#electronic imaging

[casting--sha-dows]

I had to make an infinitely looping gif, so who better to choose as my subject than Sisyphus?

Animated in Photoshop.

[casting--sha-dows]

Bubblegum Machine, painted in Photoshop. This was my first time painting in Photoshop, and I really enjoyed it a lot. I love how this turned out. I’m going to print it out and put it on my wall. If you guys want, I might someday make prints of it available.

Please don’t remove my signature.

[lazzydawg17]

An old video editing project I did for Electronic imaging course a while back... By @lazzydawg17

[lazzydawg17]

An old prototype for a project assignment I had in electronic imaging class a while back. Video editing by @lazzydawg17

[primarybusinesswebsitevdy]

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[curiousaboutcreativity]

The sheer number of photographs circulating in the world, and the frequency with which we meet them, is also a basis for their intertextuality. None is freestanding. Each one is a small element in a history of image production and a contemporary 'image world.' Within this environment, the photographic image gains its meaning by a continual borrowing and cross-referencing of meanings between images. The still photograph quotes a movie, the cinematographer adopts the style of an advertising photographer, the music video mimics an early silent movie. (327)

Lister M. 2004. Photography in the Age of Electronic Imaging, in L. Wells (ed.) Photography: A Critical Introduction: 303-347. Lincoln: University of Nebraska Press.

[curiousaboutcreativity]

We can gain a sense of [...] early responses [to electronic imaging] by looking briefly at the thought of four commentators from the early 1990s. These raised, in order, (i) ethical issues for photojournalists [...]; (ii) the relationship of photography to wider socio-economic change [...]; (iii) the idea of changing 'scopic regimes' or ways of seeing and imaging [...]; and (iv) the place of photography within media history [...]. (316)

Lister M. 2004. Photography in the Age of Electronic Imaging, in L. Wells (ed.) Photography: A Critical Introduction: 303-347. Lincoln: University of Nebraska Press.