⚠️ A rapid train will pass through the station! ⚠️
comms on! VGen/ Skeb

seen from Lithuania

seen from China
seen from United States
seen from Netherlands
seen from United States
seen from China
seen from United States

seen from United Kingdom
seen from United States

seen from United States

seen from Netherlands
seen from China
seen from China

seen from Netherlands
seen from United States
seen from China
seen from Kuwait

seen from Türkiye
seen from United Kingdom

seen from Switzerland
⚠️ A rapid train will pass through the station! ⚠️
comms on! VGen/ Skeb
Fragments d’un discours sans destinataire
"Christmas Spent in a Foreign Land," could be the name of this. The sea performs regardless. The warning signs stand politely. People pass through one another without collision, without consequence.
This is not loneliness. It is anonymity without injury — the rare condition of being present without being required to mean anything.
For a moment, the world does not ask who I am, only whether I intend to swim.
(Photo: d.)
Passing Through
Ana Elisa Egreja
Soap dishes series. 2020-21
The glow of windows and passing headlights—
fragments of a city that never quite sleeps,
only pauses.
There’s a danger here,
faint but near,
almost welcome,
like it might jolt this quiet life into something else.
(Photo: d.)
Tom Howse
Chimney Pots. 2022
Ana Elisa Egreja
Cozinha Pennacchi. 2021
Wayne Thiebaud
Big Suckers (Seven Still Lifes and a Silver Landscape portfolio). 1971