The Elusiveness of Colours
This experiment harkens back to the very first group project in COFA1002, and in which we made a chatter box to represent the elusiveness of desire and how our desires change drastically as we age.
The survey I conducted for the first colour experiment proved to be only semi-successful; to extract information regarding on how it elicits emotion. However, after feedback from tutor Jess, it became clear that I only gathered “numerical” data and in no way could I use it in a more abstract way. In other words I couldn’t make anything expressive with it.
So I tried a different approach, I made a chatter box and represented it with four different colours on the outside, and then I proceeded to ask people to choose a colour.
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The response gathered had meaning, or so believed the participants, many picked their favourite colours. Which is not to anyone’s surprise, but the real experiment began when shown what was underneath.
(Below)
You see instead of anything to do with their favourite colours, the inside of it was something completely different (in terms of colour). The reasoning behind this was that I wanted to see what kind of emotion I would elicit from this? They wanted to see more of their favourite colours right? Happiness, sadness, adventure, calm etc etc, all the symbolic colours and what they SHOULD elicit right?
Drumroll.......
Well, WRONG. Contrary to popular belief, it wasn’t really anything like that described by the psycho-analysis article. When presented with casual conversation and asked to pick a colour, many picked their favourite without thinking, but when presented with something else, it wasn't disappointment that came, no, not AT ALL. It was complete and utter apathy. They had picked their favourite colours, at least, they believe they had.
It seems that most of these people aren't 12 anymore. The colours in which they believe wholeheartedly that was their favourite no longer applies as exclusively as it did when they were younger. This chatter box was also shown to my younger cousins, and the response was incredibly different; there was frustration. anger and sometimes even sadness that they couldn't get the answer they were hoping for.
I asked the younger participants why they felt so sad that they didn’t get what they wanted and they just simply replied with: “they just really really liked the colour”. Whilst the older audience went a little deeper with their responses. They argued that it wasn't practical anymore and that in reality, they no longer have an actual favourite colour, as more and more things are biased towards actual aesthetically influence.
This experiment was incredibly fascinating, as it really made me think about if I really have a favourite colour as well. And how drastically different our desires were compared to now; so much so that even our favourite colours, which is an age old question, has now been completely turned upside now. There is immense truth in these answers, as my preference of colours will have no impact on my paintings, since I need to consider the lighting and composition as they are in real life, and no longer can I paint everything BLUE because I like it.