#dragonsofnu

[metiee]

New Music Video out. Basically summarizes how a Hopeless a Siezure feels like.

Music & Artwork ©Metie.Deviantart.com

[metiee]

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New and final song for the fourth album ‘The No Rhythm Symphony’ ^x ^ hope chu all enjoy~

[metiee]

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DNA | The Land of Sunsets ; Land of Night | OST

Careful with the volume, the night dragons don’t really prefer anything but sonar.

[metiee]

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New Song >w<

[metiee]

Decided to make Tchaikovsky’s Swan Lake (Op.20 prelude Scene 1) a headpiece theme for Preludium UvU. Though This sorta bends my rule of no epic music. It still fits so well ;~;

[metiee]

Worldbuilding #Bleh

Leuaseia (All parts)

As for music in the story of Leuaseia (the original cast of stories from Dragons of Nû), I like to imagine that the entire story is one huge Dance. Yeah a dance. I like to think of the entire story, is orchestrated in some huge beautiful choreography which binds every participle of the story together. I don’t know why, but I’ve always been a massive fan of choreography in writing, in movement, in music and especially animations. Which is why I want choreography to be the other theme. I want my characters to dance. Whereas Preludium plays on Contrasts and Juxtaposes. Leuaseia will represent the whole idea of ‘the whole story is one fluid continuity’.

Imo Continuity has been one of my biggest pet peeves of any story. Especially when there is none. Though there seems to be, in most cases there is not. The story jags its way in and out through the plot and anything that embodies it. It enfuriates me. And it’s something I am a victim of sadly simply because I do it too.

The idea that Continuity must be conveyed in the second story is why I want to adopt the idea of Choreography as the basis of music for my second story. Forget, calm music or whatever. Choreography is smoothness and fluidity. Fluid songs are the embodiment continuity. Since story 2 is a bigger scope then the first, the themes of the music are all going to vastly differ. To me, the sanctum of the second story should be completely based on how well the story ‘dances’. I really covet the idea in the sense that it builds up the sanctum and therefor a solid backbone.

I’ve found out that those who use the theme of continuity, choreography are always the stories which attract the most interest. If the dance is well so will the story be. That has always been one of my paradigms in stories and especially animations. That the story ‘dances’. And I really want to make the second story ‘dance’ where the first story sings.

Example inspirations could be; The Dear Hunter - The Canopy , Acting Damage - mindsurgery, Direct - The Final Battle

[metiee]

“Though I’m a swordsman- I do not possess its skills. Rather I don’t use it. See, my fighting style lays within martial arts. And martial arts only. The skill of the swordsman, the knight is the same to me as a dying hare struggling in the...fangs of a snake. See, a blade and its styles are irrelevant to me, I have mastered them eons ago. My passion lies in my fist, I lie. My my my, my beligerent child, how could you say that I am not a swordsman? You mistake me my dear. I am swordsman because I carry a blade. One of which you cannot see. Watch me scrape the ground, see those sparks? see those leaves cut in pieces. I am no psychic I am no...weaver. It’s simple, deadly simple, my blade’s transparent, invisible, unknown. Which is why I can decieve you whenever I want. Can you say the same? As I clutch it between maybe a finger or my leg. Or maybe it’s sheathed on my hip. Each of which you will never know, as I stance in the choreography of the primal Caduceus. My logo is the cross, the blade of the urumqi. my name means decapitation, tribune, whiteness. Another word for my fists, my finger, my swordsmanship of blades. Oh, or did I say blades? Hah! Not for a shed of an eye! my paws are balled in a fist, or they might be speared, I spar you as I’d do in the arts of the fist, the hind the tail. My choreography lays in the swivel and perfect angles of the paw and the challenge of pure draconian strength. Not the...silver sparks of metal against...metal. Oh stupid shit.~challenge me with your blade. I don’t think you can win, divine or mortal, neither can. cause my blade’s my shield, my fists are my blades. But my mouth...oh my mouth will disarm you. I am the style of the Caduceus, the Gemini, the Canines. All of which you never mastered. How I cut is irrelevant. It is entirely irrelevant to you, because, see, as I speak, blood is flowing down your neck. You ask me why but you haven’t realized, you fool! My blade’s round your neck! Urumqi, you may thank me for your decapitation. Curved blade, fanglike fist, all of which you cannot determine, nor see. pompous poppyfuck

-Vite The General of Transparent Blades, Leuaseia (chronicle 4)

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-Fortress o’ Fortress, Dragons of Nû

Some old song I made in 2012