Apr 11, 2025
Sally Dige- Holding On (Synthpop, Darkwave, Minimal Synth) Released: September 8, 2017 [DKA Records/ AVANT! Records] Producer(s): Sally Dige, Anton de Neige, Alex Akers
seen from Malaysia
seen from United States
seen from Türkiye
seen from United States
seen from China
seen from United Kingdom
seen from Spain
seen from United States
seen from Spain
seen from China
seen from United States
seen from China
seen from United States
seen from United States
seen from Yemen
seen from China
seen from Malaysia
seen from Malaysia
seen from United States
seen from Maldives
Sally Dige- Holding On (Synthpop, Darkwave, Minimal Synth) Released: September 8, 2017 [DKA Records/ AVANT! Records] Producer(s): Sally Dige, Anton de Neige, Alex Akers
PC World - Infinite Dream Weapon - always on the lookout for new music that sounds like Cabaret Voltaire's "imperial period" - I don't find much, but this fits the bill
DKA is proud to offer a new cassette from EBM duo PC WORLD. Three new tracks that foreshadow the upcoming full length "Tomorrow's Dream" and a digital remix from MVTANT. Following up on 2021’s Order, Anglo-Australian EBM/Synth-Punk band PC World return with the EP, Infinite Dream Weapon, a 3-track preview of intent and a sonic flag-planting PSYOP. Guiding the masses to anticipate next year’s full length LP, these tracks have been chosen to put the listener in the crosshairs.
The aforementioned Order also fits:
Yr Body Is Nothing by Boy Harsher
DKA Records
2016
Boy Harsher performing Fate from their latest album, Careful 🕶🎹
(DKA Records)
Rigid Embrace by High-Functioning Flesh / A Unity Of Miseries - A Misery of Unitites / DKA Records / 2014 / USA
Autumns - Foyle Living - did you ever wish there was more music that sounds like vintage Portion Control? HERE YOU GO!
Autumns returns to DKA with a second cassette called “Foyle Living”. Hot on the heels of the full length “Shortly after Nothing” released on Death and Leisure. This tape showcases the more experimental side of Autumns. Eight songs culled from recording and practice sessions that combine the aesthetics of early Cabaret Voltaire and Throbbing Gristle pulse with a dissonant energy. Autumns draws from a negative almost nihilistic approach to music. The hard EBM and Techno he produces pummels the audience while filling the dance floor. Over the punchy kick drums and minimal basslines, Christian’s voice flows through distortion and echo without restraint. To see Autumns, live is akin to witnessing an electronic equivalent to a Birthday Party show in the 80s. Like a young Nick Cave, Autumns end goal is a state in which the artist and audience gives into animal abandon.