This is just a text post, a little thank you now that this blog is really up and running. Costuming is high art, mixing theatre and fashion, fabric and color, beauty and design to create something that is memorable and will last for ages. A good costume can salvage a failing show or elevate a good show into greatness. The right costume can define a character for generations to come, and can even enter the cultural zeitgeist if it’s well-known enough.
But costume designers, as a group, are not a well-known bunch. Compared to movie or television costumers, people like Edith Head, theatre costumers often work in something close to anonymity. Their names maybe will get recognized at an awards show, but as we saw in 2017, the live Tony Awards telecast didn’t even carry the awards for Best Costume Design or Best Scenic Design. Some of these folks, who have won or been nominated for the highest award in theatre fashion, don’t even merit a page on Wikipedia, which has become something of a hallmark for being Famous in the Internet Age.
Who can forget the simple, classic look of Elphaba’s black dress and hat or Glinda’s powder blue dress? How can anyone ignore the amazing couture designs for Eva Peron or Norma Desmond? The ball gown of Anna Leonowens or the mask of Simba? These are parts of our culture, and we barely pay attention to the men and women behind the fabric and the scissors and glitz and the glamor.
So here’s to the costumers, the designers and the dressers and the drapers who make our favorite shows not only entertaining, but bring it to the level of high visual art. Here’s to the people who labor hours behind the scenes, bringing a few sketched lines and watercolor splotches to life in living color on the Broadway stage. Here’s to the unsung heroes who make Patti Lupone and Andy Karl and Laura Osnes and Gavin Creel and Denée Benton look their absolute best for eight shows a week.
The costumers. That’s who this blog is dedicated to. That’s why I’m here. And that’s why I’m so glad that you’re all on this journey with me.