Jun 19, 2022
happy father's day to Seiji's real dad<3
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happy father's day to Seiji's real dad<3
me at the fence novels:
About your post about the bad autistic rep in the fence novels, can you tell me why it’s bad? No problem if you don’t want to, I know it’d take a lot of time and you shouldn’t have to educate other people
Hey friend! I’m always happy to talk about Fence, and honestly the only reason I didn’t expand more on this topic to begin with was because I was too low on energy/time and too high on frustration to actually collect my thoughts into a meaningful analysis. Which is why it’s taken me so long to respond to this ask.
A little disclaimer: people don’t need permission to enjoy the content they enjoy, but I do ask that they listen to autistic people on matters of autistic representation. You don’t need to be a part of a minority to spot harmful representation, but it can be less obvious to non-autistic people why Seiji’s autistic coding in the Fence novels is an ableist caricature of autistic people. Lastly, representation is a nebulous and many-layered thing, which I’ll speak more on in a moment, but it’s true that while every autistic person I’ve spoken to on the matter of Seiji’s depiction in the novels has been just as uncomfortable, upset, hurt, and angry as I am, there are sure to be those who feel seen by his characterization. I’m not saying they’re wrong, but I do think there’s an element of personal projection there—again, that’s not bad at all—but it’s worth considering, when looking at Sarah Rees Brennan’s version of Seiji, if he’s still Seiji Katayama or if he’s a blank slate you can project onto. Because there’s a distinction there and I do think it matters. But the bottom line is that I cannot speak for all autistic people, nor am I trying to. I’m just trying to explain where I’m coming from with my hurt, both personally and more objectively in terms of how it is harmful to autistic people through perpetuating stereotypes.
Let’s start with what is a stereotype? Why is it bad? If people relate to a stereotype, how can it be wrong or hurtful to have stereotypical representation? When discussing stereotypes, I always refer to the amazing words of Chimamanda Ngozi Adichie and her description of the single story. I would highly recommend you watch her TEDtalk, as it’s brilliantly, thoughtfully, and beautifully said. While the speech itself is geared toward culture, the concept of the single story also applies to various identities and disabilities really well.
Stereotypes come from similarities across a group of people—there are almost always shared experiences among cultures and identities and disabilities. Shared experience is part of building that community, and it can be a really validating thing to see other people going through the same things you are. However, human beings are not homogenous; even with shared aspects of identity or being, there is not anything aside from the label/identity/disability itself that will be true of everyone in that group. Still, there is nothing bad about shared experience.
The issue comes into play when those similarities are taken as the definition of that people. When you are only seeing one aspect of a group or a people, you begin to see them as nothing outside of that trait or collection of traits, and that’s the trouble. It dehumanizes people and shoves them into boxes they don’t fit. It erases their experience and claims that there is only a single story of this people, and by perpetuating it, you are erasing the actual people, replacing them with a single caricature. As Adichie says, “The single story creates stereotypes. And the problem with stereotypes is not that they are untrue, but that they are incomplete. They make one story become the only story” (00:12:54 – 00:13:16). Stereotypes begin as something true, but when that is the only thing you know of a group of people, you begin to see real-life people as nothing but the character from the single story you’ve been told of them. You’re not seeing people anymore, you’re seeing your own idea of who they must be according to you and your single story of them. So, while stereotypes might not be untrue, they are often unrecognizable.
Seiji Katayama in Fence: Striking Distance and Fence: Disarmed is unrecognizable. If Seiji in the comics had been depicted from the start as the obviously (and clumsily) autistic-coded character he was in the novels, I would still be upset about it. My skin would have begun to crawl, and I promise you I would have put down the very first volume with a sour taste in my mouth and never picked it up again. But, fine. If that was who Seiji was, depicting him as such in the novels makes sense. That would have been a one-to-one translation. That’s not the case. Seiji’s character was completely changed in translation from the comics to the novels, and the reason behind that incredible shift was this: Sarah Rees Brennan decided Seiji was autistic. That is what I find most hurtful and frustrating and clearly ableist about Seiji in the novels.
Here is a character who is sharp and mean and volatile. A genius in fencing and contentedly inept in people. Someone who clearly doesn’t always understand how other people are feeling but also doesn’t always care to understand. That’s what’s fun and interesting about him, and I believe it will also be satisfying to watch his character grow and start to care about how his words affect other people—though I doubt his sharp edges can ever be sanded away completely, nor would I want them to be. His blunt, harsh interactions with people are part of who he is and that’s one of the things about him that can easily be read as autistic. There are so many aspects of Seiji in the comics that can be read as autistic. Though I doubt it was intentional coding, there are definitely parts of his experiences that resonate with the autistic experience. The most obvious, of course, being his complete obsession with fencing and his disinterest in socializing. There are subtler ways, too, that his autism could be argued to present in the comics: his rigid routines, his specific and precise diet (though part of the fencing regime, it could also be seen as a sensory thing/safe food or a routines thing), his headphones that are used to block out noise (another sensory thing), wearing socks to bed (yet another sensory thing), his break downs triggered by ‘little’ things (that’s such an emotional dysregulation thing, which isn’t a diagnostic requirement of autism, but is a common symptom of autism spectrum disorder), even the way he interacts with both Jesse and Nick can be indicators (the obsession with Jesse to the point of seeing him in other people, and the complete disregard for personal space and boundaries when he's upset at Nick—just getting in his face or dragging him around and not getting why that's inappropriate/what other implications dragging someone into a closet might have).
But here’s the thing. Seiji’s autism in the books wasn’t based on Seiji’s character in the comics. It was based on the single story of autism. Seiji’s fixation with fencing is great to read as a special interest, carrying that over makes sense—special interests are all-consuming…but they’re not the only part of an autistic person’s personality. Since the comic hasn’t had time to actually give the characters too much context outside of fencing, I can let this one slide—though it would have been nice to see his personality expanded beyond fencing when there was actually the time and space to do it. That, however, is the only thing I can let slide. The way Seiji’s social issues were carried over was so crudely and demeaningly done that I wince constantly whenever I think of him in the novels. As that’s just about the only other thing taken from the comic, let’s go into more detail on all the ways it was done to infantilize him, and, by extension, autistic people.
I know I’ve talked on this a lot, but Seiji isn’t exactly the sweetest pea in the pod, and I genuinely don’t know how some of the things he says could be read as anything but intentionally barbed and hurtful. Autism is really fun because there’s lots of different ways social interactions and cues can get lost in translation! Seiji’s a bitch, and, yeah, some of the shit he says is him genuinely not understanding why he doesn’t get to say that, and part of it is that he doesn’t care to understand because it doesn’t matter to him. We could have examined that side of his social issues rather than turning him into an infantilized autistic poster child who is clueless beyond any realism and who is too childlike and dumbly sweet to ever say anything mean, much less mean or be accountable for any of the shit he says that hurts people.
Autistic people are absolutely capable of being intentionally hurtful; we have the mental capacity to realize when something we are saying is mean, and we have the responsibility to learn how to interact with other people in a way that doesn’t hurt them, even when being anything less than bluntly truthful doesn’t come naturally. What I’m saying is the spin on Seiji’s social issues seen in the novels is much more about showing him to be autistic than about building him as a character, and it shows. I have said it before and I will say it again: fitting Seiji to autism instead of fitting that disability to who he is as a character is actually just prejudice. The things that make Seiji autistic should just be the things that make Seiji Seiji. It shouldn’t change him from who he is in the comics at all to write him as autistic—to do so is to say that he was not autistic enough, or not autistic in the right way, in the comics. Because the Seiji Katayama in the comics does not conform to the single story of autism, he was made to conform to it in the books, robbing him of authenticity and making him into another ableist caricature of autistic people.
It is unpleasant to see a character robbed of the autonomy to so much as be mean because he is autistic, and in general a really harmful mindset to hold toward neurodivergent people—remember that while our disabilities can explain behavior, they don’t excuse us of all wrongdoings and hurts we cause. The mentality that we should get away with everything just because we’re autistic is dangerous to both parties—it enables abusive behavior among abusive (in this case) autistic people, and it also dehumanizes and infantilizes autistic people by stripping so much as the ability and freedom to be unkind away from us.
But what’s worse by far is the fixation on sexual ignorance presented in the books. We really never dropped the gag of a missed reference to sex in the comics, dragging it out across both novels to such an extent that even the original joke is no longer funny. Because the novels took that joke and made it a core personality trait that was weirdly prominent. To emphasize the lack of understanding about sex and sexual relationships is just as weird as fixating on hyper-sexuality would be. But in conjunction with Seiji’s autism, it’s an even more unsettling fixation. Autistic people—and many other neurodivergent and/or disabled people—are so often seen as unable to consent to sex because we don’t count as fully cognitively aware and mature in the eyes of neurotypical and/or non-disabled people. And focusing so much on an autistic character’s complete inability to comprehend sex on any level is just really gross for the way it infantilizes him and makes Seiji seem even more sexless—which is an especially fun intersection with his identity as an Asian male, but that’s a whole other discussion. All the jokes about Seiji not understanding sex get old fast. At best, they’re tiresome slap-stick that make an autistic Asian-American boy the butt of sex jokes. At worst, they’re perpetuating harmful stereotypes that have a real-world impact on how society view and interact with people who they’ve been conditioned to see as incapable of having, comprehending, or consenting to sexual activity.
Now, it is worth noting that Nick is portrayed with similar ignorance to sex with the same cringey and frustrating imbecility played for laughs, and that their behavior is rooted in a canon throw-away joke. I’ve said before that Sarah Rees Brennan took that joke and ran in the completely wrong direction, but it can still be argued that it is canonical. In that case, then, more critical thought and empathy should have gone into how that joke was fit in with Seiji’s autism. Since both the autistic coding and the child-like understanding of sex (which is to say a complete non-understanding) are so heavy-handed, the pieces fit together in an entirely uncomfortable and harmful way.
Moving on to Seiji’s relationship with his parents. Autistic people do not always get wonderful, loving, and understanding parents or families who love them as if it were second nature, as easy as breathing. I know that. Turbulent relationships with families are a reality that a lot of people face—queer and disabled people especially. But here, again, is that single story. It is a given to non-autistic people that an autistic child will have parents who struggle to love them. It is only natural to see any parent who is (eventually) capable of trying to love their autistic child as a hero, as if loving your own child is special or brave just because they’re different. I dislike the relationship between Seiji and his father being held up as evidence for Seiji’s autism because it’s a point-blank admission that you think autistic children are hard to love and that the very attempt to love them is a profound act of bravery on any neurotypical person’s part. The following passage encapsulates Seiji’s relationship with his father and why it is such an unsettling one to set up between neurotypical parent and autistic child:
“You were such a distant kid,” said his father. “You always seemed so hard to reach.”
Seiji responded, startled, “I didn’t think you were trying.”
His father hesitated, then continued with an odd note in his voice: “We should have tried harder. We thought it would be easier to talk to you when you were older, and—it never was. It got more difficult instead. Love was always easy for me and your mother, and I suppose we believed that it would be easy with our child, too.”
…
Seiji had always known he was difficult to love. His father didn’t need to tell him that. (Brennan 318).
“Loving you wasn’t easy” is not something you should be saying to your kid. Seiji clearly internalizes it and believes he is at fault for being unlovable—for being different—for being, in essence, autistic. And here’s the thing, that is an idea autistic children are taught from society itself, through the media we consume to the reactions of people when they discover our autism or our strangeness, it is a message we already internalize, and it’s not a message I really care to see here in Fence. It’s not okay to not address that in this relationship. It’s not okay for Koichiro to put all the fault on Seiji for being hard to love and for them to both move on as if that’s a perfectly acceptable thing to say. It’s not okay for the only autistic character in the books to have such an emphasis on a relationship that boils down to this: Koichiro is an amazing father and a brave, kind man for being willing to try forging a relationship with his autistic son after 16 years of emotional neglect on account of his son being hard to love. Autistic people deserve better than this single story.
Again, I will admit that Seiji’s relationship with his parents is referenced in canon as being distant. But again, if you are going to code a character as autistic, it’s your responsibility to consider how you frame things. It is the glorification of Koichiro, the narrative patting itself on the back for what a good dad he is to the poor little autistic boy, that is especially grotesque. We focus more on Seiji’s relationship with his father than on any other parent involvement—which, from the comics, doesn’t make much sense. The reason we spend so much time with Koichiro is to emphasize how the default with an autistic child is not to love them. And while this may be something that resonates with many people, it is also upheld as the ultimate truth instead of just one truth among many, and “…that is how to create a single story. Show a people as one thing, as only one thing over and over again, and that is what they become” (Adichie, 00:09:17 - 00:09:29). Show autistic people and non-autistic people alike that autistic people are harder to love, and that is what they become. It’s always the autistic kids who have troubled relationships with parents, who are lucky for their parents just to love them. Either give Seiji good parents from the start or keep them as the neglectful parents they were implied to be, don’t give me half-assed redemptions that perpetuate the idea that autistic people are hard to love and should be grateful when thrown a bone.
Seiji as written in the novels is nothing but another version of the same story. Another Sheldon Cooper and Sherlock Holmes. Genius in one area, the butt of jokes for ignorance in others, robotic and awkward, excused of all inappropriate behavior. He is the same story of autism that we have seen a million times before, and he was completely altered in order to fit it. You have to do a lot of mental gymnastics and recontextualizing to make the novels fit into the comics, and for something that was meant to be built from the comics, it shouldn’t be so hard to see the one in the other. Seiji is an entirely different character in the novels, and if you read the comics again and change his every move and motive to add up to the boy he was in the books, you have to do a lot of leg work and a lot of squinting. To see Seiji as autistic, you shouldn’t have to do any of that. You shouldn’t have to rewrite his story to make him autistic. You should be telling and seeing his own story, and have autism be a part of it. Yes, stereotypes can stem from truth. Yes, there are autistic people much like the boy in Sarah Rees Brennan’s novels. No, they’re not wrong or harmful to the autistic community for fitting comfortably into the narrative the rest of the world expects to see in all of us. But that’s not Seiji. And if that’s the character you want to write or read, I don’t think Seiji Katayama should be the one you go to for it, because he is his own story of autism. Or he could have been.
There are so many ways to read and write Seiji as autistic. There are so many ways to have coded him as autistic without making him more ‘autistic’ than ‘Seiji’—more ‘autistic’ than human. He is nothing but his autism in the books, and it does a disservice to his character and to autistic people—our autism is a part of us, it is not the only thing we are. I do think the coding came from good intentions, but it was very poorly done and revealed a lot of implicit bias. The idea of Seiji being autistic turned into the reality on-page of an autistic caricature with the name Seiji Katayama scrawled across his forehead. If so much effort hadn’t gone into making Seiji so evidently and ‘classically’ autistic, he naturally would have read as more autistic by simple merit of being him. To intentionally code him as autistic, more care should have gone into looking beyond the typical qualities of autism you see everywhere in media (childish, robotic, stupid, incapable of understanding sex, mean but it’s okay because the baby doesn’t know better). Autistic people deserve to be picky about autistic representation. Just because the Fence novels gave us yet another single story of autism doesn’t mean we have to sing its praises because ‘There’s an autistic person in this book! What more could you want?’
I want more than what we got. I want better. I want a Seiji that doesn’t make my skin crawl to read. I want to be able to see the headcanon of autistic Seiji without cringing away. I’ve been in the fandom since 2018, and I never saw any headcanons about Seiji being autistic until this last year. Autistic!Seiji is very much a thing of the novels. And, on the one hand, it’s cool that people are on board with him being autistic…it’s just a little unfortunate, in my opinion, that he’s only been seen that way since being turned into a stereotype. So, if you only started reading Seiji as autistic after reading the novels, ask yourself why. And then ask yourself if the boy in the novels is still Seiji, or if he just matches the story of autism that you recognize.
Works Cited
Hi! I was hoping you could help me with something… I love fence and I’m all caught up but decided not to read the novels, striking distance and disarmes. Not a big fan of some things done
But now I’m trying to figure out like, where in the timeline they take place? And are they officially canon? So does that mean that we know things that are already going to happen, like Nick and Seiji not being together yet? Assuming these are set after where fence currently is, which they must be since everyone is already on the team. Anyway, asking because I’m kinda bummed about A) knowing we’ll still have to wait a long time in the comics for Nichoji and B) potentially getting comics that are just the comic version of the books
Thanks in advance for answering!! Not knowing has been driving me bonkers
Hey friend! I think you made the right call skipping the novels tbh
SO here's the thing! It's not really clear where the books land in terms of canonality or timeline anymore lmfao. Back before they came out, Pacat basically said that the novels are take it or leave it in terms of canon but that he saw them as canon. They also take place directly after Rivals and were presumed to bridge the time between it and the next comic volume. However, Disarmed and Rise have some similarities based on summary that seem strange to me, because what is the ever-loving point of doing the training camp trope twice in a row in such a small series?? On top of that, Haiden is together as of Disarmed, but it looks like that may not be the case in Rise. When asked in a live stream a couple months ago, Pacat said that Rise takes place before the novels, but at this point, I wonder if they're not just entirely different timelines because the logistics of having your once-every-two-years-update happen in a liminal space before a tie-in novel where we know nothing has changed by seems a really weird move. He's also declined to answer questions about how the novels fit in with comic canon since, and I know it gets asked pretty regularly because I see it pop up on the Q&As he does. So at this point, I'm genuinely unsure where the novels fall and maybe it's projection but I'm not sure Pacat knows either XD I seriously think he and SRB backed themselves into some corners with how they decided to do the novels and are now finding it doesn't fit how they'd planned.
At the very least, the comics are not complete comic translations of the books. Even though Rise is centering around the same trope Disarmed did (which still seems odd to me), it's different teams and not in France and not All About Haiden. And trust me, we're lucky Nichoji didn't happen in the novels and we get to have that authentically and completely in the comics.
I'm sorry I didn't have any real answers this time, but I'll definitely be keeping up with any news we have on it!
Was anyone else a little put off by Nick’s thoughts on girls in Disarmed? We mention twice in his POV, for no real reason, that he’s disinterested in girls:
“The guys back at his several other schools had talked, and seemed to think, about girls a lot. Nicholas didn’t. He was busy thinking about fencing. Since starting at Kings Row, he’d almost forgotten about the existence of girls his own age” (p. 97-98)
“‘How do we ask the girls to dance?’ one guy had whispered in Nicholas’s ear. Nicholas had stared blankly and asked, ‘Why would we want to do that?’” (p. 189)
If you want to argue that Nick’s too fence-obsessed to worry about romance, I can accept that. But the fact that a confirmed bisexual character repeatedly states that he has no interest in girls when we know he’s set up for romance with another boy rubs me the wrong way. The takeaway from Nick’s (lack of) interest in romance here is that he’s not interested in girls, which is a very common way to code characters as gay. Genuinely, if I hadn’t known Pacat confirmed that Nick is bisexual before reading this book, I would have assumed he was 100% homosexual. And as a bi person who constantly sees that aspect of my identity erased in characters in media, it sucks to see it here.
I know it wasn’t intentional, but it honestly feels like bi-erasure. It would have been so easy to just not include this commentary or to mention an equal disinterest in dating guys. Because now it just reads as: Nick is not interested in girls. He’s interested in Seiji. Seiji is a boy. Nick is interested in boys, and only boys.
sooo does Sarah Rees Brennan know Eugene’s Filipino-American or...?
Transcription and thoughts under the cut
As an autistic person I cannot stress enough how fucking hurtful the ‘representation’ we were given in the fence novels re: Seiji is. Like that’s not rep. That’s stereotypes of autistic people named after a main character. His portrayal as autistic isn’t even based on who he is in the comic and it shows what the author thinks autistic people are
Like just to find that blatant ableism in my special interest is one of the reasons I can’t fucking stand the novels
Apologies in advance for the very broad question, but what are your ~thoughts~ on Seiji's depiction in Disarmed (or either novel tbh)? I was super excited when I realized in SD that we'd be getting chapters from his perspective, since it being hard-to-know-what's-going-on-in-that-head is such a huge part of his character otherwise. But then everyone was so ooc in SD it felt irrelevant. I feel like Disarmed was.. better? But I'd love to hear someone else's thoughts
apologies in advance for the long answer XD and obligatory warning to anyone reading this: my thoughts are of the negative variety
I would agree that Disarmed is generally better than Striking Distance, but speaking on Seiji specifically, I would say the only improvement is he’s a little more autonomous than he was in the first book. Other than that, his depiction stayed so out of character that I couldn’t even reconcile the beautiful chapter header Johanna The Mad drew of him with the boy whose head we were in during those chapters.
There’s a lot of disagreement about Seiji, and I fully recognize that a lot of people think I’m an asshole for labeling Seiji as an asshole—but listen. He is. Some of the insults he spews are too specifically crafted to be anything other than intentional barbs. Some of the other things he says are definitely just him being painfully blunt, thinking just because something is true, you get to say it. And then there’s a lot of things that are somewhere between the two, and this is where his most hurtful insights come in—this is him telling Nick that he’ll be kicked out of school soon because his scholarship will run out when he doesn’t make the team (a fact which Seiji sees as beneficial), this is him asking why Nick isn’t used to losing when Nick’s upset about a loss, this is him seeing people as so far beneath him that he doesn’t need to bother trying to understand social niceties to interact with them (demonstrated by him sneering at Nick’s handshake in the first issue and proclaiming he’ll beat Nick 15-0). It is a mix of bluntness, perhaps born of an inability to understand social cues or interaction, and a snide—sometimes malicious—belief that he gets to talk that way to people. Maybe because he’s a prodigy. Maybe because Nick’s a nobody. My point is, you do not just get to write off his behavior as okay or excusable by arguing that he didn’t know what he was doing—he did, in a lot of places he had to know exactly what he was doing and in other places he must have seen how upset he made people by telling the truth and he didn’t care, or, on occasion, he wielded that truth like a weapon too, with the intention of upsetting. And even if he didn’t know what he was doing, he’s still an asshole. You have to take accountability for your actions and Seiji doesn’t have an interest in accounting for or adjusting all the hurt he deals out—he sees it as the other person’s responsibility to deal with.
I know that was a lot of analysis about the comic when we’re talking about the books, but I think a summary of the character I saw in the comics is needed for context for my opinions of the books. But let’s get into them now!
Seiji is built up in the books on two moments in the comics. First, the page in issue 10 where Nick declares him and Seiji friends and tows Seiji off to watch a match with him. Sarah Rees Brennan has cited this page as an important informant on her writing of Seiji. There are subtle differences in her read of this moment from mine that are to be excepted—everyone has their own interpretations, but I think that she conflated what she saw in this moment (Seiji, being surprised and happy at being considered a friend) with the entire comic in a way that doesn’t make sense. Just because Seiji didn’t snap at Nick that they aren’t friends here, doesn’t mean that every other showing of his superior assholery is suddenly invalid. But she really decided that this proves that Seiji is soft and sweet and misunderstood. Second moment: issue 11, Seiji and Nick not understanding what Eugene was getting at when he said Aiden and Jay were ‘you know’. This was a funny joke in the comic, but it was exaggerated and overused so much in the books that it’s just cringe-worthy instead of funny, and it makes no sense. Not understanding ‘you know’ is funny because, yeah, most teens would have been able to get that Eugene’s saying they banged. But it’s still ambiguous enough and out of context enough that you can believe these two dorks wouldn't pick up on it. But not getting that Aiden isn’t having parties in his room and is, instead, having sex in it? Or not understanding what hickeys are? Or being as oblivious as they both are to and about relationships in general? Doesn’t make sense. Yeah, showing teenagers without all the emotional maturity of an adult is fine, but I genuinely know 4th graders with more emotional intelligence than them. Like, this isn’t an honest representation of teenagers, it’s a depiction of 9-year-olds. And I’m not even kidding or exaggerating when I say that.
The thesis statement given to us in the books is that Seiji never meant to hurt anyone, and therefore it doesn’t count when he does. And there seems to be a deeper reasoning for his behavior that is pushed in the books, one that a lot of people picked up on. I think Seiji was intentionally coded as autistic or something like it in the novels. I wish so badly that the mention of autistic Seiji didn’t make me recoil now because of his depiction in the book and the very base and stereotypical autistic caricature he was turned into. I never read Seiji as neurotypical in the comics, but I swear it’s like Sarah Rees Brennan said ‘here is what I think an autistic person is’ and then labeled that pre-conceived notion as Seiji Katayama in her novels. Representation is a tricky matter always. Something that is helpful and meaningful and validating to one person is always going to be hurtful and invalidating to another. So I know there are plenty of people—plenty of neurodivergent people—who take comfort in Seiji’s coding. I’m not one of them. Seiji perpetuates a lot of stereotypes about autism and vague neurodivergent ‘representation’ that we see all over the place. I’ve seen lots of people comment on this, but Seiji reflects characters like Sheldon Cooper. There is a danger in the Single Story—the portrayal of a minority or group as a single thing and only that single thing. We have a Single Story about autism, and it is this idea that autistic people speak in uncomfortably robotic cadences, that they miss obvious social cues all the time, that they are emotionally stunted and often treated like children because of it. This portrayal may not be strictly untrue, but it is certainly not the full truth. It leaves out all the other ways to be autistic, it creates a stereotype and shoves all autistic people into it. It is not true representation to tout that same Single Story. It’s really just building onto the stereotype at this point. And that’s why I take issue with it. Seiji was shoved into that ‘Autistic’ box rather than having autism (or some other form of neurodivergence) fit to him and the character he was in the comics. When you have to change a character entirely to show some facet of their identity, maybe that’s a sign that your implicit biases need to be examined.
Remember how Seiji is an asshole in the comics? Remember how he hurt people and legitimately couldn’t care less? Remember how I said that behavior isn’t excusable just because you claim he didn’t know any better? Yeah. You don’t get to excuse him for being neurodivergent or autistic either. That’s actually such a shitty and enabling attitude to take towards neurodivergent people; it’s never okay to treat other people shit, so let’s not perpetuate the idea that neurodivergent people get a free pass on being dicks—which can often escalate into being abusers. Neurodivergence can explain behavior, but it shouldn’t excuse it, and Seiji’s behaviors all seem to be swept under the rug with the excuse of ‘he is just a smol bean who didn’t know any better.’ Which, inaccurate. Also, please stop infantilizing neurodivergent people. And lastly, it’s weirdly irrelevant anyway in the books because Seiji isn’t the same brutally honest and cutting boy that he was in the comics.
And this is the interesting thing—the evidence we are shown does not match the thesis. Those two ideas about Seiji that I mentioned—that he’s just clueless and wants a friend and that he is entirely inept when it comes to any sort of relationship—are taken and built up to give us the absolute marshmallow child we’re shown in the books. And I hate him. Personal taste here, but fucking hell is he boring. Especially after I was promised a sharp—both in intellect and personality—boy in the comics. He has no bite, no intensity. He wanders around like a lost duckling and imprints on Nick. He never shows the careless cruelty that he possessed in the comics, never even thinks a truly mean thought. And every time he says something that could be misconstrued as hurtful, he apologizes right away. I don’t think he’s apologized over a single fucking thing in the comic because he’s a bad bitch that says what he wants and it’s everyone else’s problem if they’re too thin skinned to handle the truth. Seiji gets no layers or depth in the books; he was robbed of every interesting thing about him.
Another thing that absolutely makes my skin crawl is Seiji’s relationship with his wealth in comparison with Nick’s lack of it. I don’t know how this book got through editing without anyone saying ‘hey, maybe this is really demeaning to people without a lot of money.’ But if someone treated me the way Seiji treats Nick, I’d bite them. And not in a sexy way. Like. holy shit. I am blown away by how it frames itself as progressive and accepting and as a deep and meaningful examination of poverty when it is literally one of the most offensive depictions of it I’ve ever read. Nick is a whole thing. His character was shoved into the ‘Poor Kid’ box in much the same way Seiji’s was shoved into the ‘Autistic’ box. But we’re talking about Seiji, so let’s take a look at the way Seiji views and treats Nick based on the difference in their socio-economic statuses. I always found it ironic in a ‘isn’t that fucked up?’ way that Striking Distance featured the discrimination Nick faces for his scholarship/poor kid status being fixed by Seiji’s (daddy’s) money. Like the commentary there is a little…..ehhhhh. Just, weird in my opinion to solve the issues of a poor person with the money of a rich person. It’s like saying that all problems can be solved if you throw money at them, which casts the implication that value can be measured in wealth. Instead of fixing any of Nick’s problems through his own ingenuity, we see Seiji again and again coming in with his wealth to save poor ickle Nicholas who is poor and pathetic uwu. It gives seiji, who has the talent and the resources and the status and the money, even more power, while directly taking it from Nick. It robs Nick of his autonomy and his own merits outside of wealth when every problem he is faced with is fixed by Seiji and his money. It creates an unsettling power imbalance that never seemed to be there in the comics because Nick was impressive in his own right, possessing a resourcefulness and grit that comes from a tough life. In the comic, they balance each other. In the books, I am turned off by their relationship because it is so much Seiji deciding it is his duty to take care of and fix Nick, while thinking that he’s a champion of the poor for doing so.
I understand that both Sarah Rees Brennan and Seiji are coming from good, well-meaning places in their treatment of Nick. But you know what they say about good intentions… Do you know the concept of a ‘white savior’? I feel like this is a lot like that, but with a focus on class divide rather than a racial one. It’s a well-intentioned person with privilege swooping in to ‘save’ and ‘fix’ some poor, disadvantaged person and thinking they are some hero for doing so. It’s very self-gratifying and icky in my opinion, more about Seiji showing himself to be a Good Rich Person than actually caring about Nick at all.
Seiji’s depiction in the novels makes me uncomfortable in so many ways and I think, overall, I may have even found him more unsettling in Disarmed, if only for his ideas about Nick based on his poverty. I have to believe that he is an entirely different character than Seiji in the comics, because this version of him is not one I like at all.