seen from Türkiye
seen from United States
seen from United States
seen from United States
seen from Türkiye
seen from United Kingdom
seen from United States
seen from Saudi Arabia
seen from Saudi Arabia
seen from Türkiye
seen from United States
seen from United States
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seen from United States
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seen from United States
ROYAL ART LODGE
1996-presente
Sin título, 2007
Acrílico sobre madera
9 X 7,5 cms.
Royal Art Lodge (Michael Dumontier, Marcel Dzama, Neil Farber)
Wood nymph , 2002
mixed media on paper
28 x 21.5 cm
Sans titre, 2005
mixed media on wood plaques
15.3 x 15.3 x 4 cm
MARCEL DZAMA (Canadian, born 1974)
Untitled, 1997
Ink and watercolor on paper, 8” x 10”
egy jó rum, szérum.
megajándékoztam magam a kedvenc rumommal. háttérben a tonic teljesen független tőle.
DZAMA, MARCEL
Born 1974 in Winnipeg, Canada.
Lives and works in Brooklyn.
Education
1994-1997 B.F.A., University of Manitoba, Winnipeg, Canada
Exhibitions (selected)
2017
Marcel Dzama: Revolution Blues, Galleri Magnus Karlsson, Stockholm
Marcel Dzama: Drawing on a Revolution, La Casa Encendida, Madrid
2016
Marcel Dzama: A Flower of Evil, Sies + Höke, Düsseldorf
2015
Marcel Dzama: Une Danse des Bouffons (A Jester’s Dance), Lismore Castle Arts, Ireland
Awards
2013 Award for Outstanding Achievement as an Artist, The Hnatyshyn Foundation, Ottawa
2012 ARCO Award, Madrid 2000 New Artist Award, Art Cologne
1997 Namta Award, University of Manitoba, Winnipeg, Canada
Watercolor Award, University of Manitoba, Winnipeg, Canada
Marcel Dzama
Revelations buried in atrocity, 2014
WORK ON PAPER
Collage on paper
12.00 x 9.00 in
30.5 x 22.9 cm
Unique Work
http://www.artspace.com/marcel_dzama/revelations-buried-in-atrocity
You gotta make room for the new ones, 2005
Marcel Dzama
Marcel Dzama and Raymond Pettibon at the David Zwirner Gallery.
As part of our gallery visits day on the 8th October 2016, we visited the David Zwirner Gallery to see the exhibition titled Let us compare mythologies by Marcel Dzama and Raymond Pettibon.
This exhibition caught my attention the most out of all the exhibitions we had visited that day, because of its diverse, differentiated way of it being presented. It wasn’t presented like your box standard gallery, with nicely framed paintings on white walls and a minimalist aesthetic - Instead this exhibition was raw and unfiltered, the artwork was painted directly onto the gallery walls or large sheets of paper which were used to completely cover the sides of the room.
The comical and satirical feel that the work emitted influenced me to perhaps begin to include these elements in my own work.
