2021)
Maplewood—Second Visit
Last Autumn Kris Sabbatino and I paid a visit to old Boston & Maine Maplewood Station near Bethlehem, New Hampshire. This old railway station has been abandoned for nearly a century. Last weekend we paid a brief second visit to make photos in the stark wintery landscape. Below are three versions of a RAW (NEF) file exposed using my Nikon Z6. JPG scaled from unadjusted NEF file. In other…
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